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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257503 it is the complementary color #DA8AFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257503. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257503 shade: #2A7500, #3B8711, #4C9924, #5DAB37 and #6EBD4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257503. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257503 shade: #257503, #146300, #035100, #003F00 and #002D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257503 shade: #257703, #457703, #647703, #776A03 and #774B03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257503 shade: #257703, #067703, #03771F, #03773E and #03775D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257503 shade matches the following richer shades: #257703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257503 shade: #257703, #296D0C, #2D6316, #315920 and #354F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257503 shade: #637703, #447703, #257703, #067703 and #03771E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257503 shade: #0C2600, #194F02, #257703, #329F04 and #3FC705

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257503 shade: #257503, #03776B and #770354

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257503 shade: #257503, #032577 and #770325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257503 shade: #257503, #03776B, #540377 and #77030E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257503 shade: #257503, #036077, #540377 and #771A03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

Complementary color

CMYK 13 / 45 / 0 / 1

HEX #DA8AFC

RGB 218 138 252

HSL 282.11, 0.95%, 0.76%

LAB 69.55, 49.35, -44.88

 

CMYK 64 / 0 / 100 / 54

HEX #2A7500

RGB 42 117 0

HSL 98.46, 1%, 0.23%

LAB 43.09, -41.99, 47.69

 

CMYK 56 / 0 / 87 / 47

HEX #3B8711

RGB 59 135 17

HSL 98.64, 0.78%, 0.3%

LAB 49.86, -43.43, 49.92

 

CMYK 50 / 0 / 76 / 40

HEX #4C9924

RGB 76 153 36

HSL 99.49, 0.62%, 0.37%

LAB 56.53, -44.31, 50.62

 

CMYK 46 / 0 / 68 / 33

HEX #5DAB37

RGB 93 171 55

HSL 100.34, 0.51%, 0.44%

LAB 63.12, -44.79, 50.28

 

CMYK 42 / 0 / 61 / 26

HEX #6EBD4A

RGB 110 189 74

HSL 101.22, 0.47%, 0.52%

LAB 69.62, -45.02, 49.44

 

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

CMYK 80 / 0 / 100 / 61

HEX #146300

RGB 20 99 0

HSL 107.88, 1%, 0.19%

LAB 36.12, -40.49, 41.91

 

CMYK 96 / 0 / 100 / 68

HEX #035100

RGB 3 81 0

HSL 117.78, 1%, 0.16%

LAB 29.17, -37.03, 36.24

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 42 / 0 / 97 / 53

HEX #457703

RGB 69 119 3

HSL 85.86, 0.95%, 0.24%

LAB 44.89, -34.01, 48.91

 

CMYK 16 / 0 / 97 / 53

HEX #647703

RGB 100 119 3

HSL 69.83, 0.95%, 0.24%

LAB 46.86, -21.01, 51.29

 

CMYK 0 / 11 / 97 / 53

HEX #776A03

RGB 119 106 3

HSL 53.28, 0.95%, 0.24%

LAB 44.57, -4.94, 50.29

 

CMYK 0 / 37 / 97 / 53

HEX #774B03

RGB 119 75 3

HSL 37.24, 0.95%, 0.24%

LAB 35.91, 13.4, 44.01

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 95 / 0 / 97 / 53

HEX #067703

RGB 6 119 3

HSL 118.45, 0.95%, 0.24%

LAB 43.12, -48.41, 46.73

 

CMYK 97 / 0 / 74 / 53

HEX #03771F

RGB 3 119 31

HSL 134.48, 0.95%, 0.24%

LAB 43.23, -46.9, 38.51

 

CMYK 97 / 0 / 48 / 53

HEX #03773E

RGB 3 119 62

HSL 150.52, 0.95%, 0.24%

LAB 43.6, -42.38, 23.48

 

CMYK 97 / 0 / 22 / 53

HEX #03775D

RGB 3 119 93

HSL 166.55, 0.95%, 0.24%

LAB 44.24, -35.09, 6.38

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 62 / 0 / 89 / 57

HEX #296D0C

RGB 41 109 12

HSL 102.06, 0.8%, 0.24%

LAB 40.3, -38.75, 42.48

 

CMYK 55 / 0 / 78 / 61

HEX #2D6316

RGB 45 99 22

HSL 102.08, 0.64%, 0.24%

LAB 37, -32.88, 36.09

 

