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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2499D5 it is the complementary color #DB662A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2499D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2499D5 shade: #2999D0, #3AABE3, #4BBDF6, #5CCFFF and #6DE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2499D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2499D5 shade: #2499D5, #1387C2, #0275AF, #00639C and #005189

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2499D5 shade: #2499D5, #2469D5, #2439D5, #3E24D5 and #6E24D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2499D5 shade: #2499D5, #2469D5, #2439D5 and #2424D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2499D5 shade matches the following richer shades: #2499D5 and #10A0E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2499D5 shade: #2499D5, #3893C1, #4C8CAD, #608599 and #757F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2499D5 shade: #24D5B2, #24C9D5, #249AD5, #246BD5 and #243BD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2499D5 shade: #18668F, #1E80B2, #2499D5, #43AADF and #67BAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2499D5 shade: #2499D5, #8224D5 and #D5C924

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2499D5 shade: #2499D5, #D5249A and #9AD524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2499D5 shade: #2499D5, #8224D5, #D55F24 and #77D524

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2499D5 shade: #2499D5, #B824D5, #D55F24 and #41D524

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

Complementary color

CMYK 0 / 53 / 81 / 14

HEX #DB662A

RGB 219 102 42

HSL 20.34, 0.71%, 0.51%

LAB 56.81, 42.42, 53.2

 

CMYK 80 / 26 / 0 / 18

HEX #2999D0

RGB 41 153 208

HSL 199.76, 0.67%, 0.49%

LAB 59.71, -11.69, -36.81

 

CMYK 74 / 25 / 0 / 11

HEX #3AABE3

RGB 58 171 227

HSL 199.88, 0.75%, 0.56%

LAB 66.19, -13.19, -37.21

 

CMYK 70 / 23 / 0 / 4

HEX #4BBDF6

RGB 75 189 246

HSL 200, 0.9%, 0.63%

LAB 72.59, -14.38, -37.56

 

CMYK 64 / 19 / 0 / 0

HEX #5CCFFF

RGB 92 207 255

HSL 197.67, 1%, 0.68%

LAB 78.53, -18.41, -33.15

 

CMYK 57 / 12 / 0 / 0

HEX #6DE1FF

RGB 109 225 255

HSL 192.33, 1%, 0.71%

LAB 84.13, -24.56, -24.52

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 90 / 30 / 0 / 24

HEX #1387C2

RGB 19 135 194

HSL 200.23, 0.82%, 0.42%

LAB 53.34, -8.24, -38.93

 

CMYK 99 / 33 / 0 / 31

HEX #0275AF

RGB 2 117 175

HSL 200.12, 0.98%, 0.35%

LAB 46.75, -5.64, -38.39

 

CMYK 100 / 37 / 0 / 39

HEX #00639C

RGB 0 99 156

HSL 201.92, 1%, 0.31%

LAB 40.12, -2.27, -37.7

 

CMYK 100 / 41 / 0 / 46

HEX #005189

RGB 0 81 137

HSL 204.53, 1%, 0.27%

LAB 33.33, 1.42, -37.02

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 83 / 51 / 0 / 16

HEX #2469D5

RGB 36 105 213

HSL 216.61, 0.71%, 0.49%

LAB 46.02, 18.69, -61.44

 

CMYK 83 / 73 / 0 / 16

HEX #2439D5

RGB 36 57 213

HSL 232.88, 0.71%, 0.49%

LAB 34.2, 48.93, -80.78

 

CMYK 71 / 83 / 0 / 16

HEX #3E24D5

RGB 62 36 213

HSL 248.81, 0.71%, 0.49%

LAB 32.01, 61, -84.36

 

CMYK 48 / 83 / 0 / 16

HEX #6E24D5

RGB 110 36 213

HSL 265.08, 0.71%, 0.49%

LAB 36.71, 65.53, -76.45

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 83 / 51 / 0 / 16

HEX #2469D5

RGB 36 105 213

HSL 216.61, 0.71%, 0.49%

LAB 46.02, 18.69, -61.44

 

CMYK 83 / 73 / 0 / 16

HEX #2439D5

RGB 36 57 213

HSL 232.88, 0.71%, 0.49%

LAB 34.2, 48.93, -80.78

 

CMYK 83 / 83 / 0 / 16

HEX #2424D5

RGB 36 36 213

HSL 240, 0.71%, 0.49%

LAB 30.5, 59.6, -86.92

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 93 / 31 / 0 / 9

HEX #10A0E9

RGB 16 160 233

HSL 200.18, 0.87%, 0.49%

LAB 62.62, -8.22, -46.15

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 71 / 24 / 0 / 24

HEX #3893C1

RGB 56 147 193

HSL 200.15, 0.55%, 0.49%

LAB 57.62, -11.76, -31.62

 

