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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24F24A it is the complementary color #DB0DB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24F24A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24F24A shade: #29F245, #3AFF58, #4BFF6B, #5CFF7E and #6DFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24F24A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24F24A shade: #24F24A, #13E037, #02CE24, #00BC11 and #00AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24F24A shade: #26F24B, #37F226, #6EF226, #A5F226 and #DCF226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24F24A shade: #26F24B, #26F282, #26F2B9, #26F2F1 and #26BCF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24F24A shade matches the following richer shades: #26F24B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24F24A shade: #26F24B, #38DF57, #4BCD63, #5DBA6E and #70A87A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24F24A shade: #6DF226, #37F226, #26F24B, #26F282 and #26F2B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24F24A shade: #0ABB2B, #0DE234, #26F24B, #4DF46C and #74F68C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24F24A shade: #24F24A, #26A4F2 and #F22652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24F24A shade: #24F24A, #4B26F2 and #F24B26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24F24A shade: #24F24A, #26A4F2, #F226CC and #F27426

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24F24A shade: #24F24A, #2666F2, #F226CC and #F2B126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

Complementary color

CMYK 0 / 94 / 17 / 14

HEX #DB0DB5

RGB 219 13 181

HSL 311.07, 0.89%, 0.45%

LAB 50.32, 81.52, -35.01

 

CMYK 83 / 0 / 71 / 5

HEX #29F245

RGB 41 242 69

HSL 128.36, 0.89%, 0.55%

LAB 84.18, -77.76, 66.56

 

CMYK 77 / 0 / 65 / 0

HEX #3AFF58

RGB 58 255 88

HSL 129.14, 1%, 0.61%

LAB 88.51, -78.07, 64.12

 

CMYK 71 / 0 / 58 / 0

HEX #4BFF6B

RGB 75 255 107

HSL 130.67, 1%, 0.65%

LAB 88.96, -73.65, 56.84

 

CMYK 64 / 0 / 51 / 0

HEX #5CFF7E

RGB 92 255 126

HSL 132.52, 1%, 0.68%

LAB 89.53, -68.28, 49.04

 

CMYK 57 / 0 / 43 / 0

HEX #6DFF91

RGB 109 255 145

HSL 134.79, 1%, 0.71%

LAB 90.24, -62.03, 40.97

 

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

CMYK 92 / 0 / 75 / 12

HEX #13E037

RGB 19 224 55

HSL 130.54, 0.84%, 0.48%

LAB 78.3, -75.32, 65.31

 

CMYK 99 / 0 / 83 / 19

HEX #02CE24

RGB 2 206 36

HSL 130, 0.98%, 0.41%

LAB 72.42, -72.2, 65.21

 

CMYK 100 / 0 / 91 / 26

HEX #00BC11

RGB 0 188 17

HSL 125.43, 1%, 0.37%

LAB 66.53, -68.13, 64.01

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 77 / 0 / 84 / 5

HEX #37F226

RGB 55 242 38

HSL 115, 0.89%, 0.55%

LAB 84.2, -78.1, 75.56

 

CMYK 55 / 0 / 84 / 5

HEX #6EF226

RGB 110 242 38

HSL 98.82, 0.89%, 0.55%

LAB 85.48, -67.37, 77.18

 

CMYK 32 / 0 / 84 / 5

HEX #A5F226

RGB 165 242 38

HSL 82.65, 0.89%, 0.55%

LAB 87.8, -50.28, 80.09

 

CMYK 9 / 0 / 84 / 5

HEX #DCF226

RGB 220 242 38

HSL 66.47, 0.89%, 0.55%

LAB 91.17, -29.21, 84.3

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 84 / 0 / 46 / 5

HEX #26F282

RGB 38 242 130

HSL 147.06, 0.89%, 0.55%

LAB 84.76, -70.59, 40.97

 

CMYK 84 / 0 / 24 / 5

HEX #26F2B9

RGB 38 242 185

HSL 163.24, 0.89%, 0.55%

LAB 85.72, -59.69, 14.43

 

CMYK 84 / 0 / 0 / 5

HEX #26F2F1

RGB 38 242 241

HSL 179.71, 0.89%, 0.55%

LAB 87.13, -45.16, -12.79

 

CMYK 84 / 22 / 0 / 5

HEX #26BCF2

RGB 38 188 242

HSL 195.88, 0.89%, 0.55%

LAB 71.41, -19.04, -37.28

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 75 / 0 / 61 / 13

HEX #38DF57

RGB 56 223 87

HSL 131.14, 0.72%, 0.55%

LAB 78.64, -68.48, 53.54

 

