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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B0E3 it is the complementary color #DA4F1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B0E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B0E3 shade: #2AB0DE, #3BC2F1, #4CD4FF, #5DE6FF and #6EF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B0E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B0E3 shade: #25B0E3, #149ED0, #038CBD, #007AAA and #006897

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B0E3 shade: #26B0E2, #267DE2, #264AE2, #3426E2 and #6726E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B0E3 shade: #26B0E2, #267DE2, #264AE2 and #2626E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B0E3 shade matches the following richer shades: #26B0E2 and #12B9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B0E3 shade: #26B0E2, #3AA7CF, #4D9DBB, #6194A7 and #758B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B0E3 shade: #26E2B0, #26E2E2, #26B0E2, #267EE2 and #264CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B0E3 shade: #157BA1, #1997C6, #26B0E2, #4ABDE7 and #6FCAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B0E3 shade: #25B0E3, #7E26E2 and #E2C926

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B0E3 shade: #25B0E3, #E226B0 and #B0E226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B0E3 shade: #25B0E3, #7E26E2, #E25826 and #8AE226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B0E3 shade: #25B0E3, #B626E2, #E25826 and #52E226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

Complementary color

CMYK 0 / 64 / 87 / 15

HEX #DA4F1C

RGB 218 79 28

HSL 16.11, 0.77%, 0.48%

LAB 52.49, 52.33, 55.17

 

CMYK 81 / 21 / 0 / 13

HEX #2AB0DE

RGB 42 176 222

HSL 195.33, 0.73%, 0.52%

LAB 67.14, -19.2, -33.01

 

CMYK 76 / 20 / 0 / 5

HEX #3BC2F1

RGB 59 194 241

HSL 195.49, 0.87%, 0.59%

LAB 73.46, -20.6, -33.55

 

CMYK 70 / 17 / 0 / 0

HEX #4CD4FF

RGB 76 212 255

HSL 194.41, 1%, 0.65%

LAB 79.52, -23.28, -31.66

 

CMYK 64 / 10 / 0 / 0

HEX #5DE6FF

RGB 93 230 255

HSL 189.26, 1%, 0.68%

LAB 85.07, -29.71, -23.15

 

CMYK 57 / 3 / 0 / 0

HEX #6EF8FF

RGB 110 248 255

HSL 182.9, 1%, 0.72%

LAB 90.63, -35.39, -14.71

 

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

CMYK 90 / 24 / 0 / 18

HEX #149ED0

RGB 20 158 208

HSL 195.96, 0.82%, 0.45%

LAB 60.92, -15.96, -34.95

 

CMYK 98 / 26 / 0 / 26

HEX #038CBD

RGB 3 140 189

HSL 195.81, 0.97%, 0.38%

LAB 54.5, -13.59, -34.27

 

CMYK 100 / 28 / 0 / 33

HEX #007AAA

RGB 0 122 170

HSL 196.94, 1%, 0.33%

LAB 48.03, -10.6, -33.46

 

CMYK 100 / 31 / 0 / 41

HEX #006897

RGB 0 104 151

HSL 198.68, 1%, 0.3%

LAB 41.43, -7.35, -32.65

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 83 / 45 / 0 / 11

HEX #267DE2

RGB 38 125 226

HSL 212.23, 0.76%, 0.52%

LAB 52.48, 11.19, -58.39

 

CMYK 83 / 67 / 0 / 11

HEX #264AE2

RGB 38 74 226

HSL 228.51, 0.76%, 0.52%

LAB 39.24, 43.46, -79.91

 

CMYK 77 / 83 / 0 / 11

HEX #3426E2

RGB 52 38 226

HSL 244.47, 0.76%, 0.52%

LAB 33.15, 63.28, -89.97

 

CMYK 54 / 83 / 0 / 11

HEX #6726E2

RGB 103 38 226

HSL 260.74, 0.76%, 0.52%

LAB 37.41, 67.25, -82.78

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 83 / 45 / 0 / 11

HEX #267DE2

RGB 38 125 226

HSL 212.23, 0.76%, 0.52%

LAB 52.48, 11.19, -58.39

 

CMYK 83 / 67 / 0 / 11

HEX #264AE2

RGB 38 74 226

HSL 228.51, 0.76%, 0.52%

LAB 39.24, 43.46, -79.91

 

CMYK 83 / 83 / 0 / 11

HEX #2626E2

RGB 38 38 226

HSL 240, 0.76%, 0.52%

LAB 32.46, 62.65, -91.14

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 93 / 25 / 0 / 4

HEX #12B9F6

RGB 18 185 246

HSL 196.05, 0.93%, 0.52%

LAB 70.51, -17.15, -40.87

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 72 / 19 / 0 / 19

HEX #3AA7CF

RGB 58 167 207

HSL 196.11, 0.61%, 0.52%

LAB 64.19, -17.69, -29.26

 

