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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24427E it is the complementary color #DBBD81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24427E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24427E shade: #294279, #3A548C, #4B669F, #5C78B2 and #6D8AC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24427E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24427E shade: #24427E, #13306B, #021E58, #000C45 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24427E shade: #23427F, #23297F, #36237F, #4F237F and #68237F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24427E shade: #23427F, #23297F and #23237F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24427E shade matches the following richer shades: #23427F, #163D8C and #093999

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24427E shade: #23427F, #314672, #3E4B64, #4B4F57 and #58534A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24427E shade: #23737F, #235A7F, #23427F, #23297F and #36237F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24427E shade: #11203E, #1A315F, #23427F, #2C539F and #3663BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24427E shade: #24427E, #73237F and #667F23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24427E shade: #24427E, #7F2342 and #427F23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24427E shade: #24427E, #73237F, #7F6023 and #307F23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24427E shade: #24427E, #7F2370, #7F6023 and #237F33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

Complementary color

CMYK 0 / 14 / 41 / 14

HEX #DBBD81

RGB 219 189 129

HSL 40, 0.56%, 0.68%

LAB 77.9, 2.55, 34.26

 

CMYK 66 / 45 / 0 / 53

HEX #294279

RGB 41 66 121

HSL 221.25, 0.49%, 0.32%

LAB 28.77, 9.53, -34.31

 

CMYK 59 / 40 / 0 / 45

HEX #3A548C

RGB 58 84 140

HSL 220.98, 0.41%, 0.39%

LAB 36.24, 8.07, -34.11

 

CMYK 53 / 36 / 0 / 38

HEX #4B669F

RGB 75 102 159

HSL 220.71, 0.36%, 0.46%

LAB 43.51, 6.99, -33.97

 

CMYK 48 / 33 / 0 / 30

HEX #5C78B2

RGB 92 120 178

HSL 220.47, 0.36%, 0.53%

LAB 50.6, 6.15, -33.89

 

CMYK 45 / 30 / 0 / 23

HEX #6D8AC5

RGB 109 138 197

HSL 220.23, 0.43%, 0.6%

LAB 57.52, 5.47, -33.86

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 82 / 55 / 0 / 58

HEX #13306B

RGB 19 48 107

HSL 220.23, 0.7%, 0.25%

LAB 21.26, 13.02, -37.51

 

CMYK 98 / 66 / 0 / 65

HEX #021E58

RGB 2 30 88

HSL 220.47, 0.96%, 0.18%

LAB 13.51, 16.39, -37.62

 

CMYK 100 / 83 / 0 / 73

HEX #000C45

RGB 0 12 69

HSL 229.57, 1%, 0.14%

LAB 6.26, 20.68, -36.45

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 72 / 68 / 0 / 50

HEX #23297F

RGB 35 41 127

HSL 236.09, 0.57%, 0.32%

LAB 21.86, 28.05, -49.3

 

CMYK 57 / 72 / 0 / 50

HEX #36237F

RGB 54 35 127

HSL 252.39, 0.57%, 0.32%

LAB 22.01, 34.72, -48.99

 

CMYK 38 / 72 / 0 / 50

HEX #4F237F

RGB 79 35 127

HSL 268.7, 0.57%, 0.32%

LAB 24.94, 39.47, -44.08

 

CMYK 18 / 72 / 0 / 50

HEX #68237F

RGB 104 35 127

HSL 285, 0.57%, 0.32%

LAB 28.58, 44.97, -38.02

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 72 / 68 / 0 / 50

HEX #23297F

RGB 35 41 127

HSL 236.09, 0.57%, 0.32%

LAB 21.86, 28.05, -49.3

 

CMYK 72 / 72 / 0 / 50

HEX #23237F

RGB 35 35 127

HSL 240, 0.57%, 0.32%

LAB 20.41, 31.97, -51.68

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 84 / 56 / 0 / 45

HEX #163D8C

RGB 22 61 140

HSL 220.17, 0.73%, 0.32%

LAB 27.85, 17.88, -47.67

 

CMYK 94 / 63 / 0 / 40

HEX #093999

RGB 9 57 153

HSL 220, 0.89%, 0.32%

LAB 27.53, 25.16, -56.2

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 57 / 39 / 0 / 55

HEX #314672

RGB 49 70 114

HSL 220.62, 0.4%, 0.32%

LAB 30.03, 6, -27.87

 

