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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257A53 it is the complementary color #DA85AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257A53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257A53 shade: #2A7A4E, #3B8C61, #4C9E74, #5DB087 and #6EC29A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257A53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257A53 shade: #257A53, #146840, #03562D, #00441A and #003207

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257A53 shade: #257852, #25783B, #257825, #3B7825 and #527825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257A53 shade: #257852, #257869, #257278, #255B78 and #254578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257A53 shade matches the following richer shades: #257852, #188553 and #0B9254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257A53 shade: #257852, #316C51, #3E5F50, #4B524F and #58454E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257A53 shade: #257825, #25783B, #257851, #257868 and #257378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257A53 shade: #113927, #1B593C, #257852, #2E9868 and #38B87D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257A53 shade: #257A53, #253B78 and #783025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257A53 shade: #257A53, #512578 and #785125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257A53 shade: #257A53, #253B78, #78254C and #786225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257A53 shade: #257A53, #272578, #78254C and #767825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

Complementary color

CMYK 0 / 39 / 21 / 15

HEX #DA85AC

RGB 218 133 172

HSL 332.47, 0.53%, 0.69%

LAB 65.48, 37.75, -6.66

 

CMYK 66 / 0 / 36 / 52

HEX #2A7A4E

RGB 42 122 78

HSL 147, 0.49%, 0.32%

LAB 45.58, -35.12, 17.14

 

CMYK 58 / 0 / 31 / 45

HEX #3B8C61

RGB 59 140 97

HSL 148.15, 0.41%, 0.39%

LAB 52.45, -35.22, 15.72

 

CMYK 52 / 0 / 27 / 38

HEX #4C9E74

RGB 76 158 116

HSL 149.27, 0.35%, 0.46%

LAB 59.21, -35.13, 14.45

 

CMYK 47 / 0 / 23 / 31

HEX #5DB087

RGB 93 176 135

HSL 150.36, 0.34%, 0.53%

LAB 65.85, -34.96, 13.31

 

CMYK 43 / 0 / 21 / 24

HEX #6EC29A

RGB 110 194 154

HSL 151.43, 0.41%, 0.6%

LAB 72.38, -34.75, 12.26

 

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

CMYK 81 / 0 / 38 / 59

HEX #146840

RGB 20 104 64

HSL 151.43, 0.68%, 0.24%

LAB 38.59, -34.39, 15.8

 

CMYK 97 / 0 / 48 / 66

HEX #03562D

RGB 3 86 45

HSL 150.36, 0.93%, 0.17%

LAB 31.5, -33.17, 17.67

 

CMYK 100 / 0 / 62 / 73

HEX #00441A

RGB 0 68 26

HSL 142.94, 1%, 0.13%

LAB 24.35, -30.28, 19.87

 

CMYK 100 / 0 / 86 / 80

HEX #003207

RGB 0 50 7

HSL 128.4, 1%, 0.1%

LAB 16.97, -26.38, 20.94

 

CMYK 69 / 0 / 32 / 53

HEX #257852

RGB 37 120 82

HSL 152.53, 0.53%, 0.31%

LAB 44.85, -34.37, 13.8

 

CMYK 69 / 0 / 51 / 53

HEX #25783B

RGB 37 120 59

HSL 135.9, 0.53%, 0.31%

LAB 44.44, -38.95, 26.31

 

CMYK 69 / 0 / 69 / 53

HEX #257825

RGB 37 120 37

HSL 120, 0.53%, 0.31%

LAB 44.18, -41.97, 37.08

 

CMYK 51 / 0 / 69 / 53

HEX #3B7825

RGB 59 120 37

HSL 104.1, 0.53%, 0.31%

LAB 44.94, -36, 38.13

 

CMYK 32 / 0 / 69 / 53

HEX #527825

RGB 82 120 37

HSL 87.47, 0.53%, 0.31%

LAB 46.12, -27.63, 39.75

 

CMYK 69 / 0 / 32 / 53

HEX #257852

RGB 37 120 82

HSL 152.53, 0.53%, 0.31%

LAB 44.85, -34.37, 13.8

 

CMYK 69 / 0 / 13 / 53

HEX #257869

RGB 37 120 105

HSL 169.16, 0.53%, 0.31%

LAB 45.42, -28.48, 1.02

 

CMYK 69 / 5 / 0 / 53

HEX #257278

RGB 37 114 120

HSL 184.34, 0.53%, 0.31%

LAB 43.92, -20.91, -10.17

 

CMYK 69 / 24 / 0 / 53

HEX #255B78

RGB 37 91 120

HSL 200.96, 0.53%, 0.31%

LAB 36.43, -7.82, -21.64

 

CMYK 69 / 43 / 0 / 53

HEX #254578

RGB 37 69 120

HSL 216.87, 0.53%, 0.31%

LAB 29.43, 6.34, -32.65

 

CMYK 69 / 0 / 32 / 53

HEX #257852

RGB 37 120 82

HSL 152.53, 0.53%, 0.31%

LAB 44.85, -34.37, 13.8

 

CMYK 82 / 0 / 38 / 48

HEX #188553

RGB 24 133 83

HSL 152.48, 0.69%, 0.31%

LAB 49, -41.59, 18.82

 

