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Color name
HEX #25C93B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C93B it is the complementary color #DA36C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C93B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C93B shade: #2AC936, #3BDB49, #4CED5C, #5DFF6F and #6EFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C93B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C93B shade: #25C93B, #14B728, #03A515, #009302 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C93B shade: #25CA3B, #3BCA25, #68CA25, #94CA25 and #C1CA25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C93B shade: #25CA3B, #25CA67, #25CA94, #25CAC1 and #25A7CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C93B shade matches the following richer shades: #25CA3B and #11DD2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C93B shade: #25CA3B, #38B749, #4BA357, #5F9065 and #727C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C93B shade: #67CA25, #3BCA25, #25CA3B, #25CA67 and #25CA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C93B shade: #188426, #1EA731, #25CA3B, #3DDB52 and #60E171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C93B shade: #25C93B, #2593CA and #CA2551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C93B shade: #25C93B, #3B25CA and #CA3B25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C93B shade: #25C93B, #2593CA, #CA25B4 and #CA5C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C93B shade: #25C93B, #2561CA, #CA25B4 and #CA8D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

Complementary color

CMYK 0 / 75 / 10 / 15

HEX #DA36C4

RGB 218 54 196

HSL 308.05, 0.69%, 0.53%

LAB 53.52, 75.63, -38.7

 

CMYK 79 / 0 / 73 / 21

HEX #2AC936

RGB 42 201 54

HSL 124.53, 0.65%, 0.48%

LAB 71.24, -66.68, 58.65

 

CMYK 73 / 0 / 67 / 14

HEX #3BDB49

RGB 59 219 73

HSL 125.25, 0.69%, 0.55%

LAB 77.32, -68.24, 57.93

 

CMYK 68 / 0 / 61 / 7

HEX #4CED5C

RGB 76 237 92

HSL 125.96, 0.82%, 0.61%

LAB 83.38, -69.3, 56.89

 

CMYK 64 / 0 / 56 / 0

HEX #5DFF6F

RGB 93 255 111

HSL 126.67, 1%, 0.68%

LAB 89.39, -70.01, 55.69

 

CMYK 57 / 0 / 49 / 0

HEX #6EFF82

RGB 110 255 130

HSL 128.28, 1%, 0.72%

LAB 90.07, -64, 47.94

 

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

CMYK 89 / 0 / 78 / 28

HEX #14B728

RGB 20 183 40

HSL 127.36, 0.8%, 0.4%

LAB 65.1, -64.54, 57.2

 

CMYK 98 / 0 / 87 / 35

HEX #03A515

RGB 3 165 21

HSL 126.67, 0.96%, 0.33%

LAB 58.96, -61.4, 56.68

 

CMYK 100 / 0 / 99 / 42

HEX #009302

RGB 0 147 2

HSL 120.82, 1%, 0.29%

LAB 52.81, -57.1, 54.83

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 71 / 0 / 82 / 21

HEX #3BCA25

RGB 59 202 37

HSL 112, 0.69%, 0.47%

LAB 71.76, -65.54, 64.57

 

CMYK 49 / 0 / 82 / 21

HEX #68CA25

RGB 104 202 37

HSL 95.64, 0.69%, 0.47%

LAB 73.1, -54.71, 66.29

 

CMYK 27 / 0 / 82 / 21

HEX #94CA25

RGB 148 202 37

HSL 79.64, 0.69%, 0.47%

LAB 75.25, -39.53, 69.02

 

CMYK 4 / 0 / 82 / 21

HEX #C1CA25

RGB 193 202 37

HSL 63.27, 0.69%, 0.47%

LAB 78.29, -21.28, 72.86

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 82 / 0 / 49 / 21

HEX #25CA67

RGB 37 202 103

HSL 144, 0.69%, 0.47%

LAB 71.97, -61.7, 38.04

 

CMYK 82 / 0 / 27 / 21

HEX #25CA94

RGB 37 202 148

HSL 160.36, 0.69%, 0.47%

LAB 72.74, -52.9, 15.71

 

CMYK 82 / 0 / 4 / 21

HEX #25CAC1

RGB 37 202 193

HSL 176.73, 0.69%, 0.47%

LAB 73.86, -41.28, -6.98

 

CMYK 82 / 17 / 0 / 21

HEX #25A7CA

RGB 37 167 202

HSL 192.73, 0.69%, 0.47%

LAB 63.59, -21.65, -27.46

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 92 / 0 / 80 / 13

HEX #11DD2D

RGB 17 221 45

HSL 128.24, 0.86%, 0.47%

LAB 77.29, -75.23, 67.35

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 69 / 0 / 60 / 28

HEX #38B749

RGB 56 183 73

HSL 128.03, 0.53%, 0.47%

LAB 65.9, -56.76, 45.17

 

