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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24B942 it is the complementary color #DB46BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24B942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24B942 shade: #29B93D, #3ACB50, #4BDD63, #5CEF76 and #6DFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24B942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24B942 shade: #24B942, #13A72F, #02951C, #008309 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24B942 shade: #24B741, #2EB724, #55B724, #7DB724 and #A5B724

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24B942 shade: #24B741, #24B769, #24B791, #24B5B7 and #248DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24B942 shade matches the following richer shades: #24B741, #12C837 and #00DA2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24B942 shade: #24B741, #35A54C, #479356, #598161 and #6B706C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24B942 shade: #55B724, #2DB724, #24B741, #24B768 and #24B78F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24B942 shade: #167229, #1D9435, #24B741, #2ED550 and #51DC6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24B942 shade: #24B942, #247CB7 and #B72441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24B942 shade: #24B942, #4124B7 and #B74124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24B942 shade: #24B942, #247CB7, #B72499 and #B75E24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24B942 shade: #24B942, #2450B7, #B72499 and #B78B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

Complementary color

CMYK 0 / 68 / 14 / 14

HEX #DB46BD

RGB 219 70 189

HSL 312.08, 0.67%, 0.57%

LAB 55.19, 69.67, -32.04

 

CMYK 78 / 0 / 67 / 27

HEX #29B93D

RGB 41 185 61

HSL 128.33, 0.64%, 0.44%

LAB 66.14, -61.16, 50.61

 

CMYK 71 / 0 / 61 / 20

HEX #3ACB50

RGB 58 203 80

HSL 129.1, 0.58%, 0.51%

LAB 72.36, -62.42, 49.45

 

CMYK 66 / 0 / 55 / 13

HEX #4BDD63

RGB 75 221 99

HSL 129.86, 0.68%, 0.58%

LAB 78.53, -63.23, 48.13

 

CMYK 62 / 0 / 51 / 6

HEX #5CEF76

RGB 92 239 118

HSL 130.61, 0.82%, 0.65%

LAB 84.65, -63.71, 46.78

 

CMYK 57 / 0 / 46 / 0

HEX #6DFF89

RGB 109 255 137

HSL 131.51, 1%, 0.71%

LAB 90.13, -63.23, 44.69

 

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

CMYK 89 / 0 / 72 / 35

HEX #13A72F

RGB 19 167 47

HSL 131.35, 0.8%, 0.36%

LAB 59.87, -59.25, 49.49

 

CMYK 99 / 0 / 81 / 42

HEX #02951C

RGB 2 149 28

HSL 130.61, 0.97%, 0.3%

LAB 53.59, -56.43, 49.89

 

CMYK 100 / 0 / 93 / 49

HEX #008309

RGB 0 131 9

HSL 124.12, 1%, 0.26%

LAB 47.3, -52.24, 48.97

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 75 / 0 / 80 / 28

HEX #2EB724

RGB 46 183 36

HSL 115.92, 0.67%, 0.43%

LAB 65.42, -61.8, 58.85

 

CMYK 54 / 0 / 80 / 28

HEX #55B724

RGB 85 183 36

HSL 100, 0.67%, 0.43%

LAB 66.46, -53.18, 60.21

 

CMYK 32 / 0 / 80 / 28

HEX #7DB724

RGB 125 183 36

HSL 83.67, 0.67%, 0.43%

LAB 68.28, -39.92, 62.54

 

CMYK 10 / 0 / 80 / 28

HEX #A5B724

RGB 165 183 36

HSL 67.35, 0.67%, 0.43%

LAB 70.87, -23.83, 65.84

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 80 / 0 / 43 / 28

HEX #24B769

RGB 36 183 105

HSL 148.16, 0.67%, 0.43%

LAB 65.95, -54.81, 29.33

 

CMYK 80 / 0 / 21 / 28

HEX #24B791

RGB 36 183 145

HSL 164.49, 0.67%, 0.43%

LAB 66.74, -46.09, 8.87

 

CMYK 80 / 1 / 0 / 28

HEX #24B5B7

RGB 36 181 183

HSL 180.82, 0.67%, 0.43%

LAB 67.16, -34.71, -11.49

 

CMYK 80 / 23 / 0 / 28

HEX #248DB7

RGB 36 141 183

HSL 197.14, 0.67%, 0.43%

LAB 54.91, -14.33, -30.18

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 91 / 0 / 73 / 22

HEX #12C837

RGB 18 200 55

HSL 132.2, 0.83%, 0.43%

LAB 70.67, -68.5, 57.64

 

CMYK 100 / 0 / 80 / 15

HEX #00DA2C

RGB 0 218 44

HSL 132.11, 1%, 0.43%

LAB 76.27, -75.12, 66.64

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 68 / 0 / 54 / 35

HEX #35A54C

RGB 53 165 76

HSL 132.32, 0.51%, 0.43%

LAB 60.06, -50.46, 36.81

 

