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Color name
HEX #25B1CB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B1CB it is the complementary color #DA4E34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B1CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B1CB shade: #2AB1C6, #3BC3D9, #4CD5EC, #5DE7FF and #6EF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B1CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B1CB shade: #25B1CB, #149FB8, #038DA5, #007B92 and #00697F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B1CB shade: #25B0CA, #2584CA, #2557CA, #252ACA and #4C25CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B1CB shade: #25B0CA, #2584CA, #2557CA, #252ACA and #2525CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B1CB shade matches the following richer shades: #25B0CA and #11BDDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B1CB shade: #25B0CA, #38A3B7, #4B96A3, #5F8890 and #727B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B1CB shade: #25CA8B, #25CAB7, #25B1CA, #2585CA and #2559CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B1CB shade: #187384, #1E92A7, #25B0CA, #3DC2DB and #60CDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B1CB shade: #25B1CB, #5F25CA and #CAA125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B1CB shade: #25B1CB, #CA25B1 and #B1CA25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B1CB shade: #25B1CB, #5F25CA, #CA3D25 and #90CA25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B1CB shade: #25B1CB, #9025CA, #CA3D25 and #5FCA25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

Complementary color

CMYK 0 / 64 / 76 / 15

HEX #DA4E34

RGB 218 78 52

HSL 9.4, 0.69%, 0.53%

LAB 52.51, 53.46, 44.08

 

CMYK 79 / 11 / 0 / 22

HEX #2AB1C6

RGB 42 177 198

HSL 188.08, 0.65%, 0.47%

LAB 66.53, -27.58, -20.72

 

CMYK 73 / 10 / 0 / 15

HEX #3BC3D9

RGB 59 195 217

HSL 188.35, 0.68%, 0.54%

LAB 72.87, -28.68, -21.45

 

CMYK 68 / 10 / 0 / 7

HEX #4CD5EC

RGB 76 213 236

HSL 188.63, 0.81%, 0.61%

LAB 79.15, -29.53, -22.11

 

CMYK 64 / 9 / 0 / 0

HEX #5DE7FF

RGB 93 231 255

HSL 188.89, 1%, 0.68%

LAB 85.35, -30.19, -22.72

 

CMYK 57 / 2 / 0 / 0

HEX #6EF9FF

RGB 110 249 255

HSL 182.48, 1%, 0.72%

LAB 90.91, -35.86, -14.29

 

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

CMYK 89 / 14 / 0 / 28

HEX #149FB8

RGB 20 159 184

HSL 189.15, 0.8%, 0.4%

LAB 60.25, -24.79, -22.53

 

CMYK 98 / 15 / 0 / 35

HEX #038DA5

RGB 3 141 165

HSL 188.89, 0.96%, 0.33%

LAB 53.8, -22.76, -21.62

 

CMYK 100 / 16 / 0 / 43

HEX #007B92

RGB 0 123 146

HSL 189.45, 1%, 0.29%

LAB 47.29, -20.09, -20.56

 

CMYK 100 / 17 / 0 / 50

HEX #00697F

RGB 0 105 127

HSL 190.39, 1%, 0.25%

LAB 40.63, -17.2, -19.46

 

CMYK 82 / 13 / 0 / 21

HEX #25B0CA

RGB 37 176 202

HSL 189.45, 0.69%, 0.47%

LAB 66.3, -26.25, -23.3

 

CMYK 82 / 35 / 0 / 21

HEX #2584CA

RGB 37 132 202

HSL 205.45, 0.69%, 0.47%

LAB 53.12, -2.17, -43.8

 

CMYK 82 / 57 / 0 / 21

HEX #2557CA

RGB 37 87 202

HSL 221.82, 0.69%, 0.47%

LAB 40.37, 26.22, -64.3

 

CMYK 82 / 79 / 0 / 21

HEX #252ACA

RGB 37 42 202

HSL 238.18, 0.69%, 0.47%

LAB 30.19, 53.48, -81.03

 

CMYK 62 / 82 / 0 / 21

HEX #4C25CA

RGB 76 37 202

HSL 254.18, 0.69%, 0.47%

LAB 32.09, 58.68, -77.81

 

CMYK 82 / 13 / 0 / 21

HEX #25B0CA

RGB 37 176 202

HSL 189.45, 0.69%, 0.47%

LAB 66.3, -26.25, -23.3

 

CMYK 82 / 35 / 0 / 21

HEX #2584CA

RGB 37 132 202

HSL 205.45, 0.69%, 0.47%

LAB 53.12, -2.17, -43.8

 

CMYK 82 / 57 / 0 / 21

HEX #2557CA

RGB 37 87 202

HSL 221.82, 0.69%, 0.47%

LAB 40.37, 26.22, -64.3

 

CMYK 82 / 79 / 0 / 21

HEX #252ACA

RGB 37 42 202

HSL 238.18, 0.69%, 0.47%

LAB 30.19, 53.48, -81.03

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 82 / 13 / 0 / 21

HEX #25B0CA

RGB 37 176 202

HSL 189.45, 0.69%, 0.47%

LAB 66.3, -26.25, -23.3

 

CMYK 92 / 14 / 0 / 13

HEX #11BDDD

RGB 17 189 221

HSL 189.41, 0.86%, 0.47%

LAB 70.69, -27.71, -27.01

 

