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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24D5B8 it is the complementary color #DB2A47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24D5B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24D5B8 shade: #29D5B3, #3AE7C6, #4BF9D9, #5CFFEC and #6DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24D5B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24D5B8 shade: #24D5B8, #13C3A5, #02B192, #009F7F and #008D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24D5B8 shade: #24D5B8, #24D588, #24D558, #24D529 and #4FD524

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24D5B8 shade: #24D5B8, #24C2D5, #2493D5, #2463D5 and #2433D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24D5B8 shade matches the following richer shades: #24D5B8 and #10E9C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24D5B8 shade: #24D5B8, #38C1AB, #4CAD9D, #60998F and #758482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24D5B8 shade: #24D559, #24D588, #24D5B8, #24C3D5 and #2494D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24D5B8 shade: #188F7B, #1EB29A, #24D5B8, #43DFC5 and #67E5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24D5B8 shade: #24D5B8, #2A24D5 and #D57124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24D5B8 shade: #24D5B8, #B824D5 and #D5B824

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24D5B8 shade: #24D5B8, #2A24D5, #D52441 and #CFD524

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24D5B8 shade: #24D5B8, #5F24D5, #D52441 and #9AD524

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

Complementary color

CMYK 0 / 81 / 68 / 14

HEX #DB2A47

RGB 219 42 71

HSL 350.17, 0.71%, 0.51%

LAB 48.47, 66.93, 28.7

 

CMYK 81 / 0 / 16 / 16

HEX #29D5B3

RGB 41 213 179

HSL 168.14, 0.68%, 0.5%

LAB 76.87, -49.43, 4.98

 

CMYK 75 / 0 / 14 / 9

HEX #3AE7C6

RGB 58 231 198

HSL 168.55, 0.78%, 0.57%

LAB 82.98, -50.35, 3.75

 

CMYK 70 / 0 / 13 / 2

HEX #4BF9D9

RGB 75 249 217

HSL 168.97, 0.94%, 0.64%

LAB 89.04, -51.04, 2.63

 

CMYK 64 / 0 / 7 / 0

HEX #5CFFEC

RGB 92 255 236

HSL 173.01, 1%, 0.68%

LAB 91.62, -46.42, -3.43

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 90 / 0 / 15 / 24

HEX #13C3A5

RGB 19 195 165

HSL 169.77, 0.82%, 0.42%

LAB 70.79, -47.15, 3.73

 

CMYK 99 / 0 / 18 / 31

HEX #02B192

RGB 2 177 146

HSL 169.37, 0.98%, 0.35%

LAB 64.59, -45.41, 5.2

 

CMYK 100 / 0 / 20 / 38

HEX #009F7F

RGB 0 159 127

HSL 167.92, 1%, 0.31%

LAB 58.35, -43.08, 6.86

 

CMYK 100 / 0 / 23 / 45

HEX #008D6C

RGB 0 141 108

HSL 165.96, 1%, 0.28%

LAB 51.99, -40.61, 8.63

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 83 / 0 / 36 / 16

HEX #24D588

RGB 36 213 136

HSL 153.9, 0.71%, 0.49%

LAB 75.91, -59.69, 26.38

 

CMYK 83 / 0 / 59 / 16

HEX #24D558

RGB 36 213 88

HSL 137.63, 0.71%, 0.49%

LAB 75.24, -67.55, 49.12

 

CMYK 83 / 0 / 81 / 16

HEX #24D529

RGB 36 213 41

HSL 121.69, 0.71%, 0.49%

LAB 74.9, -71.8, 66.27

 

CMYK 63 / 0 / 83 / 16

HEX #4FD524

RGB 79 213 36

HSL 105.42, 0.71%, 0.49%

LAB 75.69, -65.15, 68.57

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 83 / 9 / 0 / 16

HEX #24C2D5

RGB 36 194 213

HSL 186.44, 0.71%, 0.49%

LAB 72.07, -31.67, -20.53

 

CMYK 83 / 31 / 0 / 16

HEX #2493D5

RGB 36 147 213

HSL 202.37, 0.71%, 0.49%

LAB 58.08, -6.97, -42.18

 

CMYK 83 / 54 / 0 / 16

HEX #2463D5

RGB 36 99 213

HSL 218.64, 0.71%, 0.49%

LAB 44.38, 22.55, -64.1

 

CMYK 83 / 76 / 0 / 16

HEX #2433D5

RGB 36 51 213

HSL 234.92, 0.71%, 0.49%

LAB 33.02, 52.27, -82.73

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 93 / 0 / 15 / 9

HEX #10E9C6

RGB 16 233 198

HSL 170.32, 0.87%, 0.49%

LAB 83.16, -54.14, 3.96

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 71 / 0 / 11 / 24

HEX #38C1AB

RGB 56 193 171

HSL 170.36, 0.55%, 0.49%

LAB 70.82, -41.31, 0.55

 

