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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25362B it is the complementary color #DAC9D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25362B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25362B shade: #2A3626, #3B4839, #4C5A4C, #5D6C5F and #6E7E72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25362B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25362B shade: #25362B, #142418, #031205 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25362B shade: #25362B, #253626, #283625, #2D3625 and #313625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25362B shade: #25362B, #253630, #253634, #253336 and #252F36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25362B shade matches the following richer shades: #25362B, #1D3E29, #164526, #0E4C24 and #075422

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25362B shade: #25362B, #2C2F2D, #34272F, #3B2031 and #421834

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25362B shade: #283625, #253626, #25362B, #25362F and #253634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25362B shade: #030504, #141E17, #25362B, #354F3E and #466752

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25362B shade: #25362B, #252D36 and #362526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25362B shade: #25362B, #2B2536 and #362B25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25362B shade: #25362B, #252D36, #362530 and #362E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25362B shade: #25362B, #252736, #362530 and #363425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

Complementary color

CMYK 0 / 8 / 3 / 15

HEX #DAC9D4

RGB 218 201 212

HSL 321.18, 0.19%, 0.82%

LAB 82.61, 7.85, -3.33

 

CMYK 22 / 0 / 30 / 79

HEX #2A3626

RGB 42 54 38

HSL 105, 0.17%, 0.18%

LAB 21.1, -8.78, 8.46

 

CMYK 18 / 0 / 21 / 72

HEX #3B4839

RGB 59 72 57

HSL 112, 0.12%, 0.25%

LAB 29.06, -8.63, 7.3

 

CMYK 16 / 0 / 16 / 65

HEX #4C5A4C

RGB 76 90 76

HSL 120, 0.08%, 0.33%

LAB 36.69, -8.52, 6.29

 

CMYK 14 / 0 / 12 / 58

HEX #5D6C5F

RGB 93 108 95

HSL 128, 0.07%, 0.39%

LAB 44.06, -8.44, 5.38

 

CMYK 13 / 0 / 10 / 51

HEX #6E7E72

RGB 110 126 114

HSL 135, 0.07%, 0.46%

LAB 51.21, -8.39, 4.55

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 44 / 0 / 33 / 86

HEX #142418

RGB 20 36 24

HSL 135, 0.29%, 0.11%

LAB 12.46, -10.11, 5.93

 

CMYK 83 / 0 / 72 / 93

HEX #031205

RGB 3 18 5

HSL 128, 0.71%, 0.04%

LAB 4.18, -6.5, 4.09

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 0 / 30 / 79

HEX #253626

RGB 37 54 38

HSL 123.53, 0.19%, 0.18%

LAB 20.72, -10.93, 7.88

 

CMYK 26 / 0 / 31 / 79

HEX #283625

RGB 40 54 37

HSL 109.41, 0.19%, 0.18%

LAB 20.92, -9.87, 8.85

 

CMYK 17 / 0 / 31 / 79

HEX #2D3625

RGB 45 54 37

HSL 91.76, 0.19%, 0.18%

LAB 21.32, -7.63, 9.47

 

CMYK 9 / 0 / 31 / 79

HEX #313625

RGB 49 54 37

HSL 77.65, 0.19%, 0.18%

LAB 21.67, -5.78, 10.01

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 0 / 11 / 79

HEX #253630

RGB 37 54 48

HSL 158.82, 0.19%, 0.18%

LAB 21, -8.53, 1.53

 

CMYK 31 / 0 / 4 / 79

HEX #253634

RGB 37 54 52

HSL 172.94, 0.19%, 0.18%

LAB 21.13, -7.45, -0.99

 

CMYK 31 / 6 / 0 / 79

HEX #253336

RGB 37 51 54

HSL 190.59, 0.19%, 0.18%

LAB 20.15, -4.93, -3.8

HEX #253336

CMYK 31 / 13 / 0 / 79

HEX #252F36

RGB 37 47 54

HSL 204.71, 0.19%, 0.18%

LAB 18.77, -2.26, -5.87

HEX #252F36

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 53 / 0 / 34 / 76

HEX #1D3E29

RGB 29 62 41

HSL 141.82, 0.36%, 0.18%

LAB 23.23, -17.85, 9.27

 

CMYK 68 / 0 / 45 / 73

HEX #164526

RGB 22 69 38

HSL 140.43, 0.52%, 0.18%

LAB 25.46, -24.14, 14.14

 

CMYK 82 / 0 / 53 / 70

HEX #0E4C24

RGB 14 76 36

HSL 141.29, 0.69%, 0.18%

LAB 27.82, -29.39, 18.35

 