CMYK 82 / 13 / 0 / 21

HEX #25B0CA

RGB 37 176 202

HSL 189.45, 0.69%, 0.47%

LAB 66.3, -26.25, -23.3

 

CMYK 69 / 11 / 0 / 28

HEX #38A3B7

RGB 56 163 183

HSL 189.45, 0.53%, 0.47%

LAB 62.04, -23.58, -19.18

 

CMYK 54 / 8 / 0 / 36

HEX #4B96A3

RGB 75 150 163

HSL 188.86, 0.37%, 0.47%

LAB 57.99, -19.48, -13.96

 

CMYK 34 / 6 / 0 / 44

HEX #5F8890

RGB 95 136 144

HSL 189.8, 0.21%, 0.47%

LAB 54.09, -12.02, -8.82

 

CMYK 8 / 1 / 0 / 51

HEX #727B7C

RGB 114 123 124

HSL 186, 0.04%, 0.47%

LAB 50.92, -3.13, -1.7

 

CMYK 82 / 0 / 31 / 21

HEX #25CA8B

RGB 37 202 139

HSL 157.09, 0.69%, 0.47%

LAB 72.56, -54.9, 20.25

 

CMYK 82 / 0 / 9 / 21

HEX #25CAB7

RGB 37 202 183

HSL 173.09, 0.69%, 0.47%

LAB 73.58, -44.07, -1.97

 

CMYK 82 / 12 / 0 / 21

HEX #25B1CA

RGB 37 177 202

HSL 189.09, 0.69%, 0.47%

LAB 66.6, -26.75, -22.84

 

CMYK 82 / 34 / 0 / 21

HEX #2585CA

RGB 37 133 202

HSL 205.09, 0.69%, 0.47%

LAB 53.42, -2.77, -43.34

 

CMYK 82 / 56 / 0 / 21

HEX #2559CA

RGB 37 89 202

HSL 221.09, 0.69%, 0.47%

LAB 40.9, 24.92, -63.43

 

CMYK 82 / 13 / 0 / 48

HEX #187384

RGB 24 115 132

HSL 189.44, 0.69%, 0.31%

LAB 44.41, -19.16, -16.65

 

CMYK 82 / 13 / 0 / 35

HEX #1E92A7

RGB 30 146 167

HSL 189.2, 0.7%, 0.39%

LAB 55.71, -23.08, -19.82

 

CMYK 82 / 13 / 0 / 21

HEX #25B0CA

RGB 37 176 202

HSL 189.45, 0.69%, 0.47%

LAB 66.3, -26.25, -23.3

 

CMYK 72 / 11 / 0 / 14

HEX #3DC2DB

RGB 61 194 219

HSL 189.49, 0.69%, 0.55%

LAB 72.69, -27.33, -22.81

 

CMYK 57 / 9 / 0 / 12

HEX #60CDE1

RGB 96 205 225

HSL 189.3, 0.68%, 0.63%

LAB 77.03, -25.54, -19.37

 

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

CMYK 53 / 82 / 0 / 21

HEX #5F25CA

RGB 95 37 202

HSL 261.09, 0.69%, 0.47%

LAB 34.03, 60.69, -74.54

 

CMYK 0 / 20 / 82 / 21

HEX #CAA125

RGB 202 161 37

HSL 45.09, 0.69%, 0.47%

LAB 68.15, 3.78, 64.42

 

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

CMYK 0 / 82 / 12 / 21

HEX #CA25B1

RGB 202 37 177

HSL 309.09, 0.69%, 0.47%

LAB 48.33, 73.98, -35.99

 

CMYK 12 / 0 / 82 / 21

HEX #B1CA25

RGB 177 202 37

HSL 69.09, 0.69%, 0.47%

LAB 77.11, -27.96, 71.38

 

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

CMYK 53 / 82 / 0 / 21

HEX #5F25CA

RGB 95 37 202

HSL 261.09, 0.69%, 0.47%

LAB 34.03, 60.69, -74.54

 

CMYK 0 / 70 / 82 / 21

HEX #CA3D25

RGB 202 61 37

HSL 8.73, 0.69%, 0.47%

LAB 47.01, 54.47, 45.32

 

CMYK 29 / 0 / 82 / 21

HEX #90CA25

RGB 144 202 37

HSL 81.09, 0.69%, 0.47%

LAB 75.02, -41.05, 68.73

 

CMYK 82 / 13 / 0 / 20

HEX #25B1CB

RGB 37 177 203

HSL 189.4, 0.69%, 0.47%

LAB 66.63, -26.43, -23.33

 

CMYK 29 / 82 / 0 / 21

HEX #9025CA

RGB 144 37 202

HSL 278.91, 0.69%, 0.47%

LAB 40.44, 67.52, -63.79

 

CMYK 0 / 70 / 82 / 21

HEX #CA3D25

RGB 202 61 37

HSL 8.73, 0.69%, 0.47%

LAB 47.01, 54.47, 45.32

 

CMYK 53 / 0 / 82 / 21

HEX #5FCA25

RGB 95 202 37

HSL 98.91, 0.69%, 0.47%

LAB 72.76, -57.31, 65.86

 

Description

Color code: HEX #25B1CB | qconv.com Color code: HEX #25B1CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 177 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 177 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 13 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 13% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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