CMYK 56 / 0 / 9 / 32

HEX #4CAD9D

RGB 76 173 157

HSL 170.1, 0.39%, 0.49%

LAB 64.85, -32.42, -0.38

 

CMYK 37 / 0 / 7 / 40

HEX #60998F

RGB 96 153 143

HSL 169.47, 0.23%, 0.49%

LAB 59.21, -21.07, -0.66

 

CMYK 11 / 0 / 2 / 48

HEX #758482

RGB 117 132 130

HSL 172, 0.06%, 0.49%

LAB 53.92, -5.88, -0.79

 

CMYK 83 / 0 / 58 / 16

HEX #24D559

RGB 36 213 89

HSL 137.97, 0.71%, 0.49%

LAB 75.25, -67.42, 48.68

 

CMYK 83 / 0 / 36 / 16

HEX #24D588

RGB 36 213 136

HSL 153.9, 0.71%, 0.49%

LAB 75.91, -59.69, 26.38

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 83 / 8 / 0 / 16

HEX #24C3D5

RGB 36 195 213

HSL 186.1, 0.71%, 0.49%

LAB 72.37, -32.15, -20.08

 

CMYK 83 / 31 / 0 / 16

HEX #2494D5

RGB 36 148 213

HSL 202.03, 0.71%, 0.49%

LAB 58.38, -7.54, -41.72

 

CMYK 83 / 0 / 14 / 44

HEX #188F7B

RGB 24 143 123

HSL 169.92, 0.71%, 0.33%

LAB 53.24, -35.83, 1.81

 

CMYK 83 / 0 / 13 / 30

HEX #1EB29A

RGB 30 178 154

HSL 170.27, 0.71%, 0.41%

LAB 65.32, -42.18, 1.85

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 70 / 0 / 12 / 13

HEX #43DFC5

RGB 67 223 197

HSL 170, 0.71%, 0.57%

LAB 80.74, -46.13, 1.04

 

CMYK 55 / 0 / 9 / 10

HEX #67E5D0

RGB 103 229 208

HSL 170, 0.71%, 0.65%

LAB 83.69, -40.02, -0.36

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 80 / 83 / 0 / 16

HEX #2A24D5

RGB 42 36 213

HSL 242.03, 0.71%, 0.49%

LAB 30.78, 59.86, -86.44

 

CMYK 0 / 47 / 83 / 16

HEX #D57124

RGB 213 113 36

HSL 26.1, 0.71%, 0.49%

LAB 58.12, 34.3, 56.51

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 14 / 83 / 0 / 16

HEX #B824D5

RGB 184 36 213

HSL 290.17, 0.71%, 0.49%

LAB 47.31, 76.43, -58.71

 

CMYK 0 / 14 / 83 / 16

HEX #D5B824

RGB 213 184 36

HSL 50.17, 0.71%, 0.49%

LAB 75.17, -3.58, 71.14

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 80 / 83 / 0 / 16

HEX #2A24D5

RGB 42 36 213

HSL 242.03, 0.71%, 0.49%

LAB 30.78, 59.86, -86.44

 

CMYK 0 / 83 / 69 / 16

HEX #D52441

RGB 213 36 65

HSL 350.17, 0.71%, 0.49%

LAB 46.7, 66.46, 29.86

 

CMYK 3 / 0 / 83 / 16

HEX #CFD524

RGB 207 213 36

HSL 62.03, 0.71%, 0.49%

LAB 82.37, -20.79, 76.99

 

CMYK 83 / 0 / 14 / 16

HEX #24D5B8

RGB 36 213 184

HSL 170.17, 0.71%, 0.49%

LAB 76.94, -48.55, 2.39

 

CMYK 55 / 83 / 0 / 16

HEX #5F24D5

RGB 95 36 213

HSL 260, 0.71%, 0.49%

LAB 35, 63.86, -79.32

 

CMYK 0 / 83 / 69 / 16

HEX #D52441

RGB 213 36 65

HSL 350.17, 0.71%, 0.49%

LAB 46.7, 66.46, 29.86

 

CMYK 28 / 0 / 83 / 16

HEX #9AD524

RGB 154 213 36

HSL 80, 0.71%, 0.49%

LAB 78.8, -42.11, 72.52

 

Description

Color code: HEX #24D5B8 | qconv.com Color code: HEX #24D5B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 213 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 213 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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