CMYK 92 / 0 / 42 / 43

HEX #0B9254

RGB 11 146 84

HSL 152.44, 0.86%, 0.31%

LAB 53.24, -47.51, 23.87

 

CMYK 69 / 0 / 32 / 53

HEX #257852

RGB 37 120 82

HSL 152.53, 0.53%, 0.31%

LAB 44.85, -34.37, 13.8

 

CMYK 55 / 0 / 25 / 58

HEX #316C51

RGB 49 108 81

HSL 152.54, 0.38%, 0.31%

LAB 41.17, -26.27, 9.35

 

CMYK 35 / 0 / 16 / 63

HEX #3E5F50

RGB 62 95 80

HSL 152.73, 0.21%, 0.31%

LAB 37.46, -15.71, 4.79

 

CMYK 9 / 0 / 4 / 68

HEX #4B524F

RGB 75 82 79

HSL 154.29, 0.04%, 0.31%

LAB 34.18, -3.46, 0.8

 

CMYK 0 / 22 / 11 / 65

HEX #58454E

RGB 88 69 78

HSL 331.58, 0.12%, 0.31%

LAB 31.53, 9.83, -2.29

 

CMYK 69 / 0 / 69 / 53

HEX #257825

RGB 37 120 37

HSL 120, 0.53%, 0.31%

LAB 44.18, -41.97, 37.08

 

CMYK 69 / 0 / 51 / 53

HEX #25783B

RGB 37 120 59

HSL 135.9, 0.53%, 0.31%

LAB 44.44, -38.95, 26.31

 

CMYK 69 / 0 / 33 / 53

HEX #257851

RGB 37 120 81

HSL 151.81, 0.53%, 0.31%

LAB 44.83, -34.6, 14.36

 

CMYK 69 / 0 / 13 / 53

HEX #257868

RGB 37 120 104

HSL 168.43, 0.53%, 0.31%

LAB 45.39, -28.76, 1.58

 

CMYK 69 / 4 / 0 / 53

HEX #257378

RGB 37 115 120

HSL 183.61, 0.53%, 0.31%

LAB 44.25, -21.44, -9.68

 

CMYK 70 / 0 / 32 / 78

HEX #113927

RGB 17 57 39

HSL 153, 0.54%, 0.15%

LAB 20.8, -19.19, 7.16

 

CMYK 70 / 0 / 33 / 65

HEX #1B593C

RGB 27 89 60

HSL 151.94, 0.53%, 0.23%

LAB 33.36, -27.43, 11.14

 

CMYK 69 / 0 / 32 / 53

HEX #257852

RGB 37 120 82

HSL 152.53, 0.53%, 0.31%

LAB 44.85, -34.37, 13.8

 

CMYK 70 / 0 / 32 / 40

HEX #2E9868

RGB 46 152 104

HSL 152.83, 0.54%, 0.39%

LAB 56.12, -41.56, 16.76

 

CMYK 70 / 0 / 32 / 28

HEX #38B87D

RGB 56 184 125

HSL 152.34, 0.53%, 0.47%

LAB 66.98, -48.48, 20.14

 

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

CMYK 69 / 51 / 0 / 53

HEX #253B78

RGB 37 59 120

HSL 224.1, 0.53%, 0.31%

LAB 26.38, 13.22, -37.52

 

CMYK 0 / 60 / 69 / 53

HEX #783025

RGB 120 48 37

HSL 7.95, 0.53%, 0.31%

LAB 30.01, 30.72, 22.69

 

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

CMYK 33 / 69 / 0 / 53

HEX #512578

RGB 81 37 120

HSL 271.81, 0.53%, 0.31%

LAB 25.04, 37.04, -39.48

 

CMYK 0 / 33 / 69 / 53

HEX #785125

RGB 120 81 37

HSL 31.81, 0.53%, 0.31%

LAB 37.86, 11.66, 31.79

 

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

CMYK 69 / 51 / 0 / 53

HEX #253B78

RGB 37 59 120

HSL 224.1, 0.53%, 0.31%

LAB 26.38, 13.22, -37.52

 

CMYK 0 / 69 / 37 / 53

HEX #78254C

RGB 120 37 76

HSL 331.81, 0.53%, 0.31%

LAB 29, 39.79, -4.22

 

CMYK 0 / 18 / 69 / 53

HEX #786225

RGB 120 98 37

HSL 44.1, 0.53%, 0.31%

LAB 42.55, 1.52, 36.9

 

CMYK 70 / 0 / 32 / 52

HEX #257A53

RGB 37 122 83

HSL 152.47, 0.53%, 0.31%

LAB 45.55, -35.02, 14.18

 

CMYK 68 / 69 / 0 / 53

HEX #272578

RGB 39 37 120

HSL 241.45, 0.53%, 0.31%

LAB 20.48, 28.7, -47.09

 

CMYK 0 / 69 / 37 / 53

HEX #78254C

RGB 120 37 76

HSL 331.81, 0.53%, 0.31%

LAB 29, 39.79, -4.22

 

CMYK 2 / 0 / 69 / 53

HEX #767825

RGB 118 120 37

HSL 61.45, 0.53%, 0.31%

LAB 48.78, -11.94, 43.34

 

Description

Color code: HEX #257A53 | qconv.com Color code: HEX #257A53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 122 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 122 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 32 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 32% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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