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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25466D it is the complementary color #DAB992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25466D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25466D shade: #2A4668, #3B587B, #4C6A8E, #5D7CA1 and #6E8EB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25466D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25466D shade: #25466D, #14345A, #032247, #001034 and #000021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25466D shade: #25466E, #25336E, #2B256E, #3F256E and #52256E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25466D shade: #25466E, #25336E and #25256E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25466D shade matches the following richer shades: #25466E, #19457A, #0D4486 and #014392

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25466D shade: #25466E, #314762, #3D4856, #49494A and #554A3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25466D shade: #256E6E, #255A6E, #25476E, #25346E and #2A256E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25466D shade: #101F30, #1B334F, #25466E, #305A8C and #3A6EAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25466D shade: #25466D, #5A256E and #646E25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25466D shade: #25466D, #6E2547 and #476E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25466D shade: #25466D, #5A256E, #6E4C25 and #396E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25466D shade: #25466D, #6E256B, #6E4C25 and #256E28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

Complementary color

CMYK 0 / 15 / 33 / 15

HEX #DAB992

RGB 218 185 146

HSL 32.5, 0.49%, 0.71%

LAB 77.09, 6.25, 24.2

 

CMYK 60 / 33 / 0 / 59

HEX #2A4668

RGB 42 70 104

HSL 212.9, 0.42%, 0.29%

LAB 29.09, 0.72, -23.05

 

CMYK 52 / 28 / 0 / 52

HEX #3B587B

RGB 59 88 123

HSL 212.81, 0.35%, 0.36%

LAB 36.63, -0.07, -23.09

 

CMYK 46 / 25 / 0 / 44

HEX #4C6A8E

RGB 76 106 142

HSL 212.73, 0.3%, 0.43%

LAB 43.94, -0.64, -23.18

 

CMYK 42 / 23 / 0 / 37

HEX #5D7CA1

RGB 93 124 161

HSL 212.65, 0.27%, 0.5%

LAB 51.05, -1.07, -23.31

 

CMYK 39 / 21 / 0 / 29

HEX #6E8EB4

RGB 110 142 180

HSL 212.57, 0.32%, 0.57%

LAB 58, -1.42, -23.47

 

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

CMYK 78 / 42 / 0 / 65

HEX #14345A

RGB 20 52 90

HSL 212.57, 0.64%, 0.22%

LAB 21.37, 3.06, -26.23

 

CMYK 96 / 52 / 0 / 72

HEX #032247

RGB 3 34 71

HSL 212.65, 0.92%, 0.15%

LAB 13.34, 5.48, -26.28

 

CMYK 100 / 69 / 0 / 80

HEX #001034

RGB 0 16 52

HSL 221.54, 1%, 0.1%

LAB 5.59, 8.9, -25.3

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 66 / 36 / 0 / 57

HEX #25466E

RGB 37 70 110

HSL 212.88, 0.5%, 0.29%

LAB 29.16, 1.84, -26.77

 

CMYK 66 / 54 / 0 / 57

HEX #25336E

RGB 37 51 110

HSL 228.49, 0.5%, 0.29%

LAB 23.29, 14.95, -36.12

 

CMYK 61 / 66 / 0 / 57

HEX #2B256E

RGB 43 37 110

HSL 244.93, 0.5%, 0.29%

LAB 19.89, 25.8, -41.61

 

CMYK 43 / 66 / 0 / 57

HEX #3F256E

RGB 63 37 110

HSL 261.37, 0.5%, 0.29%

LAB 21.96, 30.06, -38.15

 

CMYK 25 / 66 / 0 / 57

HEX #52256E

RGB 82 37 110

HSL 276.99, 0.5%, 0.29%

LAB 24.46, 34.75, -34

 

CMYK 66 / 36 / 0 / 57

HEX #25466E

RGB 37 70 110

HSL 212.88, 0.5%, 0.29%

LAB 29.16, 1.84, -26.77

 

CMYK 66 / 54 / 0 / 57

HEX #25336E

RGB 37 51 110

HSL 228.49, 0.5%, 0.29%

LAB 23.29, 14.95, -36.12

 

CMYK 66 / 66 / 0 / 57

HEX #25256E

RGB 37 37 110

HSL 240, 0.5%, 0.29%

LAB 19.4, 24.73, -42.43

 

CMYK 66 / 36 / 0 / 57

HEX #25466E

RGB 37 70 110

HSL 212.88, 0.5%, 0.29%

LAB 29.16, 1.84, -26.77

 

CMYK 80 / 43 / 0 / 52

HEX #19457A

RGB 25 69 122

HSL 212.78, 0.66%, 0.29%

LAB 29.08, 5.25, -34.49

 

CMYK 90 / 49 / 0 / 47

HEX #0D4486

RGB 13 68 134

HSL 212.73, 0.82%, 0.29%

LAB 29.26, 9.75, -41.68

 

CMYK 99 / 54 / 0 / 43

HEX #014392

RGB 1 67 146

HSL 212.69, 0.99%, 0.29%

LAB 29.65, 14.86, -48.46

 

