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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B030 it is the complementary color #DA4FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B030 shade: #2AB02B, #3BC23E, #4CD451, #5DE664 and #6EF877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B030 shade: #25B030, #149E1D, #038C0A, #007A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B030 shade: #25B030, #40B025, #65B025, #8BB025 and #B0B025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B030 shade: #25B030, #25B056, #25B07B, #25B0A1 and #259AB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B030 shade matches the following richer shades: #25B030, #14C221 and #02D313

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B030 shade: #25B030, #369F3F, #488E4D, #597C5C and #6A6B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B030 shade: #66B025, #41B025, #25B02E, #25B053 and #25B079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B030 shade: #176C1D, #1E8E27, #25B030, #2DD23A and #4FD95A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B030 shade: #25B030, #258BB0 and #B02553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B030 shade: #25B030, #2E25B0 and #B02E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B030 shade: #25B030, #258BB0, #B025A7 and #B04A25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B030 shade: #25B030, #2561B0, #B025A7 and #B07425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

Complementary color

CMYK 0 / 64 / 5 / 15

HEX #DA4FCF

RGB 218 79 207

HSL 304.75, 0.65%, 0.58%

LAB 57.08, 68.76, -39.41

 

CMYK 76 / 0 / 76 / 31

HEX #2AB02B

RGB 42 176 43

HSL 120.45, 0.61%, 0.43%

LAB 63.11, -59.74, 54.35

 

CMYK 70 / 0 / 68 / 24

HEX #3BC23E

RGB 59 194 62

HSL 121.33, 0.53%, 0.5%

LAB 69.37, -61.14, 53.78

 

CMYK 64 / 0 / 62 / 17

HEX #4CD451

RGB 76 212 81

HSL 122.21, 0.61%, 0.56%

LAB 75.59, -62.04, 52.79

 

CMYK 60 / 0 / 57 / 10

HEX #5DE664

RGB 93 230 100

HSL 123.07, 0.73%, 0.63%

LAB 81.75, -62.58, 51.61

 

CMYK 56 / 0 / 52 / 3

HEX #6EF877

RGB 110 248 119

HSL 123.91, 0.91%, 0.7%

LAB 87.86, -62.88, 50.36

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 87 / 0 / 82 / 38

HEX #149E1D

RGB 20 158 29

HSL 123.91, 0.78%, 0.35%

LAB 56.77, -57.81, 52.64

 

CMYK 98 / 0 / 93 / 45

HEX #038C0A

RGB 3 140 10

HSL 123.07, 0.96%, 0.28%

LAB 50.45, -54.62, 51.49

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 64 / 0 / 79 / 31

HEX #40B025

RGB 64 176 37

HSL 108.35, 0.65%, 0.42%

LAB 63.57, -55.98, 56.94

 

CMYK 43 / 0 / 79 / 31

HEX #65B025

RGB 101 176 37

HSL 92.37, 0.65%, 0.42%

LAB 64.92, -45.46, 58.7

 

CMYK 21 / 0 / 79 / 31

HEX #8BB025

RGB 139 176 37

HSL 75.97, 0.65%, 0.42%

LAB 67.03, -31.22, 61.42

 

CMYK 0 / 0 / 79 / 31

HEX #B0B025

RGB 176 176 37

HSL 60, 0.65%, 0.42%

LAB 69.76, -15.56, 64.91

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 79 / 0 / 51 / 31

HEX #25B056

RGB 37 176 86

HSL 141.15, 0.65%, 0.42%

LAB 63.44, -55.45, 35.88

 

CMYK 79 / 0 / 30 / 31

HEX #25B07B

RGB 37 176 123

HSL 157.12, 0.65%, 0.42%

LAB 64.06, -48.36, 17.16

 

CMYK 79 / 0 / 9 / 31

HEX #25B0A1

RGB 37 176 161

HSL 173.53, 0.65%, 0.42%

LAB 64.98, -38.72, -2.53

 

CMYK 79 / 13 / 0 / 31

HEX #259AB0

RGB 37 154 176

HSL 189.5, 0.65%, 0.42%

LAB 58.64, -23.56, -20.46

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 90 / 0 / 83 / 24

HEX #14C221

RGB 20 194 33

HSL 124.48, 0.81%, 0.42%

LAB 68.64, -68.14, 62.55

 

CMYK 99 / 0 / 91 / 17

HEX #02D313

RGB 2 211 19

HSL 124.88, 0.98%, 0.42%

LAB 73.96, -74.24, 70.02

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 66 / 0 / 60 / 38

HEX #369F3F

RGB 54 159 63

HSL 125.14, 0.49%, 0.42%

LAB 57.98, -49.78, 40.66

 

