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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247AAC it is the complementary color #DB8553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247AAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247AAC shade: #297AA7, #3A8CBA, #4B9ECD, #5CB0E0 and #6DC2F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247AAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247AAC shade: #247AAC, #136899, #025686, #004473 and #003260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247AAC shade: #247AAC, #2455AC, #2431AC, #3C24AC and #6124AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247AAC shade: #247AAC, #2455AC, #2431AC and #2424AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247AAC shade matches the following richer shades: #247AAC, #137FBD and #0283CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247AAC shade: #247AAC, #35769B, #46718A, #576D79 and #686868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247AAC shade: #24AC95, #249EAC, #247AAC, #2456AC and #2432AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247AAC shade: #164A68, #1D628A, #247AAC, #2B92CE and #4AA4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247AAC shade: #247AAC, #7124AC and #ACA724

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247AAC shade: #247AAC, #AC247A and #7AAC24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247AAC shade: #247AAC, #7124AC, #AC5624 and #5FAC24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247AAC shade: #247AAC, #9A24AC, #AC5624 and #36AC24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

Complementary color

CMYK 0 / 39 / 62 / 14

HEX #DB8553

RGB 219 133 83

HSL 22.06, 0.65%, 0.59%

LAB 63.72, 28.44, 40.55

 

CMYK 75 / 27 / 0 / 35

HEX #297AA7

RGB 41 122 167

HSL 201.43, 0.61%, 0.41%

LAB 48.49, -8.67, -30.96

 

CMYK 69 / 25 / 0 / 27

HEX #3A8CBA

RGB 58 140 186

HSL 201.56, 0.52%, 0.48%

LAB 55.28, -9.91, -31.28

 

CMYK 63 / 23 / 0 / 20

HEX #4B9ECD

RGB 75 158 205

HSL 201.69, 0.57%, 0.55%

LAB 61.96, -10.85, -31.57

 

CMYK 59 / 21 / 0 / 12

HEX #5CB0E0

RGB 92 176 224

HSL 201.82, 0.68%, 0.62%

LAB 68.54, -11.58, -31.83

 

CMYK 55 / 20 / 0 / 5

HEX #6DC2F3

RGB 109 194 243

HSL 201.94, 0.85%, 0.69%

LAB 75.02, -12.16, -32.09

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 88 / 32 / 0 / 40

HEX #136899

RGB 19 104 153

HSL 201.94, 0.78%, 0.34%

LAB 41.75, -5.49, -33.32

 

CMYK 99 / 36 / 0 / 47

HEX #025686

RGB 2 86 134

HSL 201.82, 0.97%, 0.27%

LAB 34.78, -2.95, -32.87

 

CMYK 100 / 41 / 0 / 55

HEX #004473

RGB 0 68 115

HSL 204.52, 1%, 0.23%

LAB 27.77, 0.68, -32.2

 

CMYK 100 / 48 / 0 / 62

HEX #003260

RGB 0 50 96

HSL 208.75, 1%, 0.19%

LAB 20.54, 4.82, -31.53

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 79 / 51 / 0 / 33

HEX #2455AC

RGB 36 85 172

HSL 218.38, 0.65%, 0.41%

LAB 37.57, 15.82, -51.26

 

CMYK 79 / 72 / 0 / 33

HEX #2431AC

RGB 36 49 172

HSL 234.26, 0.65%, 0.41%

LAB 28.25, 39.45, -66.49

 

CMYK 65 / 79 / 0 / 33

HEX #3C24AC

RGB 60 36 172

HSL 250.59, 0.65%, 0.41%

LAB 27.3, 48.94, -68

 

CMYK 44 / 79 / 0 / 33

HEX #6124AC

RGB 97 36 172

HSL 266.91, 0.65%, 0.41%

LAB 31.3, 53.76, -61.26

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 79 / 51 / 0 / 33

HEX #2455AC

RGB 36 85 172

HSL 218.38, 0.65%, 0.41%

LAB 37.57, 15.82, -51.26

 

CMYK 79 / 72 / 0 / 33

HEX #2431AC

RGB 36 49 172

HSL 234.26, 0.65%, 0.41%

LAB 28.25, 39.45, -66.49

 

CMYK 79 / 79 / 0 / 33

HEX #2424AC

RGB 36 36 172

HSL 240, 0.65%, 0.41%

LAB 25.61, 46.89, -70.85

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 90 / 33 / 0 / 26

HEX #137FBD

RGB 19 127 189

HSL 201.88, 0.82%, 0.41%

LAB 50.68, -5.45, -40.27

 

