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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247E2A it is the complementary color #DB81D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247E2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247E2A shade: #297E25, #3A9038, #4BA24B, #5CB45E and #6DC671

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247E2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247E2A shade: #247E2A, #136C17, #025A04, #004800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247E2A shade: #237F29, #367F23, #4F7F23, #677F23 and #7F7E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247E2A shade: #237F29, #237F42, #237F5B, #237F73 and #23727F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247E2A shade matches the following richer shades: #237F29, #168C1E and #099913

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247E2A shade: #237F29, #317235, #3E6440, #4B574C and #584A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247E2A shade: #4E7F23, #367F23, #237F29, #237F42 and #237F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247E2A shade: #113E14, #1A5F1F, #237F29, #2C9F34 and #36BF3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247E2A shade: #247E2A, #23667F and #7F2342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247E2A shade: #247E2A, #29237F and #7F2923

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247E2A shade: #247E2A, #23667F, #7F2379 and #7F3C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247E2A shade: #247E2A, #234B7F, #7F2379 and #7F5723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

Complementary color

CMYK 0 / 41 / 3 / 14

HEX #DB81D5

RGB 219 129 213

HSL 304, 0.56%, 0.68%

LAB 66.19, 46.87, -28.61

 

CMYK 67 / 0 / 71 / 51

HEX #297E25

RGB 41 126 37

HSL 117.3, 0.55%, 0.32%

LAB 46.35, -43.32, 39.45

 

CMYK 60 / 0 / 61 / 44

HEX #3A9038

RGB 58 144 56

HSL 118.64, 0.44%, 0.39%

LAB 53.09, -44.01, 38.38

 

CMYK 54 / 0 / 54 / 36

HEX #4BA24B

RGB 75 162 75

HSL 120, 0.37%, 0.46%

LAB 59.75, -44.28, 37.09

 

CMYK 49 / 0 / 48 / 29

HEX #5CB45E

RGB 92 180 94

HSL 121.36, 0.37%, 0.53%

LAB 66.31, -44.32, 35.75

 

CMYK 45 / 0 / 43 / 22

HEX #6DC671

RGB 109 198 113

HSL 122.7, 0.44%, 0.6%

LAB 72.78, -44.22, 34.44

 

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

CMYK 82 / 0 / 79 / 58

HEX #136C17

RGB 19 108 23

HSL 122.7, 0.7%, 0.25%

LAB 39.45, -42.34, 37.91

 

CMYK 98 / 0 / 96 / 65

HEX #025A04

RGB 2 90 4

HSL 121.36, 0.96%, 0.18%

LAB 32.56, -39.79, 37.59

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 57 / 0 / 72 / 50

HEX #367F23

RGB 54 127 35

HSL 107.61, 0.57%, 0.32%

LAB 47.08, -40.58, 41.2

 

CMYK 38 / 0 / 72 / 50

HEX #4F7F23

RGB 79 127 35

HSL 91.3, 0.57%, 0.32%

LAB 48.21, -32.25, 42.72

 

CMYK 19 / 0 / 72 / 50

HEX #677F23

RGB 103 127 35

HSL 75.65, 0.57%, 0.32%

LAB 49.72, -22.48, 44.73

 

CMYK 0 / 1 / 72 / 50

HEX #7F7E23

RGB 127 126 35

HSL 59.35, 0.57%, 0.32%

LAB 51.33, -11.2, 46.97

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 72 / 0 / 48 / 50

HEX #237F42

RGB 35 127 66

HSL 140.22, 0.57%, 0.32%

LAB 46.88, -40.92, 25.57

 

CMYK 72 / 0 / 28 / 50

HEX #237F5B

RGB 35 127 91

HSL 156.52, 0.57%, 0.32%

LAB 47.35, -35.7, 12.01

 

CMYK 72 / 0 / 9 / 50

HEX #237F73

RGB 35 127 115

HSL 172.17, 0.57%, 0.32%

LAB 47.97, -29.33, -1.18

 

CMYK 72 / 10 / 0 / 50

HEX #23727F

RGB 35 114 127

HSL 188.48, 0.57%, 0.32%

LAB 44.12, -18.93, -14.07

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 84 / 0 / 79 / 45

HEX #168C1E

RGB 22 140 30

HSL 124.07, 0.73%, 0.32%

LAB 50.71, -51.95, 46.51

 

CMYK 94 / 0 / 88 / 40

HEX #099913

RGB 9 153 19

HSL 124.17, 0.89%, 0.32%

LAB 54.96, -57.68, 53.6

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 57 / 0 / 54 / 55

HEX #317235

RGB 49 114 53

HSL 123.69, 0.4%, 0.32%

LAB 42.68, -34.48, 27.47

 

