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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255073 it is the complementary color #DAAF8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255073 shade: #2A506E, #3B6281, #4C7494, #5D86A7 and #6E98BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255073 shade: #255073, #143E60, #032C4D, #001A3A and #000827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255073 shade: #255073, #253B73, #252673, #392573 and #4E2573

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255073 shade: #255073, #253B73, #252673 and #252573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255073 shade matches the following richer shades: #255073, #19517F, #0C538C and #005498

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255073 shade: #255073, #314F67, #3E4D5A, #4A4C4E and #564B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255073 shade: #25736B, #256673, #255173, #253C73 and #252873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255073 shade: #112535, #1B3A54, #255073, #2F6692 and #397BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255073 shade: #255073, #562573 and #707325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255073 shade: #255073, #732551 and #517325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255073 shade: #255073, #562573, #734725 and #427325

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255073 shade: #255073, #6E2573, #734725 and #2A7325

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

Complementary color

CMYK 0 / 20 / 36 / 15

HEX #DAAF8C

RGB 218 175 140

HSL 26.92, 0.51%, 0.7%

LAB 74.48, 10.85, 23.88

 

CMYK 62 / 27 / 0 / 57

HEX #2A506E

RGB 42 80 110

HSL 206.47, 0.45%, 0.3%

LAB 32.6, -3.59, -21.35

 

CMYK 54 / 24 / 0 / 49

HEX #3B6281

RGB 59 98 129

HSL 206.57, 0.37%, 0.37%

LAB 40, -4.28, -21.53

 

CMYK 49 / 22 / 0 / 42

HEX #4C7494

RGB 76 116 148

HSL 206.67, 0.32%, 0.44%

LAB 47.19, -4.77, -21.72

 

CMYK 44 / 20 / 0 / 35

HEX #5D86A7

RGB 93 134 167

HSL 206.76, 0.3%, 0.51%

LAB 54.2, -5.14, -21.94

 

CMYK 41 / 18 / 0 / 27

HEX #6E98BA

RGB 110 152 186

HSL 206.84, 0.36%, 0.58%

LAB 61.06, -5.42, -22.17

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 79 / 35 / 0 / 62

HEX #143E60

RGB 20 62 96

HSL 206.84, 0.66%, 0.23%

LAB 25.07, -1.36, -24.29

 

CMYK 96 / 43 / 0 / 70

HEX #032C4D

RGB 3 44 77

HSL 206.76, 0.93%, 0.16%

LAB 17.26, 0.81, -24.12

 

CMYK 100 / 55 / 0 / 77

HEX #001A3A

RGB 0 26 58

HSL 213.1, 1%, 0.11%

LAB 9.35, 4.93, -23.56

 

CMYK 100 / 79 / 0 / 85

HEX #000827

RGB 0 8 39

HSL 227.69, 1%, 0.08%

LAB 2.89, 6.09, -19.82

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 68 / 49 / 0 / 55

HEX #253B73

RGB 37 59 115

HSL 223.08, 0.51%, 0.3%

LAB 26.04, 11.28, -34.9

 

CMYK 68 / 67 / 0 / 55

HEX #252673

RGB 37 38 115

HSL 239.23, 0.51%, 0.3%

LAB 20.11, 25.9, -44.5

 

CMYK 50 / 68 / 0 / 55

HEX #392573

RGB 57 37 115

HSL 255.38, 0.51%, 0.3%

LAB 21.69, 30.26, -41.84

 

CMYK 32 / 68 / 0 / 55

HEX #4E2573

RGB 78 37 115

HSL 271.54, 0.51%, 0.3%

LAB 24.26, 35.03, -37.56

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 68 / 49 / 0 / 55

HEX #253B73

RGB 37 59 115

HSL 223.08, 0.51%, 0.3%

LAB 26.04, 11.28, -34.9

 

CMYK 68 / 67 / 0 / 55

HEX #252673

RGB 37 38 115

HSL 239.23, 0.51%, 0.3%

LAB 20.11, 25.9, -44.5

 

CMYK 68 / 68 / 0 / 55

HEX #252573

RGB 37 37 115

HSL 240, 0.51%, 0.3%

LAB 19.86, 26.57, -44.91

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 80 / 36 / 0 / 50

HEX #19517F

RGB 25 81 127

HSL 207.06, 0.67%, 0.3%

LAB 33.19, -0.71, -31.06

 

CMYK 91 / 41 / 0 / 45

HEX #0C538C

RGB 12 83 140

HSL 206.72, 0.84%, 0.3%

LAB 34.31, 2.07, -37.28

 

CMYK 100 / 45 / 0 / 40

HEX #005498

RGB 0 84 152

HSL 206.84, 1%, 0.3%

LAB 35.22, 5.75, -43.13

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 52 / 23 / 0 / 60

HEX #314F67

RGB 49 79 103

HSL 206.67, 0.36%, 0.3%

LAB 32.31, -3.66, -17.37

 