CMYK 63 / 0 / 52 / 20

HEX #4BCD63

RGB 75 205 99

HSL 131.08, 0.57%, 0.55%

LAB 73.58, -57.51, 42.16

 

CMYK 50 / 0 / 41 / 27

HEX #5DBA6E

RGB 93 186 110

HSL 130.97, 0.4%, 0.55%

LAB 68.44, -44.08, 30.24

 

CMYK 33 / 0 / 27 / 34

HEX #70A87A

RGB 112 168 122

HSL 130.71, 0.24%, 0.55%

LAB 64.04, -28.12, 18.07

 

CMYK 55 / 0 / 84 / 5

HEX #6DF226

RGB 109 242 38

HSL 99.12, 0.89%, 0.55%

LAB 85.45, -67.63, 77.14

 

CMYK 77 / 0 / 84 / 5

HEX #37F226

RGB 55 242 38

HSL 115, 0.89%, 0.55%

LAB 84.2, -78.1, 75.56

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 84 / 0 / 46 / 5

HEX #26F282

RGB 38 242 130

HSL 147.06, 0.89%, 0.55%

LAB 84.76, -70.59, 40.97

 

CMYK 84 / 0 / 24 / 5

HEX #26F2B8

RGB 38 242 184

HSL 162.94, 0.89%, 0.55%

LAB 85.69, -59.92, 14.92

 

CMYK 95 / 0 / 77 / 27

HEX #0ABB2B

RGB 10 187 43

HSL 131.19, 0.9%, 0.39%

LAB 66.35, -66.08, 57.44

 

CMYK 94 / 0 / 77 / 11

HEX #0DE234

RGB 13 226 52

HSL 130.99, 0.89%, 0.47%

LAB 78.88, -76.36, 66.81

 

CMYK 84 / 0 / 69 / 5

HEX #26F24B

RGB 38 242 75

HSL 130.88, 0.89%, 0.55%

LAB 84.19, -77.52, 64.39

 

CMYK 68 / 0 / 56 / 4

HEX #4DF46C

RGB 77 244 108

HSL 131.14, 0.88%, 0.63%

LAB 85.69, -69.58, 52.56

 

CMYK 53 / 0 / 43 / 4

HEX #74F68C

RGB 116 246 140

HSL 131.08, 0.88%, 0.71%

LAB 87.74, -57.75, 40.24

 

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

CMYK 84 / 32 / 0 / 5

HEX #26A4F2

RGB 38 164 242

HSL 202.94, 0.89%, 0.55%

LAB 64.46, -6, -48.17

 

CMYK 0 / 84 / 66 / 5

HEX #F22652

RGB 242 38 82

HSL 347.06, 0.89%, 0.55%

LAB 52.81, 74.42, 28.51

 

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

CMYK 69 / 84 / 0 / 5

HEX #4B26F2

RGB 75 38 242

HSL 250.88, 0.89%, 0.55%

LAB 36.54, 69.03, -93.39

 

CMYK 0 / 69 / 84 / 5

HEX #F24B26

RGB 242 75 38

HSL 10.88, 0.89%, 0.55%

LAB 56.14, 62.14, 55.77

 

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

CMYK 84 / 32 / 0 / 5

HEX #26A4F2

RGB 38 164 242

HSL 202.94, 0.89%, 0.55%

LAB 64.46, -6, -48.17

 

CMYK 0 / 84 / 16 / 5

HEX #F226CC

RGB 242 38 204

HSL 311.18, 0.89%, 0.55%

LAB 56.71, 85.36, -38.01

 

CMYK 0 / 52 / 84 / 5

HEX #F27426

RGB 242 116 38

HSL 22.94, 0.89%, 0.55%

LAB 62.93, 44.24, 61.55

 

CMYK 85 / 0 / 69 / 5

HEX #24F24A

RGB 36 242 74

HSL 131.07, 0.89%, 0.55%

LAB 84.16, -77.78, 64.73

 

CMYK 84 / 58 / 0 / 5

HEX #2666F2

RGB 38 102 242

HSL 221.18, 0.89%, 0.55%

LAB 47.4, 31.75, -75.58

 

CMYK 0 / 84 / 16 / 5

HEX #F226CC

RGB 242 38 204

HSL 311.18, 0.89%, 0.55%

LAB 56.71, 85.36, -38.01

 

CMYK 0 / 27 / 84 / 5

HEX #F2B126

RGB 242 177 38

HSL 40.88, 0.89%, 0.55%

LAB 76.35, 12.67, 72.77

 

Description

Color code: HEX #24F24A | qconv.com Color code: HEX #24F24A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 242 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 242 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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