CMYK 54 / 0 / 47 / 36

HEX #4BA357

RGB 75 163 87

HSL 128.18, 0.37%, 0.47%

LAB 60.23, -42.94, 31.55

 

CMYK 34 / 0 / 30 / 44

HEX #5F9065

RGB 95 144 101

HSL 127.35, 0.21%, 0.47%

LAB 55.4, -25.81, 17.75

 

CMYK 8 / 0 / 6 / 51

HEX #727C74

RGB 114 124 116

HSL 132, 0.04%, 0.47%

LAB 50.98, -5.36, 3.09

 

CMYK 49 / 0 / 82 / 21

HEX #67CA25

RGB 103 202 37

HSL 96, 0.69%, 0.47%

LAB 73.06, -55.01, 66.24

 

CMYK 71 / 0 / 82 / 21

HEX #3BCA25

RGB 59 202 37

HSL 112, 0.69%, 0.47%

LAB 71.76, -65.54, 64.57

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 82 / 0 / 49 / 21

HEX #25CA67

RGB 37 202 103

HSL 144, 0.69%, 0.47%

LAB 71.97, -61.7, 38.04

 

CMYK 82 / 0 / 27 / 21

HEX #25CA93

RGB 37 202 147

HSL 160, 0.69%, 0.47%

LAB 72.72, -53.13, 16.21

 

CMYK 82 / 0 / 71 / 48

HEX #188426

RGB 24 132 38

HSL 127.78, 0.69%, 0.31%

LAB 48.05, -48.38, 40.73

 

CMYK 82 / 0 / 71 / 35

HEX #1EA731

RGB 30 167 49

HSL 128.32, 0.7%, 0.39%

LAB 60.01, -57.98, 48.88

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 72 / 0 / 63 / 14

HEX #3DDB52

RGB 61 219 82

HSL 127.97, 0.69%, 0.55%

LAB 77.44, -67, 54.36

 

CMYK 57 / 0 / 50 / 12

HEX #60E171

RGB 96 225 113

HSL 127.91, 0.68%, 0.63%

LAB 80.48, -58.39, 44.04

 

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

CMYK 82 / 27 / 0 / 21

HEX #2593CA

RGB 37 147 202

HSL 200, 0.69%, 0.47%

LAB 57.58, -10.84, -36.78

 

CMYK 0 / 82 / 60 / 21

HEX #CA2551

RGB 202 37 81

HSL 344, 0.69%, 0.47%

LAB 44.9, 64.14, 17.31

 

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

CMYK 71 / 82 / 0 / 21

HEX #3B25CA

RGB 59 37 202

HSL 248, 0.69%, 0.47%

LAB 30.68, 57.23, -80.18

 

CMYK 0 / 71 / 82 / 21

HEX #CA3B25

RGB 202 59 37

HSL 8, 0.69%, 0.47%

LAB 46.73, 55.22, 45.06

 

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

CMYK 82 / 27 / 0 / 21

HEX #2593CA

RGB 37 147 202

HSL 200, 0.69%, 0.47%

LAB 57.58, -10.84, -36.78

 

CMYK 0 / 82 / 11 / 21

HEX #CA25B4

RGB 202 37 180

HSL 308, 0.69%, 0.47%

LAB 48.48, 74.4, -37.52

 

CMYK 0 / 54 / 82 / 21

HEX #CA5C25

RGB 202 92 37

HSL 20, 0.69%, 0.47%

LAB 52.22, 40.66, 50.19

 

CMYK 82 / 0 / 71 / 21

HEX #25C93B

RGB 37 201 59

HSL 128.05, 0.69%, 0.47%

LAB 71.2, -66.85, 56.77

 

CMYK 82 / 52 / 0 / 21

HEX #2561CA

RGB 37 97 202

HSL 218.18, 0.69%, 0.47%

LAB 43.07, 19.7, -59.9

 

CMYK 0 / 82 / 11 / 21

HEX #CA25B4

RGB 202 37 180

HSL 308, 0.69%, 0.47%

LAB 48.48, 74.4, -37.52

 

CMYK 0 / 30 / 82 / 21

HEX #CA8D25

RGB 202 141 37

HSL 37.82, 0.69%, 0.47%

LAB 63.13, 14.62, 60.01

 

Description

Color code: HEX #25C93B | qconv.com Color code: HEX #25C93B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 201 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 201 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 71% 21% C M Y K

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Provide designers and agencies with accurate color values.

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