CMYK 56 / 19 / 0 / 32

HEX #4C8CAD

RGB 76 140 173

HSL 200.41, 0.39%, 0.49%

LAB 55.39, -10.81, -23.63

 

CMYK 37 / 13 / 0 / 40

HEX #608599

RGB 96 133 153

HSL 201.05, 0.23%, 0.49%

LAB 53.56, -7.67, -14.82

 

CMYK 11 / 4 / 0 / 48

HEX #757F84

RGB 117 127 132

HSL 200, 0.06%, 0.49%

LAB 52.54, -2.61, -3.98

 

CMYK 83 / 0 / 16 / 16

HEX #24D5B2

RGB 36 213 178

HSL 168.14, 0.71%, 0.49%

LAB 76.79, -50.1, 5.39

 

CMYK 83 / 6 / 0 / 16

HEX #24C9D5

RGB 36 201 213

HSL 184.07, 0.71%, 0.49%

LAB 74.16, -34.99, -17.36

 

CMYK 83 / 28 / 0 / 16

HEX #249AD5

RGB 36 154 213

HSL 200, 0.71%, 0.49%

LAB 60.15, -10.92, -38.93

 

CMYK 83 / 50 / 0 / 16

HEX #246BD5

RGB 36 107 213

HSL 215.93, 0.71%, 0.49%

LAB 46.57, 17.4, -60.55

 

CMYK 83 / 72 / 0 / 16

HEX #243BD5

RGB 36 59 213

HSL 232.2, 0.71%, 0.49%

LAB 34.61, 47.78, -80.09

 

CMYK 83 / 29 / 0 / 44

HEX #18668F

RGB 24 102 143

HSL 200.67, 0.71%, 0.33%

LAB 40.7, -7.69, -28.98

 

CMYK 83 / 28 / 0 / 30

HEX #1E80B2

RGB 30 128 178

HSL 200.27, 0.71%, 0.41%

LAB 50.6, -9.35, -34.05

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 70 / 24 / 0 / 13

HEX #43AADF

RGB 67 170 223

HSL 200.38, 0.71%, 0.57%

LAB 65.96, -12.8, -35.35

 

CMYK 55 / 19 / 0 / 10

HEX #67BAE5

RGB 103 186 229

HSL 200.48, 0.71%, 0.65%

LAB 72, -13.26, -29.19

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 39 / 83 / 0 / 16

HEX #8224D5

RGB 130 36 213

HSL 271.86, 0.71%, 0.49%

LAB 39.26, 68.09, -72.16

 

CMYK 0 / 6 / 83 / 16

HEX #D5C924

RGB 213 201 36

HSL 55.93, 0.71%, 0.49%

LAB 79.64, -12.29, 74.89

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 0 / 83 / 28 / 16

HEX #D5249A

RGB 213 36 154

HSL 320, 0.71%, 0.49%

LAB 49.18, 73.65, -20.88

 

CMYK 28 / 0 / 83 / 16

HEX #9AD524

RGB 154 213 36

HSL 80, 0.71%, 0.49%

LAB 78.8, -42.11, 72.52

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 39 / 83 / 0 / 16

HEX #8224D5

RGB 130 36 213

HSL 271.86, 0.71%, 0.49%

LAB 39.26, 68.09, -72.16

 

CMYK 0 / 55 / 83 / 16

HEX #D55F24

RGB 213 95 36

HSL 20, 0.71%, 0.49%

LAB 54.51, 43.38, 53.33

 

CMYK 44 / 0 / 83 / 16

HEX #77D524

RGB 119 213 36

HSL 91.86, 0.71%, 0.49%

LAB 77.06, -54.32, 70.33

 

CMYK 83 / 28 / 0 / 16

HEX #2499D5

RGB 36 153 213

HSL 200.34, 0.71%, 0.49%

LAB 59.85, -10.36, -39.39

 

CMYK 14 / 83 / 0 / 16

HEX #B824D5

RGB 184 36 213

HSL 290.17, 0.71%, 0.49%

LAB 47.31, 76.43, -58.71

 

CMYK 0 / 55 / 83 / 16

HEX #D55F24

RGB 213 95 36

HSL 20, 0.71%, 0.49%

LAB 54.51, 43.38, 53.33

 

CMYK 69 / 0 / 83 / 16

HEX #41D524

RGB 65 213 36

HSL 110.17, 0.71%, 0.49%

LAB 75.35, -67.97, 68.15

 

Description

Color code: HEX #2499D5 | qconv.com Color code: HEX #2499D5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 153 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 153 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 28 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 28% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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