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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #245BD0 it is the complementary color #DBA42F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #245BD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #245BD0 shade: #295BCB, #3A6DDE, #4B7FF1, #5C91FF and #6DA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #245BD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #245BD0 shade: #245BD0, #1349BD, #0237AA, #002597 and #001384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #245BD0 shade: #245BD0, #242DD0, #4A24D0, #7824D0 and #A624D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #245BD0 shade: #245BD0, #242DD0 and #2424D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #245BD0 shade matches the following richer shades: #245BD0 and #1054E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #245BD0 shade: #245BD0, #3862BC, #4C69A8, #607094 and #737880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #245BD0 shade: #24B9D0, #248BD0, #245DD0, #2430D0 and #4624D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #245BD0 shade: #183C89, #1E4CAD, #245BD0, #4072DD and #638CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #245BD0 shade: #245BD0, #B924D0 and #A2D024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #245BD0 shade: #245BD0, #D0245D and #5DD024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #245BD0 shade: #245BD0, #B924D0, #D09624 and #3BD024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #245BD0 shade: #245BD0, #D024B3, #D09624 and #24D041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

Complementary color

CMYK 0 / 25 / 79 / 14

HEX #DBA42F

RGB 219 164 47

HSL 40.81, 0.7%, 0.52%

LAB 70.74, 9.95, 64.1

 

CMYK 80 / 55 / 0 / 20

HEX #295BCB

RGB 41 91 203

HSL 221.48, 0.66%, 0.48%

LAB 41.63, 24.36, -62.81

 

CMYK 74 / 51 / 0 / 13

HEX #3A6DDE

RGB 58 109 222

HSL 221.34, 0.71%, 0.55%

LAB 48.4, 21.77, -62.67

 

CMYK 69 / 47 / 0 / 5

HEX #4B7FF1

RGB 75 127 241

HSL 221.2, 0.86%, 0.62%

LAB 55.1, 19.64, -62.49

 

CMYK 64 / 43 / 0 / 0

HEX #5C91FF

RGB 92 145 255

HSL 220.49, 1%, 0.68%

LAB 61.43, 16.19, -60.01

 

CMYK 57 / 36 / 0 / 0

HEX #6DA3FF

RGB 109 163 255

HSL 217.81, 1%, 0.71%

LAB 67.03, 8.7, -51.07

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 90 / 61 / 0 / 26

HEX #1349BD

RGB 19 73 189

HSL 220.94, 0.82%, 0.41%

LAB 35.16, 29.18, -65.24

 

CMYK 99 / 68 / 0 / 33

HEX #0237AA

RGB 2 55 170

HSL 221.07, 0.98%, 0.34%

LAB 28.51, 33.04, -64.89

 

CMYK 100 / 75 / 0 / 41

HEX #002597

RGB 0 37 151

HSL 225.3, 1%, 0.3%

LAB 22.15, 37.34, -63.84

 

CMYK 100 / 86 / 0 / 48

HEX #001384

RGB 0 19 132

HSL 231.36, 1%, 0.26%

LAB 16.16, 40.86, -61.92

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 83 / 78 / 0 / 18

HEX #242DD0

RGB 36 45 208

HSL 236.86, 0.7%, 0.48%

LAB 31.36, 53.81, -82.58

 

CMYK 64 / 83 / 0 / 18

HEX #4A24D0

RGB 74 36 208

HSL 253.26, 0.7%, 0.48%

LAB 32.42, 60.54, -80.76

 

CMYK 42 / 83 / 0 / 18

HEX #7824D0

RGB 120 36 208

HSL 269.3, 0.7%, 0.48%

LAB 37.5, 65.62, -72.21

 

CMYK 20 / 83 / 0 / 18

HEX #A624D0

RGB 166 36 208

HSL 285.35, 0.7%, 0.48%

LAB 44.12, 72.52, -61.13

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 83 / 78 / 0 / 18

HEX #242DD0

RGB 36 45 208

HSL 236.86, 0.7%, 0.48%

LAB 31.36, 53.81, -82.58

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 93 / 63 / 0 / 11

HEX #1054E3

RGB 16 84 227

HSL 220.66, 0.87%, 0.48%

LAB 41.21, 36.48, -77.26

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 70 / 48 / 0 / 26

HEX #3862BC

RGB 56 98 188

HSL 220.91, 0.54%, 0.48%

LAB 43.07, 16.03, -51.76

 