CMYK 45 / 0 / 64 / 65

HEX #315920

RGB 49 89 32

HSL 102.11, 0.47%, 0.24%

LAB 33.78, -25.98, 28.06

 

CMYK 33 / 0 / 47 / 69

HEX #354F2A

RGB 53 79 42

HSL 102.16, 0.31%, 0.24%

LAB 30.68, -17.91, 18.75

 

CMYK 17 / 0 / 97 / 53

HEX #637703

RGB 99 119 3

HSL 70.34, 0.95%, 0.24%

LAB 46.78, -21.47, 51.2

 

CMYK 43 / 0 / 97 / 53

HEX #447703

RGB 68 119 3

HSL 86.38, 0.95%, 0.24%

LAB 44.84, -34.38, 48.85

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 95 / 0 / 97 / 53

HEX #067703

RGB 6 119 3

HSL 118.45, 0.95%, 0.24%

LAB 43.12, -48.41, 46.73

 

CMYK 97 / 0 / 75 / 53

HEX #03771E

RGB 3 119 30

HSL 133.97, 0.95%, 0.24%

LAB 43.22, -47, 38.91

 

CMYK 68 / 0 / 100 / 85

HEX #0C2600

RGB 12 38 0

HSL 101.05, 1%, 0.07%

LAB 12.38, -18.76, 17.94

 

CMYK 68 / 0 / 97 / 69

HEX #194F02

RGB 25 79 2

HSL 102.08, 0.95%, 0.16%

LAB 28.91, -31.99, 35.43

 

CMYK 69 / 0 / 97 / 53

HEX #257703

RGB 37 119 3

HSL 102.41, 0.95%, 0.24%

LAB 43.64, -43.81, 47.38

 

CMYK 69 / 0 / 97 / 38

HEX #329F04

RGB 50 159 4

HSL 102.19, 0.95%, 0.32%

LAB 57.54, -54.61, 58.64

 

CMYK 68 / 0 / 97 / 22

HEX #3FC705

RGB 63 199 5

HSL 102.06, 0.95%, 0.4%

LAB 70.81, -64.88, 69.37

 

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

CMYK 97 / 0 / 10 / 53

HEX #03776B

RGB 3 119 107

HSL 173.79, 0.95%, 0.24%

LAB 44.62, -31.01, -1.4

 

CMYK 0 / 97 / 29 / 53

HEX #770354

RGB 119 3 84

HSL 318.1, 0.95%, 0.24%

LAB 25.64, 50.4, -14.65

 

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

CMYK 97 / 69 / 0 / 53

HEX #032577

RGB 3 37 119

HSL 222.41, 0.95%, 0.24%

LAB 18.69, 24.81, -49.46

 

CMYK 0 / 97 / 69 / 53

HEX #770325

RGB 119 3 37

HSL 342.41, 0.95%, 0.24%

LAB 24.07, 46.19, 15.23

 

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

CMYK 97 / 0 / 10 / 53

HEX #03776B

RGB 3 119 107

HSL 173.79, 0.95%, 0.24%

LAB 44.62, -31.01, -1.4

 

CMYK 29 / 97 / 0 / 53

HEX #540377

RGB 84 3 119

HSL 281.9, 0.95%, 0.24%

LAB 21.14, 49.69, -45.15

 

CMYK 0 / 97 / 88 / 53

HEX #77030E

RGB 119 3 14

HSL 354.31, 0.95%, 0.24%

LAB 23.73, 45.27, 29.7

 

CMYK 68 / 0 / 97 / 54

HEX #257503

RGB 37 117 3

HSL 102.11, 0.95%, 0.24%

LAB 42.95, -43.1, 46.81

 

CMYK 97 / 19 / 0 / 53

HEX #036077

RGB 3 96 119

HSL 191.9, 0.95%, 0.24%

LAB 37.33, -14.93, -19.68

 

CMYK 29 / 97 / 0 / 53

HEX #540377

RGB 84 3 119

HSL 281.9, 0.95%, 0.24%

LAB 21.14, 49.69, -45.15

 

CMYK 0 / 78 / 97 / 53

HEX #771A03

RGB 119 26 3

HSL 11.9, 0.95%, 0.24%

LAB 25.77, 39.04, 36.33

 

Description

Color code: HEX #257503 | qconv.com Color code: HEX #257503 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 117 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 117 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 97 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 97% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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