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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24F35B it is the complementary color #DB0CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24F35B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24F35B shade: #29F356, #3AFF69, #4BFF7C, #5CFF8F and #6DFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24F35B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24F35B shade: #24F35B, #13E148, #02CF35, #00BD22 and #00AB0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24F35B shade: #24F35B, #25F324, #5DF324, #95F324 and #CCF324

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24F35B shade: #24F35B, #24F393, #24F3CB, #24E4F3 and #24ACF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24F35B shade matches the following richer shades: #24F35B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24F35B shade: #24F35B, #37E064, #4ACE6D, #5CBB75 and #6FA97E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24F35B shade: #5FF324, #28F324, #24F358, #24F38F and #24F3C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24F35B shade: #09BC39, #0BE345, #24F35B, #4CF579 and #73F796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24F35B shade: #24F35B, #2496F3 and #F32443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24F35B shade: #24F35B, #5824F3 and #F35824

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24F35B shade: #24F35B, #2496F3, #F324BF and #F38124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24F35B shade: #24F35B, #2458F3, #F324BF and #F3BF24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

Complementary color

CMYK 0 / 95 / 25 / 14

HEX #DB0CA4

RGB 219 12 164

HSL 315.94, 0.9%, 0.45%

LAB 49.5, 79.59, -26.25

 

CMYK 83 / 0 / 65 / 5

HEX #29F356

RGB 41 243 86

HSL 133.37, 0.89%, 0.56%

LAB 84.61, -76.5, 60.59

 

CMYK 77 / 0 / 59 / 0

HEX #3AFF69

RGB 58 255 105

HSL 134.31, 1%, 0.61%

LAB 88.66, -76.24, 57.28

 

CMYK 71 / 0 / 51 / 0

HEX #4BFF7C

RGB 75 255 124

HSL 136.33, 1%, 0.65%

LAB 89.14, -71.47, 49.41

 

CMYK 64 / 0 / 44 / 0

HEX #5CFF8F

RGB 92 255 143

HSL 138.77, 1%, 0.68%

LAB 89.76, -65.77, 41.24

 

CMYK 57 / 0 / 36 / 0

HEX #6DFFA2

RGB 109 255 162

HSL 141.78, 1%, 0.71%

LAB 90.5, -59.24, 32.94

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 92 / 0 / 68 / 12

HEX #13E148

RGB 19 225 72

HSL 135.44, 0.84%, 0.48%

LAB 78.73, -74.18, 59.69

 

CMYK 99 / 0 / 74 / 19

HEX #02CF35

RGB 2 207 53

HSL 134.93, 0.98%, 0.41%

LAB 72.82, -71.37, 60.5

 

CMYK 100 / 0 / 82 / 26

HEX #00BD22

RGB 0 189 34

HSL 130.79, 1%, 0.37%

LAB 66.91, -67.67, 60.65

 

CMYK 100 / 0 / 91 / 33

HEX #00AB0F

RGB 0 171 15

HSL 125.26, 1%, 0.34%

LAB 60.92, -63.49, 59.56

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 0 / 85 / 5

HEX #25F324

RGB 37 243 36

HSL 119.71, 0.9%, 0.55%

LAB 84.29, -80.39, 75.98

 

CMYK 62 / 0 / 85 / 5

HEX #5DF324

RGB 93 243 36

HSL 103.48, 0.9%, 0.55%

LAB 85.28, -71.85, 77.23

 

CMYK 39 / 0 / 85 / 5

HEX #95F324

RGB 149 243 36

HSL 87.25, 0.9%, 0.55%

LAB 87.3, -56.24, 79.77

 

CMYK 16 / 0 / 85 / 5

HEX #CCF324

RGB 204 243 36

HSL 71.3, 0.9%, 0.55%

LAB 90.35, -36.1, 83.57

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 0 / 40 / 5

HEX #24F393

RGB 36 243 147

HSL 152.17, 0.9%, 0.55%

LAB 85.29, -68.12, 33.28

 

CMYK 85 / 0 / 16 / 5

HEX #24F3CB

RGB 36 243 203

HSL 168.41, 0.9%, 0.55%

LAB 86.4, -55.89, 6.03

 

CMYK 85 / 6 / 0 / 5

HEX #24E4F3

RGB 36 228 243

HSL 184.35, 0.9%, 0.55%

LAB 83.09, -38.43, -19.91

 

