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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25338D it is the complementary color #DACC72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25338D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25338D shade: #2A3388, #3B459B, #4C57AE, #5D69C1 and #6E7BD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25338D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25338D shade: #25338D, #14217A, #030F67, #000054 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25338D shade: #25338D, #33258D, #4F258D, #6B258D and #87258D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25338D shade: #25338D and #25258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25338D shade matches the following richer shades: #25338D, #17289B and #081EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25338D shade: #25338D, #333D7E, #424870, #505361 and #5F5D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25338D shade: #256C8D, #25508D, #25358D, #31258D and #4D258D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25338D shade: #141B4B, #1C276C, #25338D, #2E3FAD and #3A4DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25338D shade: #25338D, #8D2587 and #5E8D25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25338D shade: #25338D, #8D2535 and #358D25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25338D shade: #25338D, #8D2587, #8D7D25 and #258D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25338D shade: #25338D, #8D2568, #8D7D25 and #258D49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

Complementary color

CMYK 0 / 6 / 48 / 15

HEX #DACC72

RGB 218 204 114

HSL 51.92, 0.58%, 0.65%

LAB 81.46, -7.14, 46.31

 

CMYK 69 / 63 / 0 / 47

HEX #2A3388

RGB 42 51 136

HSL 234.26, 0.53%, 0.35%

LAB 25.68, 25.69, -48.69

 

CMYK 62 / 55 / 0 / 39

HEX #3B459B

RGB 59 69 155

HSL 233.75, 0.45%, 0.42%

LAB 33.03, 23.49, -48.36

 

CMYK 56 / 50 / 0 / 32

HEX #4C57AE

RGB 76 87 174

HSL 233.27, 0.39%, 0.49%

LAB 40.26, 21.74, -48.02

 

CMYK 52 / 46 / 0 / 24

HEX #5D69C1

RGB 93 105 193

HSL 232.8, 0.45%, 0.56%

LAB 47.34, 20.31, -47.71

 

CMYK 48 / 42 / 0 / 17

HEX #6E7BD4

RGB 110 123 212

HSL 232.35, 0.54%, 0.63%

LAB 54.27, 19.14, -47.45

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 84 / 73 / 0 / 52

HEX #14217A

RGB 20 33 122

HSL 232.35, 0.72%, 0.28%

LAB 18.55, 29.87, -51.59

 

CMYK 97 / 85 / 0 / 60

HEX #030F67

RGB 3 15 103

HSL 232.8, 0.94%, 0.21%

LAB 11.55, 32.97, -50.85

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 64 / 74 / 0 / 45

HEX #33258D

RGB 51 37 141

HSL 248.08, 0.58%, 0.35%

LAB 23.51, 37.64, -55.33

 

CMYK 44 / 74 / 0 / 45

HEX #4F258D

RGB 79 37 141

HSL 264.23, 0.58%, 0.35%

LAB 26.47, 42.21, -50.35

 

CMYK 24 / 74 / 0 / 45

HEX #6B258D

RGB 107 37 141

HSL 280.38, 0.58%, 0.35%

LAB 30.33, 47.83, -43.91

 

CMYK 4 / 74 / 0 / 45

HEX #87258D

RGB 135 37 141

HSL 296.54, 0.58%, 0.35%

LAB 34.8, 53.99, -36.51

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 74 / 74 / 0 / 45

HEX #25258D

RGB 37 37 141

HSL 240, 0.58%, 0.35%

LAB 22.44, 35.92, -57.12

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 85 / 74 / 0 / 39

HEX #17289B

RGB 23 40 155

HSL 232.27, 0.74%, 0.35%

LAB 23.89, 37.93, -63.4

 

CMYK 95 / 82 / 0 / 34

HEX #081EA9

RGB 8 30 169

HSL 231.8, 0.91%, 0.35%

LAB 23.15, 47.83, -73.15

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 60 / 52 / 0 / 51

HEX #333D7E

RGB 51 61 126

HSL 232, 0.42%, 0.35%

LAB 28.24, 16.87, -38.26

 

