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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24B1B1 it is the complementary color #DB4E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24B1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24B1B1 shade: #29B1AC, #3AC3BF, #4BD5D2, #5CE7E5 and #6DF9F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24B1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24B1B1 shade: #24B1B1, #139F9E, #028D8B, #007B78 and #006965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24B1B1 shade: #24B1B1, #24B18B, #24B165, #24B13F and #2FB124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24B1B1 shade: #24B1B1, #248BB1, #2465B1, #243FB1 and #2424B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24B1B1 shade matches the following richer shades: #24B1B1, #13C3C3 and #01D4D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24B1B1 shade: #24B1B1, #35A0A0, #478F8F, #587D7D and #696C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24B1B1 shade: #24B166, #24B18C, #24B1B1, #248CB1 and #2466B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24B1B1 shade: #166D6D, #1D8F8F, #24B1B1, #2BD3D3 and #4DDADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24B1B1 shade: #24B1B1, #4024B1 and #B17924

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24B1B1 shade: #24B1B1, #B124B1 and #B1B124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24B1B1 shade: #24B1B1, #4024B1, #B12424 and #95B124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24B1B1 shade: #24B1B1, #6B24B1, #B12424 and #6BB124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

Complementary color

CMYK 0 / 64 / 64 / 14

HEX #DB4E4E

RGB 219 78 78

HSL 0, 0.66%, 0.58%

LAB 53.01, 55.06, 30.23

 

CMYK 77 / 0 / 3 / 31

HEX #29B1AC

RGB 41 177 172

HSL 177.79, 0.62%, 0.43%

LAB 65.67, -35.62, -7.61

 

CMYK 70 / 0 / 2 / 24

HEX #3AC3BF

RGB 58 195 191

HSL 178.25, 0.54%, 0.5%

LAB 72.02, -36.48, -8.58

 

CMYK 65 / 0 / 1 / 16

HEX #4BD5D2

RGB 75 213 210

HSL 178.7, 0.62%, 0.56%

LAB 78.31, -37.1, -9.46

 

CMYK 60 / 0 / 1 / 9

HEX #5CE7E5

RGB 92 231 229

HSL 179.14, 0.74%, 0.63%

LAB 84.53, -37.55, -10.26

 

CMYK 56 / 0 / 0 / 2

HEX #6DF9F8

RGB 109 249 248

HSL 179.57, 0.92%, 0.7%

LAB 90.68, -37.87, -11

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 88 / 0 / 1 / 38

HEX #139F9E

RGB 19 159 158

HSL 179.57, 0.79%, 0.35%

LAB 59.35, -33.24, -9.21

 

CMYK 99 / 0 / 1 / 45

HEX #028D8B

RGB 2 141 139

HSL 179.14, 0.97%, 0.28%

LAB 52.87, -31.48, -8.01

 

CMYK 100 / 0 / 2 / 52

HEX #007B78

RGB 0 123 120

HSL 178.54, 1%, 0.24%

LAB 46.34, -29, -6.61

 

CMYK 100 / 0 / 4 / 59

HEX #006965

RGB 0 105 101

HSL 177.71, 1%, 0.21%

LAB 39.65, -26.37, -5.12

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 80 / 0 / 21 / 31

HEX #24B18B

RGB 36 177 139

HSL 163.83, 0.66%, 0.42%

LAB 64.71, -45.09, 9.28

 

CMYK 80 / 0 / 43 / 31

HEX #24B165

RGB 36 177 101

HSL 147.66, 0.66%, 0.42%

LAB 63.97, -53.36, 28.83

 

CMYK 80 / 0 / 64 / 31

HEX #24B13F

RGB 36 177 63

HSL 131.49, 0.66%, 0.42%

LAB 63.49, -59.01, 46.82

 

CMYK 73 / 0 / 80 / 31

HEX #2FB124

RGB 47 177 36

HSL 115.32, 0.66%, 0.42%

LAB 63.49, -59.74, 57.03

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 80 / 21 / 0 / 31

HEX #248BB1

RGB 36 139 177

HSL 196.17, 0.66%, 0.42%

LAB 54.04, -15.33, -28.1

 

CMYK 80 / 43 / 0 / 31

HEX #2465B1

RGB 36 101 177

HSL 212.34, 0.66%, 0.42%

LAB 42.55, 7.34, -46.22

 

CMYK 80 / 64 / 0 / 31

HEX #243FB1

RGB 36 63 177

HSL 228.51, 0.66%, 0.42%

LAB 32.04, 32.38, -63.23

 

