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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #249408 it is the complementary color #DB6BF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #249408. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #249408 shade: #299403, #3AA616, #4BB829, #5CCA3C and #6DDC4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #249408. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #249408 shade: #249408, #138200, #027000, #005E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #249408 shade: #249607, #4A9607, #719607, #969407 and #966E07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #249408 shade: #249607, #079611, #079638, #07965E and #079684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #249408 shade matches the following richer shades: #249607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #249408 shade: #249607, #2C8914, #337C21, #3B6F2E and #43633B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #249408 shade: #709607, #4A9607, #249607, #079611 and #079637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #249408 shade: #114703, #1A6E05, #249607, #2DBD09 and #37E40C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #249408 shade: #249408, #079696 and #96075D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #249408 shade: #249408, #072496 and #960724

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #249408 shade: #249408, #079696, #790796 and #960707

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #249408 shade: #249408, #076B96, #790796 and #963207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

Complementary color

CMYK 11 / 57 / 0 / 3

HEX #DB6BF7

RGB 219 107 247

HSL 288, 0.9%, 0.69%

LAB 63.58, 63.96, -51.54

 

CMYK 72 / 0 / 98 / 42

HEX #299403

RGB 41 148 3

HSL 104.28, 0.96%, 0.3%

LAB 53.66, -52.82, 55.56

 

CMYK 65 / 0 / 87 / 35

HEX #3AA616

RGB 58 166 22

HSL 105, 0.77%, 0.37%

LAB 60.1, -54.68, 57.77

 

CMYK 59 / 0 / 78 / 28

HEX #4BB829

RGB 75 184 41

HSL 105.73, 0.64%, 0.44%

LAB 66.47, -55.91, 58.58

 

CMYK 54 / 0 / 70 / 21

HEX #5CCA3C

RGB 92 202 60

HSL 106.48, 0.57%, 0.51%

LAB 72.79, -56.68, 58.43

 

CMYK 50 / 0 / 64 / 14

HEX #6DDC4F

RGB 109 220 79

HSL 107.23, 0.67%, 0.59%

LAB 79.04, -57.14, 57.76

 

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

CMYK 85 / 0 / 100 / 49

HEX #138200

RGB 19 130 0

HSL 111.23, 1%, 0.25%

LAB 47.11, -50.63, 50.68

 

CMYK 98 / 0 / 100 / 56

HEX #027000

RGB 2 112 0

HSL 118.93, 1%, 0.22%

LAB 40.58, -46.79, 45.37

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 51 / 0 / 95 / 41

HEX #4A9607

RGB 74 150 7

HSL 91.89, 0.91%, 0.31%

LAB 55.36, -45.01, 56.72

 

CMYK 25 / 0 / 95 / 41

HEX #719607

RGB 113 150 7

HSL 75.52, 0.91%, 0.31%

LAB 57.4, -30.57, 59.22

 

CMYK 0 / 1 / 95 / 41

HEX #969407

RGB 150 148 7

HSL 59.16, 0.91%, 0.31%

LAB 59.6, -13.35, 62.12

 

CMYK 0 / 27 / 95 / 41

HEX #966E07

RGB 150 110 7

HSL 43.22, 0.91%, 0.31%

LAB 49.07, 7.67, 54.24

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 95 / 0 / 89 / 41

HEX #079611

RGB 7 150 17

HSL 124.2, 0.91%, 0.31%

LAB 53.92, -57.01, 53.12

 

CMYK 95 / 0 / 63 / 41

HEX #079638

RGB 7 150 56

HSL 140.56, 0.91%, 0.31%

LAB 54.18, -53.71, 39.39

 

CMYK 95 / 0 / 37 / 41

HEX #07965E

RGB 7 150 94

HSL 156.5, 0.91%, 0.31%

LAB 54.73, -47.15, 20.33

 

CMYK 95 / 0 / 12 / 41

HEX #079684

RGB 7 150 132

HSL 172.45, 0.91%, 0.31%

LAB 55.61, -37.5, 0.07

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 68 / 0 / 85 / 46

HEX #2C8914

RGB 44 137 20

HSL 107.69, 0.75%, 0.31%

LAB 50.07, -47.87, 49.16

 

CMYK 59 / 0 / 73 / 51

HEX #337C21

RGB 51 124 33

HSL 108.13, 0.58%, 0.31%

LAB 45.95, -40.41, 40.81

 