CMYK 92 / 0 / 60 / 67

HEX #075422

RGB 7 84 34

HSL 141.04, 0.85%, 0.18%

LAB 30.64, -33.97, 22.97

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 6 / 0 / 4 / 82

HEX #2C2F2D

RGB 44 47 45

HSL 140, 0.03%, 0.18%

LAB 19.05, -1.8, 0.82

 

CMYK 0 / 25 / 10 / 80

HEX #34272F

RGB 52 39 47

HSL 323.08, 0.14%, 0.18%

LAB 17.4, 7.75, -2.89

 

CMYK 0 / 46 / 17 / 77

HEX #3B2031

RGB 59 32 49

HSL 322.22, 0.3%, 0.18%

LAB 16.43, 16.01, -5.66

 

CMYK 0 / 64 / 21 / 74

HEX #421834

RGB 66 24 52

HSL 320, 0.47%, 0.18%

LAB 15.8, 24.28, -8.64

 

CMYK 26 / 0 / 31 / 79

HEX #283625

RGB 40 54 37

HSL 109.41, 0.19%, 0.18%

LAB 20.92, -9.87, 8.85

 

CMYK 31 / 0 / 30 / 79

HEX #253626

RGB 37 54 38

HSL 123.53, 0.19%, 0.18%

LAB 20.72, -10.93, 7.88

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 0 / 13 / 79

HEX #25362F

RGB 37 54 47

HSL 155.29, 0.19%, 0.18%

LAB 20.97, -8.79, 2.17

 

CMYK 31 / 0 / 4 / 79

HEX #253634

RGB 37 54 52

HSL 172.94, 0.19%, 0.18%

LAB 21.13, -7.45, -0.99

 

CMYK 40 / 0 / 20 / 98

HEX #030504

RGB 3 5 4

HSL 150, 0.25%, 0.02%

LAB 1.23, -0.66, 0.19

 

CMYK 33 / 0 / 23 / 88

HEX #141E17

RGB 20 30 23

HSL 138, 0.2%, 0.1%

LAB 10.1, -6.43, 3.36

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 33 / 0 / 22 / 69

HEX #354F3E

RGB 53 79 62

HSL 140.77, 0.2%, 0.26%

LAB 31.11, -14.04, 6.93

 

CMYK 32 / 0 / 20 / 60

HEX #466752

RGB 70 103 82

HSL 141.82, 0.19%, 0.34%

LAB 40.59, -16.89, 8.08

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 17 / 0 / 79

HEX #252D36

RGB 37 45 54

HSL 211.76, 0.19%, 0.18%

LAB 18.08, -0.89, -6.91

 

CMYK 0 / 31 / 30 / 79

HEX #362526

RGB 54 37 38

HSL 356.47, 0.19%, 0.18%

LAB 16.74, 8.24, 2.52

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 20 / 31 / 0 / 79

HEX #2B2536

RGB 43 37 54

HSL 261.18, 0.19%, 0.18%

LAB 16.02, 7.1, -10

 

CMYK 0 / 20 / 31 / 79

HEX #362B25

RGB 54 43 37

HSL 21.18, 0.19%, 0.18%

LAB 18.56, 3.94, 5.81

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 17 / 0 / 79

HEX #252D36

RGB 37 45 54

HSL 211.76, 0.19%, 0.18%

LAB 18.08, -0.89, -6.91

 

CMYK 0 / 31 / 11 / 79

HEX #362530

RGB 54 37 48

HSL 321.18, 0.19%, 0.18%

LAB 17.09, 10.25, -4.03

 

CMYK 0 / 15 / 31 / 79

HEX #362E25

RGB 54 46 37

HSL 31.76, 0.19%, 0.18%

LAB 19.52, 1.9, 7.14

 

CMYK 31 / 0 / 20 / 79

HEX #25362B

RGB 37 54 43

HSL 141.18, 0.19%, 0.18%

LAB 20.85, -9.78, 4.7

 

CMYK 31 / 28 / 0 / 79

HEX #252736

RGB 37 39 54

HSL 232.94, 0.19%, 0.18%

LAB 16.06, 3.32, -9.99

 

CMYK 0 / 31 / 11 / 79

HEX #362530

RGB 54 37 48

HSL 321.18, 0.19%, 0.18%

LAB 17.09, 10.25, -4.03

 

CMYK 0 / 4 / 31 / 79

HEX #363425

RGB 54 52 37

HSL 52.94, 0.19%, 0.18%

LAB 21.48, -2.1, 9.83

 

Description

Color code: HEX #25362B | qconv.com Color code: HEX #25362B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 54 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 54 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 20 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 20% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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