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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #245712 it is the complementary color #DBA8ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #245712. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #245712 shade: #29570D, #3A6920, #4B7B33, #5C8D46 and #6D9F59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #245712. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #245712 shade: #245712, #134500, #023300, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #245712 shade: #245812, #375812, #4A5812, #585312 and #584012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #245712 shade: #245812, #125812, #125825, #125838 and #12584C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #245712 shade matches the following richer shades: #245812, #206109 and #1C6A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #245712 shade: #245812, #28501A, #2C4723, #313E2C and #353634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #245712 shade: #4A5812, #375812, #255812, #125812 and #125825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #245712 shade: #081404, #16360B, #245812, #327B19 and #409D20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #245712 shade: #245712, #125854 and #581241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #245712 shade: #245712, #122558 and #581225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #245712 shade: #245712, #125854, #461258 and #581216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #245712 shade: #245712, #124858, #461258 and #582212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

Complementary color

CMYK 8 / 29 / 0 / 7

HEX #DBA8ED

RGB 219 168 237

HSL 284.35, 0.66%, 0.79%

LAB 75.56, 30.65, -27.39

 

CMYK 53 / 0 / 85 / 66

HEX #29570D

RGB 41 87 13

HSL 97.3, 0.74%, 0.2%

LAB 32.52, -29.66, 35.06

 

CMYK 45 / 0 / 70 / 59

HEX #3A6920

RGB 58 105 32

HSL 98.63, 0.53%, 0.27%

LAB 39.76, -30.19, 34.82

 

CMYK 39 / 0 / 59 / 52

HEX #4B7B33

RGB 75 123 51

HSL 100, 0.41%, 0.34%

LAB 46.84, -30.34, 33.78

 

CMYK 35 / 0 / 50 / 45

HEX #5C8D46

RGB 92 141 70

HSL 101.41, 0.34%, 0.41%

LAB 53.78, -30.31, 32.54

 

CMYK 31 / 0 / 44 / 38

HEX #6D9F59

RGB 109 159 89

HSL 102.86, 0.28%, 0.49%

LAB 60.58, -30.18, 31.27

 

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

CMYK 72 / 0 / 100 / 73

HEX #134500

RGB 19 69 0

HSL 103.48, 1%, 0.14%

LAB 24.94, -29.83, 32.67

 

CMYK 96 / 0 / 100 / 80

HEX #023300

RGB 2 51 0

HSL 117.65, 1%, 0.1%

LAB 17.37, -27.12, 24.29

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 59 / 0 / 80 / 65

HEX #245812

RGB 36 88 18

HSL 104.57, 0.66%, 0.21%

LAB 32.7, -31.37, 33.27

 

CMYK 38 / 0 / 80 / 65

HEX #375812

RGB 55 88 18

HSL 88.29, 0.66%, 0.21%

LAB 33.64, -24.45, 34.52

 

CMYK 16 / 0 / 80 / 65

HEX #4A5812

RGB 74 88 18

HSL 72, 0.66%, 0.21%

LAB 34.96, -16, 36.26

 

CMYK 0 / 6 / 80 / 65

HEX #585312

RGB 88 83 18

HSL 55.71, 0.66%, 0.21%

LAB 34.61, -6.32, 36.36

 

CMYK 0 / 27 / 80 / 65

HEX #584012

RGB 88 64 18

HSL 39.43, 0.66%, 0.21%

LAB 28.86, 5.34, 30.78

 

CMYK 59 / 0 / 80 / 65

HEX #245812

RGB 36 88 18

HSL 104.57, 0.66%, 0.21%

LAB 32.7, -31.37, 33.27

 

CMYK 80 / 0 / 80 / 65

HEX #125812

RGB 18 88 18

HSL 120, 0.66%, 0.21%

LAB 32.15, -35.85, 32.55

 

CMYK 80 / 0 / 58 / 65

HEX #125825

RGB 18 88 37

HSL 136.29, 0.66%, 0.21%

LAB 32.35, -33.44, 23.41

 

CMYK 80 / 0 / 36 / 65

HEX #125838

RGB 18 88 56

HSL 152.57, 0.66%, 0.21%

LAB 32.69, -29.61, 12.64

 

CMYK 80 / 0 / 14 / 65

HEX #12584C

RGB 18 88 76

HSL 169.71, 0.66%, 0.21%

LAB 33.2, -24.18, 0.91

 

CMYK 59 / 0 / 80 / 65

HEX #245812

RGB 36 88 18

HSL 104.57, 0.66%, 0.21%

LAB 32.7, -31.37, 33.27

 

CMYK 67 / 0 / 91 / 62

HEX #206109

RGB 32 97 9

HSL 104.32, 0.83%, 0.21%

LAB 35.74, -36.7, 39.11

 

CMYK 74 / 0 / 100 / 58

HEX #1C6A00

RGB 28 106 0

HSL 104.15, 1%, 0.21%

LAB 38.82, -41.36, 44.14

 