CMYK 38 / 25 / 0 / 61

HEX #3E4B64

RGB 62 75 100

HSL 219.47, 0.23%, 0.32%

LAB 31.75, 1.77, -16.26

 

CMYK 14 / 9 / 0 / 66

HEX #4B4F57

RGB 75 79 87

HSL 220, 0.07%, 0.32%

LAB 33.51, 0.26, -5.25

 

CMYK 0 / 6 / 16 / 65

HEX #58534A

RGB 88 83 74

HSL 38.57, 0.09%, 0.32%

LAB 35.51, 0.28, 6

 

CMYK 72 / 9 / 0 / 50

HEX #23737F

RGB 35 115 127

HSL 187.83, 0.57%, 0.32%

LAB 44.45, -19.47, -13.58

 

CMYK 72 / 29 / 0 / 50

HEX #235A7F

RGB 35 90 127

HSL 204.13, 0.57%, 0.32%

LAB 36.37, -4.98, -26.03

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 72 / 68 / 0 / 50

HEX #23297F

RGB 35 41 127

HSL 236.09, 0.57%, 0.32%

LAB 21.86, 28.05, -49.3

 

CMYK 57 / 72 / 0 / 50

HEX #36237F

RGB 54 35 127

HSL 252.39, 0.57%, 0.32%

LAB 22.01, 34.72, -48.99

 

CMYK 73 / 48 / 0 / 76

HEX #11203E

RGB 17 32 62

HSL 220, 0.57%, 0.15%

LAB 12.61, 5.29, -21.14

 

CMYK 73 / 48 / 0 / 63

HEX #1A315F

RGB 26 49 95

HSL 220, 0.57%, 0.24%

LAB 20.99, 8.32, -30.11

 

CMYK 72 / 48 / 0 / 50

HEX #23427F

RGB 35 66 127

HSL 219.78, 0.57%, 0.32%

LAB 28.87, 10.79, -37.93

 

CMYK 72 / 48 / 0 / 38

HEX #2C539F

RGB 44 83 159

HSL 219.65, 0.57%, 0.4%

LAB 36.41, 13.15, -45.36

 

CMYK 72 / 48 / 0 / 25

HEX #3663BF

RGB 54 99 191

HSL 220.29, 0.56%, 0.48%

LAB 43.46, 16.2, -52.88

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 9 / 72 / 0 / 50

HEX #73237F

RGB 115 35 127

HSL 292.17, 0.57%, 0.32%

LAB 30.35, 47.53, -35.09

 

CMYK 20 / 0 / 72 / 50

HEX #667F23

RGB 102 127 35

HSL 76.3, 0.57%, 0.32%

LAB 49.65, -22.91, 44.64

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 0 / 72 / 48 / 50

HEX #7F2342

RGB 127 35 66

HSL 339.78, 0.57%, 0.32%

LAB 29.68, 41.76, 3.56

 

CMYK 48 / 0 / 72 / 50

HEX #427F23

RGB 66 127 35

HSL 99.78, 0.57%, 0.32%

LAB 47.57, -36.87, 41.85

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 9 / 72 / 0 / 50

HEX #73237F

RGB 115 35 127

HSL 292.17, 0.57%, 0.32%

LAB 30.35, 47.53, -35.09

 

CMYK 0 / 24 / 72 / 50

HEX #7F6023

RGB 127 96 35

HSL 39.78, 0.57%, 0.32%

LAB 42.76, 5.9, 38.32

 

CMYK 62 / 0 / 72 / 50

HEX #307F23

RGB 48 127 35

HSL 111.52, 0.57%, 0.32%

LAB 46.88, -42.2, 40.92

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 0 / 72 / 12 / 50

HEX #7F2370

RGB 127 35 112

HSL 309.78, 0.57%, 0.32%

LAB 31.54, 47.84, -23.6

 

CMYK 0 / 24 / 72 / 50

HEX #7F6023

RGB 127 96 35

HSL 39.78, 0.57%, 0.32%

LAB 42.76, 5.9, 38.32

 

CMYK 72 / 0 / 60 / 50

HEX #237F33

RGB 35 127 51

HSL 130.43, 0.57%, 0.32%

LAB 46.68, -43.28, 33.21

 

Description

Color code: HEX #24427E | qconv.com Color code: HEX #24427E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 66 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 66 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 48 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 48% 0% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

11% - 站长之家 - 中国站长站 - 站长资讯 ...
Link: http://chinaz.com

15% - Click Mobile Blog - ...
Link: http://clickmobile.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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