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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #249428 it is the complementary color #DB6BD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #249428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #249428 shade: #299423, #3AA636, #4BB849, #5CCA5C and #6DDC6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #249428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #249428 shade: #249428, #138215, #027002, #005E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #249428 shade: #239327, #3E9323, #5C9323, #7A9323 and #938E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #249428 shade: #239327, #239345, #239364, #239382 and #238693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #249428 shade matches the following richer shades: #239327, #14A21A and #06B10C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #249428 shade: #239327, #328435, #417643, #506751 and #5F585E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #249428 shade: #5B9323, #3D9323, #239327, #239345 and #239363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #249428 shade: #135115, #1B721E, #239327, #2BB530 and #3ACF3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #249428 shade: #249428, #237993 and #93234C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #249428 shade: #249428, #272393 and #932723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #249428 shade: #249428, #237993, #932390 and #933D23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #249428 shade: #249428, #235893, #932390 and #935F23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

Complementary color

CMYK 0 / 51 / 2 / 14

HEX #DB6BD7

RGB 219 107 215

HSL 302.14, 0.61%, 0.64%

LAB 62.07, 58.15, -36.11

 

CMYK 72 / 0 / 76 / 42

HEX #299423

RGB 41 148 35

HSL 116.81, 0.62%, 0.36%

LAB 53.78, -51.31, 47.89

 

CMYK 65 / 0 / 67 / 35

HEX #3AA636

RGB 58 166 54

HSL 117.86, 0.51%, 0.43%

LAB 60.28, -52.46, 47.29

 

CMYK 59 / 0 / 60 / 28

HEX #4BB849

RGB 75 184 73

HSL 118.92, 0.44%, 0.5%

LAB 66.72, -53.1, 46.24

 

CMYK 54 / 0 / 54 / 21

HEX #5CCA5C

RGB 92 202 92

HSL 120, 0.51%, 0.58%

LAB 73.08, -53.41, 45.02

 

CMYK 50 / 0 / 50 / 14

HEX #6DDC6F

RGB 109 220 111

HSL 121.08, 0.61%, 0.65%

LAB 79.38, -53.52, 43.74

 

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

CMYK 85 / 0 / 84 / 49

HEX #138215

RGB 19 130 21

HSL 121.08, 0.74%, 0.29%

LAB 47.18, -49.74, 46.04

 

CMYK 98 / 0 / 98 / 56

HEX #027002

RGB 2 112 2

HSL 120, 0.96%, 0.22%

LAB 40.58, -46.7, 44.87

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 58 / 0 / 76 / 42

HEX #3E9323

RGB 62 147 35

HSL 105.54, 0.62%, 0.36%

LAB 54.04, -46.12, 48.34

 

CMYK 37 / 0 / 76 / 42

HEX #5C9323

RGB 92 147 35

HSL 89.46, 0.62%, 0.36%

LAB 55.34, -36.41, 50.06

 

CMYK 17 / 0 / 76 / 42

HEX #7A9323

RGB 122 147 35

HSL 73.39, 0.62%, 0.36%

LAB 57.2, -24.38, 52.49

 

CMYK 0 / 3 / 76 / 42

HEX #938E23

RGB 147 142 35

HSL 57.32, 0.62%, 0.36%

LAB 57.72, -10.73, 53.7

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 76 / 0 / 53 / 42

HEX #239345

RGB 35 147 69

HSL 138.21, 0.62%, 0.36%

LAB 53.66, -48.03, 32.44

 

CMYK 76 / 0 / 32 / 42

HEX #239364

RGB 35 147 100

HSL 154.82, 0.62%, 0.36%

LAB 54.18, -42.1, 16.3

 

CMYK 76 / 0 / 12 / 42

HEX #239382

RGB 35 147 130

HSL 170.89, 0.62%, 0.36%

LAB 54.9, -34.48, 0.22

 

CMYK 76 / 9 / 0 / 42

HEX #238693

RGB 35 134 147

HSL 186.96, 0.62%, 0.36%

LAB 51.28, -22.94, -15.01

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 88 / 0 / 84 / 36

HEX #14A21A

RGB 20 162 26

HSL 122.54, 0.78%, 0.36%

LAB 58.1, -59.19, 54.72

 

CMYK 97 / 0 / 93 / 31

HEX #06B10C

RGB 6 177 12

HSL 122.11, 0.93%, 0.36%

LAB 62.94, -64.95, 61.75

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 62 / 0 / 60 / 48

HEX #328435

RGB 50 132 53

HSL 122.2, 0.45%, 0.36%

LAB 48.81, -41.66, 34.81

 