CMYK 49 / 0 / 46 / 44

HEX #488E4D

RGB 72 142 77

HSL 124.29, 0.33%, 0.42%

LAB 53.23, -36.35, 27.93

 

CMYK 28 / 0 / 26 / 51

HEX #597C5C

RGB 89 124 92

HSL 125.14, 0.16%, 0.42%

LAB 48.65, -19.35, 13.57

 

CMYK 1 / 0 / 1 / 58

HEX #6A6B6A

RGB 106 107 106

HSL 120, 0%, 0.42%

LAB 45.11, -0.59, 0.42

 

CMYK 42 / 0 / 79 / 31

HEX #66B025

RGB 102 176 37

HSL 91.94, 0.65%, 0.42%

LAB 64.97, -45.12, 58.76

 

CMYK 63 / 0 / 79 / 31

HEX #41B025

RGB 65 176 37

HSL 107.91, 0.65%, 0.42%

LAB 63.6, -55.75, 56.98

 

CMYK 79 / 0 / 74 / 31

HEX #25B02E

RGB 37 176 46

HSL 123.88, 0.65%, 0.42%

LAB 63.05, -60.21, 53.19

 

CMYK 79 / 0 / 53 / 31

HEX #25B053

RGB 37 176 83

HSL 139.86, 0.65%, 0.42%

LAB 63.4, -55.91, 37.33

 

CMYK 79 / 0 / 31 / 31

HEX #25B079

RGB 37 176 121

HSL 156.26, 0.65%, 0.42%

LAB 64.02, -48.81, 18.19

 

CMYK 79 / 0 / 73 / 58

HEX #176C1D

RGB 23 108 29

HSL 124.24, 0.65%, 0.26%

LAB 39.57, -41.15, 35.6

 

CMYK 79 / 0 / 73 / 44

HEX #1E8E27

RGB 30 142 39

HSL 124.82, 0.65%, 0.34%

LAB 51.57, -50.79, 44.05

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 79 / 0 / 72 / 18

HEX #2DD23A

RGB 45 210 58

HSL 124.73, 0.65%, 0.5%

LAB 74.16, -68.73, 60.22

 

CMYK 64 / 0 / 59 / 15

HEX #4FD95A

RGB 79 217 90

HSL 124.78, 0.64%, 0.58%

LAB 77.3, -62.15, 50.81

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 79 / 21 / 0 / 31

HEX #258BB0

RGB 37 139 176

HSL 195.97, 0.65%, 0.42%

LAB 54.02, -15.57, -27.56

 

CMYK 0 / 79 / 53 / 31

HEX #B02553

RGB 176 37 83

HSL 340.14, 0.65%, 0.42%

LAB 39.88, 57.17, 8.33

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 74 / 79 / 0 / 31

HEX #2E25B0

RGB 46 37 176

HSL 243.88, 0.65%, 0.42%

LAB 26.84, 48.38, -71.18

 

CMYK 0 / 74 / 79 / 31

HEX #B02E25

RGB 176 46 37

HSL 3.88, 0.65%, 0.42%

LAB 40.11, 51.6, 36.86

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 79 / 21 / 0 / 31

HEX #258BB0

RGB 37 139 176

HSL 195.97, 0.65%, 0.42%

LAB 54.02, -15.57, -27.56

 

CMYK 0 / 79 / 5 / 31

HEX #B025A7

RGB 176 37 167

HSL 303.88, 0.65%, 0.42%

LAB 43.28, 67.15, -38.35

 

CMYK 0 / 58 / 79 / 31

HEX #B04A25

RGB 176 74 37

HSL 15.97, 0.65%, 0.42%

LAB 44.61, 39.53, 41.43

 

CMYK 79 / 0 / 73 / 31

HEX #25B030

RGB 37 176 48

HSL 124.75, 0.65%, 0.42%

LAB 63.06, -60.05, 52.47

 

CMYK 79 / 45 / 0 / 31

HEX #2561B0

RGB 37 97 176

HSL 214.1, 0.65%, 0.42%

LAB 41.34, 9.63, -47.56

 

CMYK 0 / 79 / 5 / 31

HEX #B025A7

RGB 176 37 167

HSL 303.88, 0.65%, 0.42%

LAB 43.28, 67.15, -38.35

 

CMYK 0 / 34 / 79 / 31

HEX #B07425

RGB 176 116 37

HSL 34.1, 0.65%, 0.42%

LAB 53.87, 16.97, 50.42

 

Description

Color code: HEX #25B030 | qconv.com Color code: HEX #25B030 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 176 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 176 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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