CMYK 41 / 36 / 0 / 56

HEX #424870

RGB 66 72 112

HSL 232.17, 0.26%, 0.35%

LAB 31.72, 8.65, -23.87

 

CMYK 18 / 14 / 0 / 62

HEX #505361

RGB 80 83 97

HSL 229.41, 0.1%, 0.35%

LAB 35.51, 2.09, -8.52

 

CMYK 0 / 2 / 13 / 63

HEX #5F5D53

RGB 95 93 83

HSL 50, 0.07%, 0.35%

LAB 39.39, -1.17, 6.03

 

CMYK 74 / 23 / 0 / 45

HEX #256C8D

RGB 37 108 141

HSL 199.04, 0.58%, 0.35%

LAB 42.83, -10.39, -24.44

 

CMYK 74 / 43 / 0 / 45

HEX #25508D

RGB 37 80 141

HSL 215.19, 0.58%, 0.35%

LAB 34.09, 7.14, -38.2

 

CMYK 74 / 62 / 0 / 45

HEX #25358D

RGB 37 53 141

HSL 230.77, 0.58%, 0.35%

LAB 26.34, 25.51, -50.72

 

CMYK 65 / 74 / 0 / 45

HEX #31258D

RGB 49 37 141

HSL 246.92, 0.58%, 0.35%

LAB 23.34, 37.36, -55.62

 

CMYK 45 / 74 / 0 / 45

HEX #4D258D

RGB 77 37 141

HSL 263.08, 0.58%, 0.35%

LAB 26.23, 41.84, -50.76

 

CMYK 73 / 64 / 0 / 71

HEX #141B4B

RGB 20 27 75

HSL 232.36, 0.58%, 0.19%

LAB 12.23, 15.23, -30.81

 

CMYK 74 / 64 / 0 / 58

HEX #1C276C

RGB 28 39 108

HSL 231.75, 0.59%, 0.27%

LAB 19.14, 21.14, -41.58

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 73 / 64 / 0 / 32

HEX #2E3FAD

RGB 46 63 173

HSL 231.97, 0.58%, 0.43%

LAB 32.15, 31.95, -60.65

 

CMYK 71 / 62 / 0 / 21

HEX #3A4DCA

RGB 58 77 202

HSL 232.08, 0.58%, 0.51%

LAB 38.68, 34.89, -67.02

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 33 / 0 / 74 / 45

HEX #5E8D25

RGB 94 141 37

HSL 87.12, 0.58%, 0.35%

LAB 53.56, -32.82, 47.61

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 0 / 74 / 62 / 45

HEX #8D2535

RGB 141 37 53

HSL 350.77, 0.58%, 0.35%

LAB 32.35, 44.41, 16.23

 

CMYK 62 / 0 / 74 / 45

HEX #358D25

RGB 53 141 37

HSL 110.77, 0.58%, 0.35%

LAB 51.77, -46.06, 45.21

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 0 / 11 / 74 / 45

HEX #8D7D25

RGB 141 125 37

HSL 50.77, 0.58%, 0.35%

LAB 52.36, -4.09, 47.61

 

CMYK 74 / 0 / 70 / 45

HEX #258D2A

RGB 37 141 42

HSL 122.88, 0.58%, 0.35%

LAB 51.39, -49.02, 42.66

 

CMYK 74 / 64 / 0 / 45

HEX #25338D

RGB 37 51 141

HSL 231.92, 0.58%, 0.35%

LAB 25.81, 26.87, -51.58

 

CMYK 0 / 74 / 26 / 45

HEX #8D2568

RGB 141 37 104

HSL 321.35, 0.58%, 0.35%

LAB 33.95, 49.65, -14.56

 

CMYK 0 / 11 / 74 / 45

HEX #8D7D25

RGB 141 125 37

HSL 50.77, 0.58%, 0.35%

LAB 52.36, -4.09, 47.61

 

CMYK 74 / 0 / 48 / 45

HEX #258D49

RGB 37 141 73

HSL 140.77, 0.58%, 0.35%

LAB 51.75, -44.8, 27.97

 

Description

Color code: HEX #25338D | qconv.com Color code: HEX #25338D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 51 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 51 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 64 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 64% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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