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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24F340 it is the complementary color #DB0CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24F340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24F340 shade: #29F33B, #3AFF4E, #4BFF61, #5CFF74 and #6DFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24F340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24F340 shade: #24F340, #13E12D, #02CF1A, #00BD07 and #00AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24F340 shade: #24F340, #40F324, #78F324, #B0F324 and #E7F324

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24F340 shade: #24F340, #24F378, #24F3B0, #24F3E8 and #24C7F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24F340 shade matches the following richer shades: #24F340

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24F340 shade: #24F340, #37E04E, #4ACE5C, #5CBB69 and #6FA977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24F340 shade: #77F324, #40F324, #24F340, #24F377 and #24F3AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24F340 shade: #09BC22, #0BE329, #24F340, #4CF563 and #73F785

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24F340 shade: #24F340, #24AEF3 and #F3245C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24F340 shade: #24F340, #4024F3 and #F34024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24F340 shade: #24F340, #24AEF3, #F324D7 and #F36924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24F340 shade: #24F340, #2470F3, #F324D7 and #F3A724

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

Complementary color

CMYK 0 / 95 / 13 / 14

HEX #DB0CBF

RGB 219 12 191

HSL 308.12, 0.9%, 0.45%

LAB 50.79, 82.88, -40.1

 

CMYK 83 / 0 / 76 / 5

HEX #29F33B

RGB 41 243 59

HSL 125.35, 0.89%, 0.56%

LAB 84.43, -78.79, 70.12

 

CMYK 77 / 0 / 69 / 0

HEX #3AFF4E

RGB 58 255 78

HSL 126.09, 1%, 0.61%

LAB 88.43, -78.98, 67.82

 

CMYK 71 / 0 / 62 / 0

HEX #4BFF61

RGB 75 255 97

HSL 127.33, 1%, 0.65%

LAB 88.87, -74.77, 60.97

 

CMYK 64 / 0 / 55 / 0

HEX #5CFF74

RGB 92 255 116

HSL 128.83, 1%, 0.68%

LAB 89.42, -69.59, 53.48

 

CMYK 57 / 0 / 47 / 0

HEX #6DFF87

RGB 109 255 135

HSL 130.68, 1%, 0.71%

LAB 90.1, -63.52, 45.61

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 92 / 0 / 80 / 12

HEX #13E12D

RGB 19 225 45

HSL 127.57, 0.84%, 0.48%

LAB 78.57, -76.24, 68.56

 

CMYK 99 / 0 / 87 / 19

HEX #02CF1A

RGB 2 207 26

HSL 127.02, 0.98%, 0.41%

LAB 72.7, -72.92, 67.73

 

CMYK 100 / 0 / 96 / 26

HEX #00BD07

RGB 0 189 7

HSL 122.22, 1%, 0.37%

LAB 66.83, -68.66, 65.59

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 74 / 0 / 85 / 5

HEX #40F324

RGB 64 243 36

HSL 111.88, 0.9%, 0.55%

LAB 84.65, -77.22, 76.43

 

CMYK 51 / 0 / 85 / 5

HEX #78F324

RGB 120 243 36

HSL 95.65, 0.9%, 0.55%

LAB 86.12, -65.11, 78.29

 

CMYK 28 / 0 / 85 / 5

HEX #B0F324

RGB 176 243 36

HSL 79.42, 0.9%, 0.55%

LAB 88.67, -46.78, 81.48

 

CMYK 5 / 0 / 85 / 5

HEX #E7F324

RGB 231 243 36

HSL 63.48, 0.9%, 0.55%

LAB 92.23, -25.25, 85.89

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 0 / 51 / 5

HEX #24F378

RGB 36 243 120

HSL 144.35, 0.9%, 0.55%

LAB 84.91, -72.63, 45.94

 

CMYK 85 / 0 / 28 / 5

HEX #24F3B0

RGB 36 243 176

HSL 160.58, 0.9%, 0.55%

LAB 85.81, -62.24, 19.22

 

CMYK 85 / 0 / 5 / 5

HEX #24F3E8

RGB 36 243 232

HSL 176.81, 0.9%, 0.55%

LAB 87.14, -48.24, -8.05

 

CMYK 85 / 18 / 0 / 5

HEX #24C7F3

RGB 36 199 243

HSL 192.75, 0.9%, 0.55%

LAB 74.63, -24.49, -32.84

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 75 / 0 / 65 / 12

HEX #37E04E

RGB 55 224 78

HSL 128.17, 0.73%, 0.55%

LAB 78.85, -69.91, 57.56

 