CMYK 85 / 29 / 0 / 5

HEX #24ACF3

RGB 36 172 243

HSL 200.58, 0.9%, 0.55%

LAB 66.79, -10.25, -45.06

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 75 / 0 / 55 / 12

HEX #37E064

RGB 55 224 100

HSL 135.98, 0.73%, 0.55%

LAB 79.07, -67.34, 48.22

 

CMYK 64 / 0 / 47 / 19

HEX #4ACE6D

RGB 74 206 109

HSL 135.91, 0.57%, 0.55%

LAB 74, -56.6, 37.77

 

CMYK 51 / 0 / 37 / 27

HEX #5CBB75

RGB 92 187 117

HSL 135.79, 0.41%, 0.55%

LAB 68.82, -43.58, 27.07

 

CMYK 34 / 0 / 25 / 34

HEX #6FA97E

RGB 111 169 126

HSL 135.52, 0.25%, 0.55%

LAB 64.37, -28.18, 16.32

 

CMYK 61 / 0 / 85 / 5

HEX #5FF324

RGB 95 243 36

HSL 102.9, 0.9%, 0.55%

LAB 85.33, -71.41, 77.3

 

CMYK 84 / 0 / 85 / 5

HEX #28F324

RGB 40 243 36

HSL 118.84, 0.9%, 0.55%

LAB 84.32, -80.12, 76.02

 

CMYK 85 / 0 / 64 / 5

HEX #24F358

RGB 36 243 88

HSL 135.07, 0.9%, 0.55%

LAB 84.58, -76.72, 59.73

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 85 / 0 / 19 / 5

HEX #24F3C6

RGB 36 243 198

HSL 166.96, 0.9%, 0.55%

LAB 86.28, -57.12, 8.47

 

CMYK 95 / 0 / 70 / 26

HEX #09BC39

RGB 9 188 57

HSL 136.09, 0.91%, 0.39%

LAB 66.76, -65.24, 52.8

 

CMYK 95 / 0 / 70 / 11

HEX #0BE345

RGB 11 227 69

HSL 136.11, 0.91%, 0.47%

LAB 79.29, -75.38, 61.42

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 69 / 0 / 51 / 4

HEX #4CF579

RGB 76 245 121

HSL 135.98, 0.89%, 0.63%

LAB 86.12, -68.35, 47.09

 

CMYK 53 / 0 / 39 / 3

HEX #73F796

RGB 115 247 150

HSL 135.91, 0.89%, 0.71%

LAB 88.15, -56.81, 35.84

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 0 / 85 / 72 / 5

HEX #F32443

RGB 243 36 67

HSL 351.01, 0.9%, 0.55%

LAB 52.64, 74.41, 37.19

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 64 / 85 / 0 / 5

HEX #5824F3

RGB 88 36 243

HSL 255.07, 0.9%, 0.55%

LAB 37.49, 70.89, -92.35

 

CMYK 0 / 64 / 85 / 5

HEX #F35824

RGB 243 88 36

HSL 15.07, 0.9%, 0.55%

LAB 58.19, 57.3, 58.41

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 0 / 85 / 21 / 5

HEX #F324BF

RGB 243 36 191

HSL 315.07, 0.9%, 0.55%

LAB 56.17, 84.32, -31.36

 

CMYK 0 / 47 / 85 / 5

HEX #F38124

RGB 243 129 36

HSL 26.96, 0.9%, 0.55%

LAB 65.66, 38.1, 64.58

 

CMYK 85 / 0 / 63 / 5

HEX #24F35B

RGB 36 243 91

HSL 135.94, 0.9%, 0.55%

LAB 84.6, -76.39, 58.52

 

CMYK 85 / 64 / 0 / 5

HEX #2458F3

RGB 36 88 243

HSL 224.93, 0.9%, 0.55%

LAB 43.98, 40.8, -81.73

 

CMYK 0 / 85 / 21 / 5

HEX #F324BF

RGB 243 36 191

HSL 315.07, 0.9%, 0.55%

LAB 56.17, 84.32, -31.36

 

CMYK 0 / 21 / 85 / 5

HEX #F3BF24

RGB 243 191 36

HSL 44.93, 0.9%, 0.55%

LAB 79.87, 5.73, 76.22

 

Description

Color code: HEX #24F35B | qconv.com Color code: HEX #24F35B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 243 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 243 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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