CMYK 55 / 38 / 0 / 34

HEX #4C69A8

RGB 76 105 168

HSL 221.09, 0.38%, 0.48%

LAB 44.9, 8.32, -37.1

 

CMYK 35 / 24 / 0 / 42

HEX #607094

RGB 96 112 148

HSL 221.54, 0.21%, 0.48%

LAB 47.25, 3.22, -21.52

 

CMYK 10 / 6 / 0 / 50

HEX #737880

RGB 115 120 128

HSL 216.92, 0.05%, 0.48%

LAB 50.26, -0.16, -5.02

 

CMYK 83 / 11 / 0 / 18

HEX #24B9D0

RGB 36 185 208

HSL 188.02, 0.7%, 0.48%

LAB 69.2, -28.87, -22.16

 

CMYK 83 / 33 / 0 / 18

HEX #248BD0

RGB 36 139 208

HSL 204.07, 0.7%, 0.48%

LAB 55.48, -4.17, -43.48

 

CMYK 83 / 55 / 0 / 18

HEX #245DD0

RGB 36 93 208

HSL 220.12, 0.7%, 0.48%

LAB 42.4, 24.53, -64.45

 

CMYK 83 / 77 / 0 / 18

HEX #2430D0

RGB 36 48 208

HSL 235.81, 0.7%, 0.48%

LAB 31.9, 52.25, -81.68

 

CMYK 66 / 83 / 0 / 18

HEX #4624D0

RGB 70 36 208

HSL 251.86, 0.7%, 0.48%

LAB 32.07, 60.21, -81.34

 

CMYK 82 / 56 / 0 / 46

HEX #183C89

RGB 24 60 137

HSL 220.88, 0.7%, 0.32%

LAB 27.39, 17.54, -46.57

 

CMYK 83 / 56 / 0 / 32

HEX #1E4CAD

RGB 30 76 173

HSL 220.7, 0.7%, 0.4%

LAB 34.93, 21.63, -56.15

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 71 / 48 / 0 / 13

HEX #4072DD

RGB 64 114 221

HSL 220.89, 0.7%, 0.56%

LAB 49.91, 19.04, -59.65

 

CMYK 56 / 38 / 0 / 11

HEX #638CE3

RGB 99 140 227

HSL 220.78, 0.7%, 0.64%

LAB 58.93, 11.24, -48.51

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 11 / 83 / 0 / 18

HEX #B924D0

RGB 185 36 208

HSL 291.98, 0.7%, 0.48%

LAB 47.14, 75.75, -56.09

 

CMYK 22 / 0 / 83 / 18

HEX #A2D024

RGB 162 208 36

HSL 76.05, 0.7%, 0.48%

LAB 77.83, -36.82, 71.86

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 0 / 83 / 55 / 18

HEX #D0245D

RGB 208 36 93

HSL 340.12, 0.7%, 0.48%

LAB 46.26, 66.76, 11.91

 

CMYK 55 / 0 / 83 / 18

HEX #5DD024

RGB 93 208 36

HSL 100.12, 0.7%, 0.48%

LAB 74.55, -60.05, 67.71

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 11 / 83 / 0 / 18

HEX #B924D0

RGB 185 36 208

HSL 291.98, 0.7%, 0.48%

LAB 47.14, 75.75, -56.09

 

CMYK 0 / 28 / 83 / 18

HEX #D09624

RGB 208 150 36

HSL 39.77, 0.7%, 0.48%

LAB 66.02, 12.33, 63.13

 

CMYK 72 / 0 / 83 / 18

HEX #3BD024

RGB 59 208 36

HSL 111.98, 0.7%, 0.48%

LAB 73.66, -67.47, 66.56

 

CMYK 83 / 56 / 0 / 18

HEX #245BD0

RGB 36 91 208

HSL 220.81, 0.7%, 0.48%

LAB 41.86, 25.83, -65.32

 

CMYK 0 / 83 / 14 / 18

HEX #D024B3

RGB 208 36 179

HSL 310.12, 0.7%, 0.48%

LAB 49.41, 75.7, -35.4

 

CMYK 0 / 28 / 83 / 18

HEX #D09624

RGB 208 150 36

HSL 39.77, 0.7%, 0.48%

LAB 66.02, 12.33, 63.13

 

CMYK 83 / 0 / 69 / 18

HEX #24D041

RGB 36 208 65

HSL 130.12, 0.7%, 0.48%

LAB 73.46, -68.54, 56.84

 

Description

Color code: HEX #245BD0 | qconv.com Color code: HEX #245BD0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 91 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 91 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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