CMYK 52 / 0 / 41 / 42

HEX #479356

RGB 71 147 86

HSL 131.84, 0.35%, 0.43%

LAB 54.95, -37.35, 25.26

 

CMYK 31 / 0 / 25 / 49

HEX #598161

RGB 89 129 97

HSL 132, 0.18%, 0.43%

LAB 50.32, -21, 12.99

 

CMYK 4 / 0 / 4 / 56

HEX #6B706C

RGB 107 112 108

HSL 132, 0.02%, 0.43%

LAB 46.71, -2.73, 1.55

 

CMYK 54 / 0 / 80 / 28

HEX #55B724

RGB 85 183 36

HSL 100, 0.67%, 0.43%

LAB 66.46, -53.18, 60.21

 

CMYK 75 / 0 / 80 / 28

HEX #2DB724

RGB 45 183 36

HSL 116.33, 0.67%, 0.43%

LAB 65.4, -61.96, 58.83

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 80 / 0 / 43 / 28

HEX #24B768

RGB 36 183 104

HSL 147.76, 0.67%, 0.43%

LAB 65.94, -54.99, 29.83

 

CMYK 80 / 0 / 22 / 28

HEX #24B78F

RGB 36 183 143

HSL 163.67, 0.67%, 0.43%

LAB 66.69, -46.58, 9.9

 

CMYK 81 / 0 / 64 / 55

HEX #167229

RGB 22 114 41

HSL 132.39, 0.68%, 0.27%

LAB 41.79, -42.06, 32.45

 

CMYK 80 / 0 / 64 / 42

HEX #1D9435

RGB 29 148 53

HSL 132.1, 0.67%, 0.35%

LAB 53.71, -51.45, 40.3

 

CMYK 80 / 0 / 64 / 28

HEX #24B741

RGB 36 183 65

HSL 131.84, 0.67%, 0.43%

LAB 65.45, -60.73, 48.14

 

CMYK 78 / 0 / 62 / 16

HEX #2ED550

RGB 46 213 80

HSL 132.22, 0.67%, 0.51%

LAB 75.29, -67.41, 52.73

 

CMYK 63 / 0 / 50 / 14

HEX #51DC6D

RGB 81 220 109

HSL 132.09, 0.67%, 0.59%

LAB 78.48, -60.35, 43.41

 

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

CMYK 80 / 32 / 0 / 28

HEX #247CB7

RGB 36 124 183

HSL 204.08, 0.67%, 0.43%

LAB 49.75, -4.58, -38.27

 

CMYK 0 / 80 / 64 / 28

HEX #B72441

RGB 183 36 65

HSL 348.16, 0.67%, 0.43%

LAB 40.75, 58.19, 21.12

 

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

CMYK 64 / 80 / 0 / 28

HEX #4124B7

RGB 65 36 183

HSL 251.84, 0.67%, 0.43%

LAB 28.91, 52.68, -71.89

 

CMYK 0 / 64 / 80 / 28

HEX #B74124

RGB 183 65 36

HSL 11.84, 0.67%, 0.43%

LAB 44.2, 46.3, 41.93

 

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

CMYK 80 / 32 / 0 / 28

HEX #247CB7

RGB 36 124 183

HSL 204.08, 0.67%, 0.43%

LAB 49.75, -4.58, -38.27

 

CMYK 0 / 80 / 16 / 28

HEX #B72499

RGB 183 36 153

HSL 312.24, 0.67%, 0.43%

LAB 43.7, 66.89, -29.21

 

CMYK 0 / 49 / 80 / 28

HEX #B75E24

RGB 183 94 36

HSL 23.67, 0.67%, 0.43%

LAB 49.74, 32.01, 47.27

 

CMYK 81 / 0 / 64 / 27

HEX #24B942

RGB 36 185 66

HSL 132.08, 0.67%, 0.43%

LAB 66.11, -61.26, 48.43

 

CMYK 80 / 56 / 0 / 28

HEX #2450B7

RGB 36 80 183

HSL 222.04, 0.67%, 0.43%

LAB 36.99, 23.43, -58.71

 

CMYK 0 / 80 / 16 / 28

HEX #B72499

RGB 183 36 153

HSL 312.24, 0.67%, 0.43%

LAB 43.7, 66.89, -29.21

 

CMYK 0 / 24 / 80 / 28

HEX #B78B24

RGB 183 139 36

HSL 42.04, 0.67%, 0.43%

LAB 60.48, 7.26, 57.18

 

Description

Color code: HEX #24B942 | qconv.com Color code: HEX #24B942 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 185 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 185 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 64 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 64% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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