CMYK 80 / 80 / 0 / 31

HEX #2424B1

RGB 36 36 177

HSL 240, 0.66%, 0.42%

LAB 26.19, 48.5, -72.89

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 90 / 0 / 0 / 24

HEX #13C3C3

RGB 19 195 195

HSL 180, 0.82%, 0.42%

LAB 71.63, -38.67, -11.4

 

CMYK 100 / 0 / 0 / 17

HEX #01D4D4

RGB 1 212 212

HSL 180, 0.99%, 0.42%

LAB 77.19, -41.8, -12.29

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 67 / 0 / 0 / 37

HEX #35A0A0

RGB 53 160 160

HSL 180, 0.5%, 0.42%

LAB 60.28, -29.51, -8.89

 

CMYK 50 / 0 / 0 / 44

HEX #478F8F

RGB 71 143 143

HSL 180, 0.34%, 0.42%

LAB 55.04, -22.41, -6.94

 

CMYK 30 / 0 / 0 / 51

HEX #587D7D

RGB 88 125 125

HSL 180, 0.17%, 0.42%

LAB 49.76, -12.91, -4.19

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 80 / 0 / 42 / 31

HEX #24B166

RGB 36 177 102

HSL 148.09, 0.66%, 0.42%

LAB 63.98, -53.18, 28.33

 

CMYK 80 / 0 / 21 / 31

HEX #24B18C

RGB 36 177 140

HSL 164.26, 0.66%, 0.42%

LAB 64.73, -44.84, 8.76

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 80 / 21 / 0 / 31

HEX #248CB1

RGB 36 140 177

HSL 195.74, 0.66%, 0.42%

LAB 54.35, -15.88, -27.63

 

CMYK 80 / 42 / 0 / 31

HEX #2466B1

RGB 36 102 177

HSL 211.91, 0.66%, 0.42%

LAB 42.84, 6.7, -45.75

 

CMYK 80 / 0 / 0 / 57

HEX #166D6D

RGB 22 109 109

HSL 180, 0.66%, 0.26%

LAB 41.55, -23.95, -7.13

 

CMYK 80 / 0 / 0 / 44

HEX #1D8F8F

RGB 29 143 143

HSL 180, 0.66%, 0.34%

LAB 53.91, -29.42, -8.74

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 80 / 0 / 0 / 17

HEX #2BD3D3

RGB 43 211 211

HSL 180, 0.66%, 0.5%

LAB 77.16, -39.64, -11.76

 

CMYK 65 / 0 / 0 / 15

HEX #4DDADA

RGB 77 218 218

HSL 180, 0.66%, 0.58%

LAB 80.06, -36.9, -11.12

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 64 / 80 / 0 / 31

HEX #4024B1

RGB 64 36 177

HSL 251.91, 0.66%, 0.42%

LAB 28.18, 50.84, -69.52

 

CMYK 0 / 32 / 80 / 31

HEX #B17924

RGB 177 121 36

HSL 36.17, 0.66%, 0.42%

LAB 55.23, 14.57, 52.13

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 0 / 80 / 0 / 31

HEX #B124B1

RGB 177 36 177

HSL 300, 0.66%, 0.42%

LAB 43.92, 69.18, -43.25

 

CMYK 0 / 0 / 80 / 31

HEX #B1B124

RGB 177 177 36

HSL 60, 0.66%, 0.42%

LAB 70.12, -15.67, 65.54

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 64 / 80 / 0 / 31

HEX #4024B1

RGB 64 36 177

HSL 251.91, 0.66%, 0.42%

LAB 28.18, 50.84, -69.52

 

CMYK 0 / 80 / 80 / 31

HEX #B12424

RGB 177 36 36

HSL 0, 0.66%, 0.42%

LAB 39.13, 55.13, 36.48

 

CMYK 16 / 0 / 80 / 31

HEX #95B124

RGB 149 177 36

HSL 71.91, 0.66%, 0.42%

LAB 67.99, -27.63, 62.84

 

CMYK 80 / 0 / 0 / 31

HEX #24B1B1

RGB 36 177 177

HSL 180, 0.66%, 0.42%

LAB 65.74, -34.63, -10.28

 

CMYK 40 / 80 / 0 / 31

HEX #6B24B1

RGB 107 36 177

HSL 270.21, 0.66%, 0.42%

LAB 33.05, 56.53, -61.34

 

CMYK 0 / 80 / 80 / 31

HEX #B12424

RGB 177 36 36

HSL 0, 0.66%, 0.42%

LAB 39.13, 55.13, 36.48

 

CMYK 40 / 0 / 80 / 31

HEX #6BB124

RGB 107 177 36

HSL 89.79, 0.66%, 0.42%

LAB 65.51, -43.87, 59.66

 

Description

Color code: HEX #24B1B1 | qconv.com Color code: HEX #24B1B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 177 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 177 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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