CMYK 59 / 0 / 80 / 65

HEX #245812

RGB 36 88 18

HSL 104.57, 0.66%, 0.21%

LAB 32.7, -31.37, 33.27

 

CMYK 50 / 0 / 68 / 69

HEX #28501A

RGB 40 80 26

HSL 104.44, 0.51%, 0.21%

LAB 30.07, -25.66, 26.84

 

CMYK 38 / 0 / 51 / 72

HEX #2C4723

RGB 44 71 35

HSL 105, 0.34%, 0.21%

LAB 27.2, -18.34, 18.42

 

CMYK 21 / 0 / 29 / 76

HEX #313E2C

RGB 49 62 44

HSL 103.33, 0.17%, 0.21%

LAB 24.58, -9.45, 9.37

 

CMYK 2 / 0 / 4 / 79

HEX #353634

RGB 53 54 52

HSL 90, 0.02%, 0.21%

LAB 22.45, -0.89, 1.1

 

CMYK 16 / 0 / 80 / 65

HEX #4A5812

RGB 74 88 18

HSL 72, 0.66%, 0.21%

LAB 34.96, -16, 36.26

 

CMYK 38 / 0 / 80 / 65

HEX #375812

RGB 55 88 18

HSL 88.29, 0.66%, 0.21%

LAB 33.64, -24.45, 34.52

 

CMYK 58 / 0 / 80 / 65

HEX #255812

RGB 37 88 18

HSL 103.71, 0.66%, 0.21%

LAB 32.74, -31.06, 33.33

 

CMYK 80 / 0 / 80 / 65

HEX #125812

RGB 18 88 18

HSL 120, 0.66%, 0.21%

LAB 32.15, -35.85, 32.55

 

CMYK 80 / 0 / 58 / 65

HEX #125825

RGB 18 88 37

HSL 136.29, 0.66%, 0.21%

LAB 32.35, -33.44, 23.41

 

CMYK 60 / 0 / 80 / 92

HEX #081404

RGB 8 20 4

HSL 105, 0.67%, 0.05%

LAB 5.06, -6.58, 5.82

 

CMYK 59 / 0 / 80 / 79

HEX #16360B

RGB 22 54 11

HSL 104.65, 0.66%, 0.13%

LAB 19.36, -21.4, 22.32

 

CMYK 59 / 0 / 80 / 65

HEX #245812

RGB 36 88 18

HSL 104.57, 0.66%, 0.21%

LAB 32.7, -31.37, 33.27

 

CMYK 59 / 0 / 80 / 52

HEX #327B19

RGB 50 123 25

HSL 104.69, 0.66%, 0.29%

LAB 45.52, -40.92, 43.41

 

CMYK 59 / 0 / 80 / 38

HEX #409D20

RGB 64 157 32

HSL 104.64, 0.66%, 0.37%

LAB 57.37, -49.52, 52.62

 

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

CMYK 80 / 0 / 5 / 65

HEX #125854

RGB 18 88 84

HSL 176.57, 0.66%, 0.21%

LAB 33.45, -21.66, -3.76

 

CMYK 0 / 80 / 26 / 65

HEX #581241

RGB 88 18 65

HSL 319.71, 0.66%, 0.21%

LAB 19.59, 36.33, -11.59

 

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

CMYK 80 / 58 / 0 / 65

HEX #122558

RGB 18 37 88

HSL 223.71, 0.66%, 0.21%

LAB 16.29, 12.87, -33.06

 

CMYK 0 / 80 / 58 / 65

HEX #581225

RGB 88 18 37

HSL 343.71, 0.66%, 0.21%

LAB 18.54, 32.98, 6.62

 

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

CMYK 80 / 0 / 5 / 65

HEX #125854

RGB 18 88 84

HSL 176.57, 0.66%, 0.21%

LAB 33.45, -21.66, -3.76

 

CMYK 20 / 80 / 0 / 65

HEX #461258

RGB 70 18 88

HSL 284.57, 0.66%, 0.21%

LAB 17.64, 35.92, -30.6

 

CMYK 0 / 80 / 75 / 65

HEX #581216

RGB 88 18 22

HSL 356.57, 0.66%, 0.21%

LAB 18.21, 31.87, 16.78

 

CMYK 59 / 0 / 79 / 66

HEX #245712

RGB 36 87 18

HSL 104.35, 0.66%, 0.21%

LAB 32.34, -30.95, 32.91

 

CMYK 80 / 18 / 0 / 65

HEX #124858

RGB 18 72 88

HSL 193.71, 0.66%, 0.21%

LAB 28.03, -11.23, -14.5

 

CMYK 20 / 80 / 0 / 65

HEX #461258

RGB 70 18 88

HSL 284.57, 0.66%, 0.21%

LAB 17.64, 35.92, -30.6

 

CMYK 0 / 61 / 80 / 65

HEX #582212

RGB 88 34 18

HSL 13.71, 0.66%, 0.21%

LAB 21.07, 23.83, 22.68

 

Description

Color code: HEX #245712 | qconv.com Color code: HEX #245712 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 87 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 87 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 79 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 79% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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