CMYK 99 / 36 / 0 / 19

HEX #0283CE

RGB 2 131 206

HSL 202.06, 0.98%, 0.41%

LAB 52.62, -1.99, -46.9

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 66 / 24 / 0 / 39

HEX #35769B

RGB 53 118 155

HSL 201.76, 0.49%, 0.41%

LAB 47.08, -8.7, -26.1

 

CMYK 49 / 18 / 0 / 46

HEX #46718A

RGB 70 113 138

HSL 202.06, 0.33%, 0.41%

LAB 45.56, -7.62, -18.33

 

CMYK 28 / 10 / 0 / 53

HEX #576D79

RGB 87 109 121

HSL 201.18, 0.16%, 0.41%

LAB 44.72, -5.11, -9.34

 

CMYK 0 / 0 / 0 / 59

HEX #686868

RGB 104 104 104

HSL 0, 0%, 0.41%

LAB 44.01, 0, -0.01

 

CMYK 79 / 0 / 13 / 33

HEX #24AC95

RGB 36 172 149

HSL 169.85, 0.65%, 0.41%

LAB 63.38, -40.36, 1.83

 

CMYK 79 / 8 / 0 / 33

HEX #249EAC

RGB 36 158 172

HSL 186.18, 0.65%, 0.41%

LAB 59.71, -26.99, -16.56

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 79 / 50 / 0 / 33

HEX #2456AC

RGB 36 86 172

HSL 217.94, 0.65%, 0.41%

LAB 37.86, 15.16, -50.8

 

CMYK 79 / 71 / 0 / 33

HEX #2432AC

RGB 36 50 172

HSL 233.82, 0.65%, 0.41%

LAB 28.47, 38.83, -66.12

 

CMYK 79 / 29 / 0 / 59

HEX #164A68

RGB 22 74 104

HSL 201.95, 0.65%, 0.25%

LAB 29.58, -5.71, -22.33

 

CMYK 79 / 29 / 0 / 46

HEX #1D628A

RGB 29 98 138

HSL 202.02, 0.65%, 0.33%

LAB 39.3, -6.61, -28.16

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 79 / 29 / 0 / 19

HEX #2B92CE

RGB 43 146 206

HSL 202.09, 0.65%, 0.49%

LAB 57.59, -8.26, -39.02

 

CMYK 66 / 24 / 0 / 15

HEX #4AA4D8

RGB 74 164 216

HSL 201.97, 0.65%, 0.57%

LAB 64.13, -10.76, -34.31

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 34 / 79 / 0 / 33

HEX #7124AC

RGB 113 36 172

HSL 273.97, 0.65%, 0.41%

LAB 33.46, 56.34, -57.66

 

CMYK 0 / 3 / 79 / 33

HEX #ACA724

RGB 172 167 36

HSL 57.79, 0.65%, 0.41%

LAB 66.93, -12.71, 62.56

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 0 / 79 / 29 / 33

HEX #AC247A

RGB 172 36 122

HSL 322.06, 0.65%, 0.41%

LAB 40.31, 60.32, -15.66

 

CMYK 29 / 0 / 79 / 33

HEX #7AAC24

RGB 122 172 36

HSL 82.06, 0.65%, 0.41%

LAB 64.78, -36.17, 59.27

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 34 / 79 / 0 / 33

HEX #7124AC

RGB 113 36 172

HSL 273.97, 0.65%, 0.41%

LAB 33.46, 56.34, -57.66

 

CMYK 0 / 50 / 79 / 33

HEX #AC5624

RGB 172 86 36

HSL 22.06, 0.65%, 0.41%

LAB 46.38, 31.74, 43.47

 

CMYK 45 / 0 / 79 / 33

HEX #5FAC24

RGB 95 172 36

HSL 93.97, 0.65%, 0.41%

LAB 63.4, -45.88, 57.48

 

CMYK 79 / 29 / 0 / 33

HEX #247AAC

RGB 36 122 172

HSL 202.06, 0.65%, 0.41%

LAB 48.6, -7.46, -33.7

 

CMYK 10 / 79 / 0 / 33

HEX #9A24AC

RGB 154 36 172

HSL 292.06, 0.65%, 0.41%

LAB 39.77, 63.83, -47.15

 

CMYK 0 / 50 / 79 / 33

HEX #AC5624

RGB 172 86 36

HSL 22.06, 0.65%, 0.41%

LAB 46.38, 31.74, 43.47

 

CMYK 69 / 0 / 79 / 33

HEX #36AC24

RGB 54 172 36

HSL 112.06, 0.65%, 0.41%

LAB 62.01, -56.82, 55.68

 

Description

Color code: HEX #247AAC | qconv.com Color code: HEX #247AAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 122 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 122 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 29 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 29% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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