CMYK 45 / 0 / 43 / 54

HEX #417643

RGB 65 118 67

HSL 122.26, 0.29%, 0.36%

LAB 44.92, -29.17, 22.7

 

CMYK 22 / 0 / 21 / 60

HEX #506751

RGB 80 103 81

HSL 122.61, 0.13%, 0.36%

LAB 41.22, -13.42, 9.66

 

CMYK 0 / 7 / 1 / 63

HEX #5F585E

RGB 95 88 94

HSL 308.57, 0.04%, 0.36%

LAB 38.24, 4.06, -2.44

 

CMYK 38 / 0 / 76 / 42

HEX #5B9323

RGB 91 147 35

HSL 90, 0.62%, 0.36%

LAB 55.29, -36.78, 50

 

CMYK 59 / 0 / 76 / 42

HEX #3D9323

RGB 61 147 35

HSL 106.07, 0.62%, 0.36%

LAB 54.01, -46.39, 48.3

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 76 / 0 / 53 / 42

HEX #239345

RGB 35 147 69

HSL 138.21, 0.62%, 0.36%

LAB 53.66, -48.03, 32.44

 

CMYK 76 / 0 / 33 / 42

HEX #239363

RGB 35 147 99

HSL 154.29, 0.62%, 0.36%

LAB 54.16, -42.32, 16.83

 

CMYK 77 / 0 / 74 / 68

HEX #135115

RGB 19 81 21

HSL 121.94, 0.62%, 0.2%

LAB 29.61, -32.71, 28.59

 

CMYK 76 / 0 / 74 / 55

HEX #1B721E

RGB 27 114 30

HSL 122.07, 0.62%, 0.28%

LAB 41.78, -42.49, 37.52

 

CMYK 76 / 0 / 73 / 42

HEX #239327

RGB 35 147 39

HSL 122.14, 0.62%, 0.36%

LAB 53.35, -51.69, 45.92

 

CMYK 76 / 0 / 73 / 29

HEX #2BB530

RGB 43 181 48

HSL 122.17, 0.62%, 0.44%

LAB 64.78, -60.79, 54.26

 

CMYK 72 / 0 / 70 / 19

HEX #3ACF3F

RGB 58 207 63

HSL 122.01, 0.61%, 0.52%

LAB 73.47, -65.48, 57.72

 

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

CMYK 76 / 18 / 0 / 42

HEX #237993

RGB 35 121 147

HSL 193.93, 0.62%, 0.36%

LAB 47.16, -15.96, -21.32

 

CMYK 0 / 76 / 48 / 42

HEX #93234C

RGB 147 35 76

HSL 338.04, 0.62%, 0.36%

LAB 33.83, 48.88, 3.45

 

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

CMYK 73 / 76 / 0 / 42

HEX #272393

RGB 39 35 147

HSL 242.14, 0.62%, 0.36%

LAB 22.79, 39.38, -60.26

 

CMYK 0 / 73 / 76 / 42

HEX #932723

RGB 147 39 35

HSL 2.14, 0.62%, 0.36%

LAB 33.51, 44.61, 29.27

 

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

CMYK 76 / 18 / 0 / 42

HEX #237993

RGB 35 121 147

HSL 193.93, 0.62%, 0.36%

LAB 47.16, -15.96, -21.32

 

CMYK 0 / 76 / 2 / 42

HEX #932390

RGB 147 35 144

HSL 301.61, 0.62%, 0.36%

LAB 36.78, 57.86, -35.07

 

CMYK 0 / 59 / 76 / 42

HEX #933D23

RGB 147 61 35

HSL 13.93, 0.62%, 0.36%

LAB 37.23, 34.65, 33.33

 

CMYK 76 / 0 / 73 / 42

HEX #249428

RGB 36 148 40

HSL 122.14, 0.61%, 0.36%

LAB 53.72, -51.77, 45.91

 

CMYK 76 / 40 / 0 / 42

HEX #235893

RGB 35 88 147

HSL 211.61, 0.62%, 0.36%

LAB 36.82, 3.94, -37.5

 

CMYK 0 / 76 / 2 / 42

HEX #932390

RGB 147 35 144

HSL 301.61, 0.62%, 0.36%

LAB 36.78, 57.86, -35.07

 

CMYK 0 / 35 / 76 / 42

HEX #935F23

RGB 147 95 35

HSL 32.14, 0.62%, 0.36%

LAB 44.95, 15.79, 41.35

 

Description

Color code: HEX #249428 | qconv.com Color code: HEX #249428 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 148 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 148 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 73 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 73% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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