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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #258925 it is the complementary color #DA76DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #258925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #258925 shade: #2A8920, #3B9B33, #4CAD46, #5DBF59 and #6ED16C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #258925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #258925 shade: #258925, #147712, #036500, #005300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #258925 shade: #258825, #3F8825, #5A8825, #758825 and #888025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #258925 shade: #258825, #25883F, #25885A, #258875 and #258088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #258925 shade matches the following richer shades: #258825, #179617 and #09A409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #258925 shade: #258825, #337A33, #416C41, #4F5E4F and #5D505D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #258925 shade: #598825, #3F8825, #258825, #25883F and #258859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #258925 shade: #134713, #1C671C, #258825, #2EA82E and #37C837

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #258925 shade: #258925, #257488 and #88254C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #258925 shade: #258925, #252588 and #882525

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #258925 shade: #258925, #257488, #882588 and #883925

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #258925 shade: #258925, #255688, #882588 and #885625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

Complementary color

CMYK 0 / 46 / 0 / 15

HEX #DA76DA

RGB 218 118 218

HSL 300, 0.57%, 0.66%

LAB 64.1, 53.04, -34.64

 

CMYK 69 / 0 / 77 / 46

HEX #2A8920

RGB 42 137 32

HSL 114.29, 0.62%, 0.33%

LAB 50.08, -47.53, 45.31

 

CMYK 62 / 0 / 67 / 39

HEX #3B9B33

RGB 59 155 51

HSL 115.38, 0.5%, 0.4%

LAB 56.69, -48.51, 44.69

 

CMYK 56 / 0 / 60 / 32

HEX #4CAD46

RGB 76 173 70

HSL 116.5, 0.42%, 0.48%

LAB 63.23, -49.01, 43.62

 

CMYK 51 / 0 / 53 / 25

HEX #5DBF59

RGB 93 191 89

HSL 117.65, 0.44%, 0.55%

LAB 69.69, -49.21, 42.38

 

CMYK 47 / 0 / 48 / 18

HEX #6ED16C

RGB 110 209 108

HSL 118.81, 0.52%, 0.62%

LAB 76.07, -49.24, 41.1

 

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

CMYK 83 / 0 / 85 / 53

HEX #147712

RGB 20 119 18

HSL 118.81, 0.74%, 0.27%

LAB 43.34, -46.24, 43.36

 

CMYK 97 / 0 / 100 / 60

HEX #036500

RGB 3 101 0

HSL 118.22, 1%, 0.2%

LAB 36.61, -43.34, 42.2

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 54 / 0 / 73 / 47

HEX #3F8825

RGB 63 136 37

HSL 104.24, 0.57%, 0.34%

LAB 50.45, -41.38, 43.97

 

CMYK 34 / 0 / 73 / 47

HEX #5A8825

RGB 90 136 37

HSL 87.88, 0.57%, 0.34%

LAB 51.74, -32.05, 45.7

 

CMYK 14 / 0 / 73 / 47

HEX #758825

RGB 117 136 37

HSL 71.52, 0.57%, 0.34%

LAB 53.52, -20.87, 48.07

 

CMYK 0 / 6 / 73 / 47

HEX #888025

RGB 136 128 37

HSL 55.15, 0.57%, 0.34%

LAB 52.74, -8.05, 47.83

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 73 / 0 / 54 / 47

HEX #25883F

RGB 37 136 63

HSL 135.76, 0.57%, 0.34%

LAB 49.93, -44.54, 30.98

 

CMYK 73 / 0 / 34 / 47

HEX #25885A

RGB 37 136 90

HSL 152.12, 0.57%, 0.34%

LAB 50.38, -39.46, 16.76

 

CMYK 73 / 0 / 14 / 47

HEX #258875

RGB 37 136 117

HSL 168.48, 0.57%, 0.34%

LAB 51.02, -32.74, 2.09

 

CMYK 73 / 6 / 0 / 47

HEX #258088

RGB 37 128 136

HSL 184.85, 0.57%, 0.34%

LAB 49.02, -23.13, -11.99

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 85 / 0 / 85 / 41

HEX #179617

RGB 23 150 23

HSL 120, 0.73%, 0.34%

LAB 54.09, -55.42, 51.86

 

CMYK 95 / 0 / 95 / 36

HEX #09A409

RGB 9 164 9

HSL 120, 0.9%, 0.34%

LAB 58.63, -61.2, 58.56

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 58 / 0 / 58 / 52

HEX #337A33

RGB 51 122 51

HSL 120, 0.41%, 0.34%

LAB 45.44, -37.61, 31.87

 