CMYK 59 / 16 / 0 / 27

HEX #4D9DBB

RGB 77 157 187

HSL 196.36, 0.45%, 0.52%

LAB 61.03, -15.6, -22.92

 

CMYK 42 / 11 / 0 / 35

HEX #6194A7

RGB 97 148 167

HSL 196.29, 0.28%, 0.52%

LAB 58.52, -11.92, -15.34

 

CMYK 20 / 5 / 0 / 42

HEX #758B93

RGB 117 139 147

HSL 196, 0.12%, 0.52%

LAB 56.44, -6.02, -6.89

 

CMYK 83 / 0 / 22 / 11

HEX #26E2B0

RGB 38 226 176

HSL 164.04, 0.76%, 0.52%

LAB 80.71, -55.63, 12.05

 

CMYK 83 / 0 / 0 / 11

HEX #26E2E2

RGB 38 226 226

HSL 180, 0.76%, 0.52%

LAB 82, -42.41, -12.55

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 83 / 44 / 0 / 11

HEX #267EE2

RGB 38 126 226

HSL 211.91, 0.76%, 0.52%

LAB 52.76, 10.57, -57.94

 

CMYK 83 / 66 / 0 / 11

HEX #264CE2

RGB 38 76 226

HSL 227.87, 0.76%, 0.52%

LAB 39.7, 42.23, -79.16

 

CMYK 87 / 24 / 0 / 37

HEX #157BA1

RGB 21 123 161

HSL 196.29, 0.77%, 0.36%

LAB 48.13, -13.48, -28.05

 

CMYK 87 / 24 / 0 / 22

HEX #1997C6

RGB 25 151 198

HSL 196.3, 0.78%, 0.44%

LAB 58.43, -15.41, -33.22

 

CMYK 83 / 22 / 0 / 11

HEX #26B0E2

RGB 38 176 226

HSL 195.96, 0.76%, 0.52%

LAB 67.24, -18.17, -35.05

 

CMYK 68 / 18 / 0 / 9

HEX #4ABDE7

RGB 74 189 231

HSL 196.05, 0.77%, 0.6%

LAB 71.97, -19.3, -30.4

 

CMYK 53 / 14 / 0 / 7

HEX #6FCAEC

RGB 111 202 236

HSL 196.32, 0.77%, 0.68%

LAB 77.09, -17.95, -25.15

 

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

CMYK 44 / 83 / 0 / 11

HEX #7E26E2

RGB 126 38 226

HSL 268.09, 0.76%, 0.52%

LAB 40.1, 69.87, -78.25

 

CMYK 0 / 11 / 83 / 11

HEX #E2C926

RGB 226 201 38

HSL 52.02, 0.76%, 0.52%

LAB 80.78, -6.67, 75.82

 

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

CMYK 0 / 83 / 22 / 11

HEX #E226B0

RGB 226 38 176

HSL 315.96, 0.76%, 0.52%

LAB 52.61, 78.64, -28.41

 

CMYK 22 / 0 / 83 / 11

HEX #B0E226

RGB 176 226 38

HSL 75.96, 0.76%, 0.52%

LAB 83.84, -39.36, 76.93

 

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

CMYK 44 / 83 / 0 / 11

HEX #7E26E2

RGB 126 38 226

HSL 268.09, 0.76%, 0.52%

LAB 40.1, 69.87, -78.25

 

CMYK 0 / 61 / 83 / 11

HEX #E25826

RGB 226 88 38

HSL 15.96, 0.76%, 0.52%

LAB 55.37, 51.46, 54.04

 

CMYK 39 / 0 / 83 / 11

HEX #8AE226

RGB 138 226 38

HSL 88.09, 0.76%, 0.52%

LAB 81.8, -53.14, 74.37

 

CMYK 84 / 22 / 0 / 11

HEX #25B0E3

RGB 37 176 227

HSL 196.11, 0.77%, 0.52%

LAB 67.27, -17.91, -35.56

 

CMYK 19 / 83 / 0 / 11

HEX #B626E2

RGB 182 38 226

HSL 285.96, 0.76%, 0.52%

LAB 48.04, 77.92, -64.98

 

CMYK 0 / 61 / 83 / 11

HEX #E25826

RGB 226 88 38

HSL 15.96, 0.76%, 0.52%

LAB 55.37, 51.46, 54.04

 

CMYK 64 / 0 / 83 / 11

HEX #52E226

RGB 82 226 38

HSL 105.96, 0.76%, 0.52%

LAB 79.8, -68.66, 71.82

 

Description

Color code: HEX #25B0E3 | qconv.com Color code: HEX #25B0E3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 176 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 176 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 22 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 22% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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