CMYK 47 / 0 / 59 / 56

HEX #3B6F2E

RGB 59 111 46

HSL 108, 0.41%, 0.31%

LAB 41.99, -31.02, 30.45

 

CMYK 32 / 0 / 40 / 61

HEX #43633B

RGB 67 99 59

HSL 108, 0.25%, 0.31%

LAB 38.61, -20.29, 19.11

 

CMYK 25 / 0 / 95 / 41

HEX #709607

RGB 112 150 7

HSL 75.94, 0.91%, 0.31%

LAB 57.34, -30.99, 59.14

 

CMYK 51 / 0 / 95 / 41

HEX #4A9607

RGB 74 150 7

HSL 91.89, 0.91%, 0.31%

LAB 55.36, -45.01, 56.72

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 95 / 0 / 89 / 41

HEX #079611

RGB 7 150 17

HSL 124.2, 0.91%, 0.31%

LAB 53.92, -57.01, 53.12

 

CMYK 95 / 0 / 63 / 41

HEX #079637

RGB 7 150 55

HSL 140.14, 0.91%, 0.31%

LAB 54.17, -53.84, 39.84

 

CMYK 76 / 0 / 96 / 72

HEX #114703

RGB 17 71 3

HSL 107.65, 0.92%, 0.15%

LAB 25.66, -30.86, 32.11

 

CMYK 76 / 0 / 95 / 57

HEX #1A6E05

RGB 26 110 5

HSL 108, 0.91%, 0.23%

LAB 40.22, -42.91, 43.96

 

CMYK 76 / 0 / 95 / 41

HEX #249607

RGB 36 150 7

HSL 107.83, 0.91%, 0.31%

LAB 54.24, -54.24, 55.34

 

CMYK 76 / 0 / 95 / 26

HEX #2DBD09

RGB 45 189 9

HSL 108, 0.91%, 0.39%

LAB 67.26, -64.83, 65.88

 

CMYK 76 / 0 / 95 / 11

HEX #37E40C

RGB 55 228 12

HSL 108.06, 0.9%, 0.47%

LAB 79.8, -74.83, 75.94

 

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

CMYK 95 / 0 / 0 / 41

HEX #079696

RGB 7 150 150

HSL 180, 0.91%, 0.31%

LAB 56.15, -32.06, -9.44

 

CMYK 0 / 95 / 38 / 41

HEX #96075D

RGB 150 7 93

HSL 323.92, 0.91%, 0.31%

LAB 32.76, 57.79, -9.13

 

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

CMYK 95 / 76 / 0 / 41

HEX #072496

RGB 7 36 150

HSL 227.83, 0.91%, 0.31%

LAB 21.98, 37.84, -63.5

 

CMYK 0 / 95 / 76 / 41

HEX #960724

RGB 150 7 36

HSL 347.83, 0.91%, 0.31%

LAB 31.26, 53.72, 26.27

 

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

CMYK 95 / 0 / 0 / 41

HEX #079696

RGB 7 150 150

HSL 180, 0.91%, 0.31%

LAB 56.15, -32.06, -9.44

 

CMYK 19 / 95 / 0 / 41

HEX #790796

RGB 121 7 150

HSL 287.83, 0.91%, 0.31%

LAB 30.45, 60.46, -49.17

 

CMYK 0 / 95 / 95 / 41

HEX #960707

RGB 150 7 7

HSL 0, 0.91%, 0.31%

LAB 31, 52.98, 41.78

 

CMYK 76 / 0 / 95 / 42

HEX #249408

RGB 36 148 8

HSL 108, 0.9%, 0.31%

LAB 53.57, -53.57, 54.62

 

CMYK 95 / 29 / 0 / 41

HEX #076B96

RGB 7 107 150

HSL 198.04, 0.91%, 0.31%

LAB 42.4, -9.19, -30.52

 

CMYK 19 / 95 / 0 / 41

HEX #790796

RGB 121 7 150

HSL 287.83, 0.91%, 0.31%

LAB 30.45, 60.46, -49.17

 

CMYK 0 / 67 / 95 / 41

HEX #963207

RGB 150 50 7

HSL 18.04, 0.91%, 0.31%

LAB 35.56, 40.29, 44.75

 

Description

Color code: HEX #249408 | qconv.com Color code: HEX #249408 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 148 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 148 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 95 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 95% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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