CMYK 40 / 0 / 40 / 58

HEX #416C41

RGB 65 108 65

HSL 120, 0.25%, 0.34%

LAB 41.58, -24.62, 19.49

 

CMYK 16 / 0 / 16 / 63

HEX #4F5E4F

RGB 79 94 79

HSL 120, 0.09%, 0.34%

LAB 38.26, -9.06, 6.69

 

CMYK 0 / 14 / 0 / 64

HEX #5D505D

RGB 93 80 93

HSL 300, 0.08%, 0.34%

LAB 35.7, 8.03, -5.59

 

CMYK 35 / 0 / 73 / 47

HEX #598825

RGB 89 136 37

HSL 88.48, 0.57%, 0.34%

LAB 51.69, -32.44, 45.63

 

CMYK 54 / 0 / 73 / 47

HEX #3F8825

RGB 63 136 37

HSL 104.24, 0.57%, 0.34%

LAB 50.45, -41.38, 43.97

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 73 / 0 / 54 / 47

HEX #25883F

RGB 37 136 63

HSL 135.76, 0.57%, 0.34%

LAB 49.93, -44.54, 30.98

 

CMYK 73 / 0 / 35 / 47

HEX #258859

RGB 37 136 89

HSL 151.52, 0.57%, 0.34%

LAB 50.36, -39.67, 17.3

 

CMYK 73 / 0 / 73 / 72

HEX #134713

RGB 19 71 19

HSL 120, 0.58%, 0.18%

LAB 25.84, -28.93, 25.48

 

CMYK 73 / 0 / 73 / 60

HEX #1C671C

RGB 28 103 28

HSL 120, 0.57%, 0.26%

LAB 37.9, -38.47, 34.3

 

CMYK 73 / 0 / 73 / 47

HEX #258825

RGB 37 136 37

HSL 120, 0.57%, 0.34%

LAB 49.66, -47.75, 42.91

 

CMYK 73 / 0 / 73 / 34

HEX #2EA82E

RGB 46 168 46

HSL 120, 0.57%, 0.42%

LAB 60.59, -56.24, 50.74

 

CMYK 73 / 0 / 73 / 22

HEX #37C837

RGB 55 200 55

HSL 120, 0.57%, 0.5%

LAB 71.14, -64.41, 58.27

 

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

CMYK 73 / 15 / 0 / 47

HEX #257488

RGB 37 116 136

HSL 192.12, 0.57%, 0.34%

LAB 45.17, -16.7, -17.85

 

CMYK 0 / 73 / 44 / 47

HEX #88254C

RGB 136 37 76

HSL 336.36, 0.57%, 0.34%

LAB 31.99, 44.82, 0.51

 

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

CMYK 73 / 73 / 0 / 47

HEX #252588

RGB 37 37 136

HSL 240, 0.57%, 0.34%

LAB 21.92, 34.16, -54.85

 

CMYK 0 / 73 / 73 / 47

HEX #882525

RGB 136 37 37

HSL 0, 0.57%, 0.34%

LAB 31.09, 41.77, 24.7

 

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

CMYK 73 / 15 / 0 / 47

HEX #257488

RGB 37 116 136

HSL 192.12, 0.57%, 0.34%

LAB 45.17, -16.7, -17.85

 

CMYK 0 / 73 / 0 / 47

HEX #882588

RGB 136 37 136

HSL 300, 0.57%, 0.34%

LAB 34.67, 53.34, -33.61

 

CMYK 0 / 58 / 73 / 47

HEX #883925

RGB 136 57 37

HSL 12.12, 0.57%, 0.34%

LAB 34.59, 32.44, 28.75

 

CMYK 73 / 0 / 73 / 46

HEX #258925

RGB 37 137 37

HSL 120, 0.57%, 0.34%

LAB 50, -48.1, 43.26

 

CMYK 73 / 37 / 0 / 47

HEX #255688

RGB 37 86 136

HSL 210.3, 0.57%, 0.34%

LAB 35.65, 1.28, -32.67

 

CMYK 0 / 73 / 0 / 47

HEX #882588

RGB 136 37 136

HSL 300, 0.57%, 0.34%

LAB 34.67, 53.34, -33.61

 

CMYK 0 / 37 / 73 / 47

HEX #885625

RGB 136 86 37

HSL 29.7, 0.57%, 0.34%

LAB 41.25, 16.11, 36.09

 

Description

Color code: HEX #258925 | qconv.com Color code: HEX #258925 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 137 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 137 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 73 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 73% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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