CMYK 64 / 0 / 55 / 19

HEX #4ACE5C

RGB 74 206 92

HSL 128.18, 0.57%, 0.55%

LAB 73.79, -59.03, 45.73

 

CMYK 51 / 0 / 44 / 27

HEX #5CBB69

RGB 92 187 105

HSL 128.21, 0.41%, 0.55%

LAB 68.63, -45.58, 33.07

 

CMYK 34 / 0 / 30 / 34

HEX #6FA977

RGB 111 169 119

HSL 128.28, 0.25%, 0.55%

LAB 64.23, -29.47, 19.97

 

CMYK 51 / 0 / 85 / 5

HEX #77F324

RGB 119 243 36

HSL 95.94, 0.9%, 0.55%

LAB 86.08, -65.39, 78.24

 

CMYK 74 / 0 / 85 / 5

HEX #40F324

RGB 64 243 36

HSL 111.88, 0.9%, 0.55%

LAB 84.65, -77.22, 76.43

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 0 / 51 / 5

HEX #24F377

RGB 36 243 119

HSL 144.06, 0.9%, 0.55%

LAB 84.9, -72.78, 46.4

 

CMYK 85 / 0 / 28 / 5

HEX #24F3AE

RGB 36 243 174

HSL 160, 0.9%, 0.55%

LAB 85.77, -62.68, 20.2

 

CMYK 95 / 0 / 82 / 26

HEX #09BC22

RGB 9 188 34

HSL 128.38, 0.91%, 0.39%

LAB 66.63, -66.99, 60.4

 

CMYK 95 / 0 / 82 / 11

HEX #0BE329

RGB 11 227 41

HSL 128.33, 0.91%, 0.47%

LAB 79.14, -77.36, 70.13

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 69 / 0 / 60 / 4

HEX #4CF563

RGB 76 245 99

HSL 128.17, 0.89%, 0.63%

LAB 85.88, -71.16, 56.74

 

CMYK 53 / 0 / 46 / 3

HEX #73F785

RGB 115 247 133

HSL 128.18, 0.89%, 0.71%

LAB 87.9, -59.41, 43.84

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 28 / 0 / 5

HEX #24AEF3

RGB 36 174 243

HSL 200, 0.9%, 0.55%

LAB 67.37, -11.35, -44.15

 

CMYK 0 / 85 / 62 / 5

HEX #F3245C

RGB 243 36 92

HSL 343.77, 0.9%, 0.55%

LAB 53.05, 75.59, 22.86

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 74 / 85 / 0 / 5

HEX #4024F3

RGB 64 36 243

HSL 248.12, 0.9%, 0.55%

LAB 35.64, 69.37, -95.48

 

CMYK 0 / 74 / 85 / 5

HEX #F34024

RGB 243 64 36

HSL 8.12, 0.9%, 0.55%

LAB 54.92, 66.23, 55.69

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 28 / 0 / 5

HEX #24AEF3

RGB 36 174 243

HSL 200, 0.9%, 0.55%

LAB 67.37, -11.35, -44.15

 

CMYK 0 / 85 / 12 / 5

HEX #F324D7

RGB 243 36 215

HSL 308.12, 0.9%, 0.55%

LAB 57.29, 87.33, -43.35

 

CMYK 0 / 57 / 85 / 5

HEX #F36924

RGB 243 105 36

HSL 20, 0.9%, 0.55%

LAB 61.03, 49.8, 60.77

 

CMYK 85 / 0 / 74 / 5

HEX #24F340

RGB 36 243 64

HSL 128.12, 0.9%, 0.55%

LAB 84.4, -78.88, 68.48

 

CMYK 85 / 54 / 0 / 5

HEX #2470F3

RGB 36 112 243

HSL 217.97, 0.9%, 0.55%

LAB 50.02, 25.65, -71.87

 

CMYK 0 / 85 / 12 / 5

HEX #F324D7

RGB 243 36 215

HSL 308.12, 0.9%, 0.55%

LAB 57.29, 87.33, -43.35

 

CMYK 0 / 31 / 85 / 5

HEX #F3A724

RGB 243 167 36

HSL 37.97, 0.9%, 0.55%

LAB 74.07, 18.31, 71.49

 

Description

Color code: HEX #24F340 | qconv.com Color code: HEX #24F340 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 243 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 243 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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