CMYK 38 / 0 / 36 / 61

HEX #3E6440

RGB 62 100 64

HSL 123.16, 0.23%, 0.32%

LAB 38.74, -21.78, 16.27

 

CMYK 14 / 0 / 13 / 66

HEX #4B574C

RGB 75 87 76

HSL 125, 0.07%, 0.32%

LAB 35.66, -7.14, 4.82

 

CMYK 0 / 16 / 1 / 65

HEX #584A57

RGB 88 74 87

HSL 304.29, 0.09%, 0.32%

LAB 33.27, 8.53, -5.49

 

CMYK 39 / 0 / 72 / 50

HEX #4E7F23

RGB 78 127 35

HSL 91.96, 0.57%, 0.32%

LAB 48.16, -32.63, 42.65

 

CMYK 57 / 0 / 72 / 50

HEX #367F23

RGB 54 127 35

HSL 107.61, 0.57%, 0.32%

LAB 47.08, -40.58, 41.2

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 72 / 0 / 48 / 50

HEX #237F42

RGB 35 127 66

HSL 140.22, 0.57%, 0.32%

LAB 46.88, -40.92, 25.57

 

CMYK 72 / 0 / 29 / 50

HEX #237F5A

RGB 35 127 90

HSL 155.87, 0.57%, 0.32%

LAB 47.33, -35.94, 12.56

 

CMYK 73 / 0 / 68 / 76

HEX #113E14

RGB 17 62 20

HSL 124, 0.57%, 0.15%

LAB 22.36, -25.47, 21.01

 

CMYK 73 / 0 / 67 / 63

HEX #1A5F1F

RGB 26 95 31

HSL 124.35, 0.57%, 0.24%

LAB 35.01, -35.5, 29.72

 

CMYK 72 / 0 / 68 / 50

HEX #237F29

RGB 35 127 41

HSL 123.91, 0.57%, 0.32%

LAB 46.57, -44.53, 37.88

 

CMYK 72 / 0 / 67 / 38

HEX #2C9F34

RGB 44 159 52

HSL 124.17, 0.57%, 0.4%

LAB 57.64, -52.98, 45.17

 

CMYK 72 / 0 / 67 / 25

HEX #36BF3F

RGB 54 191 63

HSL 123.94, 0.56%, 0.48%

LAB 68.32, -60.93, 52.21

 

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

CMYK 72 / 20 / 0 / 50

HEX #23667F

RGB 35 102 127

HSL 196.3, 0.57%, 0.32%

LAB 40.23, -12.19, -20.03

 

CMYK 0 / 72 / 48 / 50

HEX #7F2342

RGB 127 35 66

HSL 339.78, 0.57%, 0.32%

LAB 29.68, 41.76, 3.56

 

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

CMYK 68 / 72 / 0 / 50

HEX #29237F

RGB 41 35 127

HSL 243.91, 0.57%, 0.32%

LAB 20.85, 32.74, -50.94

 

CMYK 0 / 68 / 72 / 50

HEX #7F2923

RGB 127 41 35

HSL 3.91, 0.57%, 0.32%

LAB 29.96, 36.75, 24.18

 

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

CMYK 72 / 20 / 0 / 50

HEX #23667F

RGB 35 102 127

HSL 196.3, 0.57%, 0.32%

LAB 40.23, -12.19, -20.03

 

CMYK 0 / 72 / 5 / 50

HEX #7F2379

RGB 127 35 121

HSL 303.91, 0.57%, 0.32%

LAB 32.02, 49.33, -28.54

 

CMYK 0 / 53 / 72 / 50

HEX #7F3C23

RGB 127 60 35

HSL 16.3, 0.57%, 0.32%

LAB 33.7, 26.99, 28.5

 

CMYK 71 / 0 / 67 / 51

HEX #247E2A

RGB 36 126 42

HSL 124, 0.56%, 0.32%

LAB 46.26, -43.85, 37.08

 

CMYK 72 / 41 / 0 / 50

HEX #234B7F

RGB 35 75 127

HSL 213.91, 0.57%, 0.32%

LAB 31.63, 4.69, -33.52

 

CMYK 0 / 72 / 5 / 50

HEX #7F2379

RGB 127 35 121

HSL 303.91, 0.57%, 0.32%

LAB 32.02, 49.33, -28.54

 

CMYK 0 / 31 / 72 / 50

HEX #7F5723

RGB 127 87 35

HSL 33.91, 0.57%, 0.32%

LAB 40.33, 11.23, 35.76

 

Description

Color code: HEX #247E2A | qconv.com Color code: HEX #247E2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 67% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Friends of Bath Bota...
Link: http://www.friendsofbathbotanicalgardens.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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