CMYK 66 / 36 / 0 / 57

HEX #25466E

RGB 37 70 110

HSL 212.88, 0.5%, 0.29%

LAB 29.16, 1.84, -26.77

 

CMYK 50 / 28 / 0 / 62

HEX #314762

RGB 49 71 98

HSL 213.06, 0.33%, 0.29%

LAB 29.52, -0.2, -18.52

 

CMYK 29 / 16 / 0 / 66

HEX #3D4856

RGB 61 72 86

HSL 213.6, 0.17%, 0.29%

LAB 30.15, -0.72, -9.77

 

CMYK 1 / 1 / 0 / 71

HEX #49494A

RGB 73 73 74

HSL 240, 0.01%, 0.29%

LAB 31.06, 0.22, -0.6

 

CMYK 0 / 13 / 27 / 67

HEX #554A3E

RGB 85 74 62

HSL 31.3, 0.16%, 0.29%

LAB 32.21, 2.44, 8.87

 

CMYK 66 / 0 / 0 / 57

HEX #256E6E

RGB 37 110 110

HSL 180, 0.5%, 0.29%

LAB 42.26, -21.95, -6.64

 

CMYK 66 / 18 / 0 / 57

HEX #255A6E

RGB 37 90 110

HSL 196.44, 0.5%, 0.29%

LAB 35.66, -10.77, -16.64

 

CMYK 66 / 35 / 0 / 57

HEX #25476E

RGB 37 71 110

HSL 212.05, 0.5%, 0.29%

LAB 29.48, 1.17, -26.26

 

CMYK 66 / 53 / 0 / 57

HEX #25346E

RGB 37 52 110

HSL 227.67, 0.5%, 0.29%

LAB 23.59, 14.24, -35.64

 

CMYK 62 / 66 / 0 / 57

HEX #2A256E

RGB 42 37 110

HSL 244.11, 0.5%, 0.29%

LAB 19.81, 25.61, -41.76

 

CMYK 67 / 35 / 0 / 81

HEX #101F30

RGB 16 31 48

HSL 211.88, 0.5%, 0.13%

LAB 11.3, -0.06, -13.22

 

CMYK 66 / 35 / 0 / 69

HEX #1B334F

RGB 27 51 79

HSL 212.31, 0.49%, 0.21%

LAB 20.69, 0.68, -19.97

 

CMYK 66 / 36 / 0 / 57

HEX #25466E

RGB 37 70 110

HSL 212.88, 0.5%, 0.29%

LAB 29.16, 1.84, -26.77

 

CMYK 66 / 36 / 0 / 45

HEX #305A8C

RGB 48 90 140

HSL 212.61, 0.49%, 0.37%

LAB 37.54, 2.13, -32.09

 

CMYK 66 / 36 / 0 / 33

HEX #3A6EAB

RGB 58 110 171

HSL 212.39, 0.49%, 0.45%

LAB 45.62, 2.6, -37.76

 

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

CMYK 18 / 66 / 0 / 57

HEX #5A256E

RGB 90 37 110

HSL 283.56, 0.5%, 0.29%

LAB 25.63, 36.83, -32.06

 

CMYK 9 / 0 / 66 / 57

HEX #646E25

RGB 100 110 37

HSL 68.22, 0.5%, 0.29%

LAB 44.23, -14.72, 38.12

 

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

CMYK 0 / 66 / 35 / 57

HEX #6E2547

RGB 110 37 71

HSL 332.05, 0.5%, 0.29%

LAB 27, 35.86, -4.07

 

CMYK 35 / 0 / 66 / 57

HEX #476E25

RGB 71 110 37

HSL 92.05, 0.5%, 0.29%

LAB 42.19, -27.16, 35.33

 

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

CMYK 18 / 66 / 0 / 57

HEX #5A256E

RGB 90 37 110

HSL 283.56, 0.5%, 0.29%

LAB 25.63, 36.83, -32.06

 

CMYK 0 / 31 / 66 / 57

HEX #6E4C25

RGB 110 76 37

HSL 32.05, 0.5%, 0.29%

LAB 35.24, 9.95, 28.47

 

CMYK 48 / 0 / 66 / 57

HEX #396E25

RGB 57 110 37

HSL 103.56, 0.5%, 0.29%

LAB 41.46, -32.3, 34.31

 

CMYK 66 / 36 / 0 / 57

HEX #25466D

RGB 37 70 109

HSL 212.5, 0.49%, 0.29%

LAB 29.1, 1.46, -26.22

 

CMYK 0 / 66 / 3 / 57

HEX #6E256B

RGB 110 37 107

HSL 302.47, 0.5%, 0.29%

LAB 28.64, 41.6, -25.16

 

CMYK 0 / 31 / 66 / 57

HEX #6E4C25

RGB 110 76 37

HSL 32.05, 0.5%, 0.29%

LAB 35.24, 9.95, 28.47

 

CMYK 66 / 0 / 64 / 57

HEX #256E28

RGB 37 110 40

HSL 122.47, 0.5%, 0.29%

LAB 40.73, -37.77, 31.82

 

Description

Color code: HEX #25466D | qconv.com Color code: HEX #25466D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 70 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 70 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 36 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 36% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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