CMYK 31 / 14 / 0 / 65

HEX #3E4D5A

RGB 62 77 90

HSL 207.86, 0.18%, 0.3%

LAB 31.97, -2.43, -9.58

 

CMYK 5 / 3 / 0 / 69

HEX #4A4C4E

RGB 74 76 78

HSL 210, 0.03%, 0.3%

LAB 32.2, -0.36, -1.47

 

CMYK 0 / 13 / 23 / 66

HEX #564B42

RGB 86 75 66

HSL 27, 0.13%, 0.3%

LAB 32.71, 2.94, 7.05

 

CMYK 68 / 0 / 7 / 55

HEX #25736B

RGB 37 115 107

HSL 173.85, 0.51%, 0.3%

LAB 43.82, -25.43, -2.52

 

CMYK 68 / 11 / 0 / 55

HEX #256673

RGB 37 102 115

HSL 190, 0.51%, 0.3%

LAB 39.81, -15.99, -13.38

 

CMYK 68 / 30 / 0 / 55

HEX #255173

RGB 37 81 115

HSL 206.15, 0.51%, 0.3%

LAB 32.95, -3.44, -23.95

 

CMYK 68 / 48 / 0 / 55

HEX #253C73

RGB 37 60 115

HSL 222.31, 0.51%, 0.3%

LAB 26.34, 10.58, -34.42

 

CMYK 68 / 65 / 0 / 55

HEX #252873

RGB 37 40 115

HSL 237.69, 0.51%, 0.3%

LAB 20.63, 24.54, -43.65

 

CMYK 68 / 30 / 0 / 79

HEX #112535

RGB 17 37 53

HSL 206.67, 0.51%, 0.14%

LAB 13.82, -2.15, -12.86

 

CMYK 68 / 31 / 0 / 67

HEX #1B3A54

RGB 27 58 84

HSL 207.37, 0.51%, 0.22%

LAB 23.34, -2.18, -19.15

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 68 / 30 / 0 / 43

HEX #2F6692

RGB 47 102 146

HSL 206.67, 0.51%, 0.38%

LAB 41.5, -3.38, -29.47

 

CMYK 68 / 31 / 0 / 31

HEX #397BB1

RGB 57 123 177

HSL 207, 0.51%, 0.46%

LAB 49.75, -3.32, -34.76

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 25 / 68 / 0 / 55

HEX #562573

RGB 86 37 115

HSL 277.69, 0.51%, 0.3%

LAB 25.38, 36.99, -35.7

 

CMYK 3 / 0 / 68 / 55

HEX #707325

RGB 112 115 37

HSL 62.31, 0.51%, 0.3%

LAB 46.76, -11.95, 41.1

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 0 / 68 / 30 / 55

HEX #732551

RGB 115 37 81

HSL 326.15, 0.51%, 0.3%

LAB 28.28, 38.85, -8.7

 

CMYK 30 / 0 / 68 / 55

HEX #517325

RGB 81 115 37

HSL 86.15, 0.51%, 0.3%

LAB 44.44, -25.59, 37.94

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 25 / 68 / 0 / 55

HEX #562573

RGB 86 37 115

HSL 277.69, 0.51%, 0.3%

LAB 25.38, 36.99, -35.7

 

CMYK 0 / 38 / 68 / 55

HEX #734725

RGB 115 71 37

HSL 26.15, 0.51%, 0.3%

LAB 34.57, 15.34, 27.87

 

CMYK 43 / 0 / 68 / 55

HEX #427325

RGB 66 115 37

HSL 97.69, 0.51%, 0.3%

LAB 43.59, -31.4, 36.77

 

CMYK 68 / 30 / 0 / 55

HEX #255073

RGB 37 80 115

HSL 206.92, 0.51%, 0.3%

LAB 32.63, -2.8, -24.45

 

CMYK 4 / 68 / 0 / 55

HEX #6E2573

RGB 110 37 115

HSL 296.15, 0.51%, 0.3%

LAB 29.1, 43.12, -29.55

 

CMYK 0 / 38 / 68 / 55

HEX #734725

RGB 115 71 37

HSL 26.15, 0.51%, 0.3%

LAB 34.57, 15.34, 27.87

 

CMYK 63 / 0 / 68 / 55

HEX #2A7325

RGB 42 115 37

HSL 116.15, 0.51%, 0.3%

LAB 42.59, -38.87, 35.4

 

Description

Color code: HEX #255073 | qconv.com Color code: HEX #255073 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 80 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 80 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 30 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 30% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Tecnológico de Monte...
Link: http://www.itesm.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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