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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #244555 it is the complementary color #DBBAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #244555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #244555 shade: #294550, #3A5763, #4B6976, #5C7B89 and #6D8D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #244555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #244555 shade: #244555, #133342, #02212F, #000F1C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #244555 shade: #244555, #243855, #242B55, #2B2455 and #382455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #244555 shade: #244555, #243855, #242B55 and #242455

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #244555 shade matches the following richer shades: #244555, #1A495F, #104C69 and #075073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #244555 shade: #244555, #2E424B, #383E41, #423B37 and #4C372E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #244555 shade: #24554B, #245355, #244655, #243955 and #242C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #244555 shade: #0B161B, #182E38, #244555, #315D72 and #3D748F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #244555 shade: #244555, #3E2455 and #555124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #244555 shade: #244555, #552446 and #465524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #244555 shade: #244555, #3E2455, #553424 and #3C5524

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #244555 shade: #244555, #4C2455, #553424 and #2D5524

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

Complementary color

CMYK 0 / 15 / 22 / 14

HEX #DBBAAA

RGB 219 186 170

HSL 19.59, 0.4%, 0.76%

LAB 77.92, 9.35, 12.49

 

CMYK 49 / 14 / 0 / 69

HEX #294550

RGB 41 69 80

HSL 196.92, 0.32%, 0.24%

LAB 27.59, -7.14, -9.9

 

CMYK 41 / 12 / 0 / 61

HEX #3A5763

RGB 58 87 99

HSL 197.56, 0.26%, 0.31%

LAB 35.24, -7.29, -10.34

 

CMYK 36 / 11 / 0 / 54

HEX #4B6976

RGB 75 105 118

HSL 198.14, 0.22%, 0.38%

LAB 42.62, -7.39, -10.77

 

CMYK 33 / 10 / 0 / 46

HEX #5C7B89

RGB 92 123 137

HSL 198.67, 0.2%, 0.45%

LAB 49.79, -7.45, -11.19

 

CMYK 30 / 10 / 0 / 39

HEX #6D8D9C

RGB 109 141 156

HSL 199.15, 0.19%, 0.52%

LAB 56.78, -7.51, -11.61

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 71 / 23 / 0 / 74

HEX #133342

RGB 19 51 66

HSL 199.15, 0.55%, 0.17%

LAB 19.64, -6.19, -12.87

 

CMYK 96 / 30 / 0 / 82

HEX #02212F

RGB 2 33 47

HSL 198.67, 0.92%, 0.1%

LAB 11.32, -5.27, -12.52

 

CMYK 100 / 46 / 0 / 89

HEX #000F1C

RGB 0 15 28

HSL 207.86, 1%, 0.05%

LAB 3.84, -0.98, -9.8

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 58 / 34 / 0 / 67

HEX #243855

RGB 36 56 85

HSL 215.51, 0.4%, 0.24%

LAB 23.2, 1.72, -19.98

 

CMYK 58 / 49 / 0 / 67

HEX #242B55

RGB 36 43 85

HSL 231.43, 0.4%, 0.24%

LAB 19.05, 10.89, -26.55

 

CMYK 49 / 58 / 0 / 67

HEX #2B2455

RGB 43 36 85

HSL 248.57, 0.4%, 0.24%

LAB 17.6, 17.72, -28.83

 

CMYK 34 / 58 / 0 / 67

HEX #382455

RGB 56 36 85

HSL 264.49, 0.4%, 0.24%

LAB 19.05, 21.4, -26.44

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 58 / 34 / 0 / 67

HEX #243855

RGB 36 56 85

HSL 215.51, 0.4%, 0.24%

LAB 23.2, 1.72, -19.98

 

CMYK 58 / 49 / 0 / 67

HEX #242B55

RGB 36 43 85

HSL 231.43, 0.4%, 0.24%

LAB 19.05, 10.89, -26.55

 

CMYK 58 / 58 / 0 / 67

HEX #242455

RGB 36 36 85

HSL 240, 0.4%, 0.24%

LAB 16.95, 15.94, -29.91

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 73 / 23 / 0 / 63

HEX #1A495F

RGB 26 73 95

HSL 199.13, 0.57%, 0.24%

LAB 28.93, -7.9, -17.59

 

CMYK 85 / 28 / 0 / 59

HEX #104C69

RGB 16 76 105

HSL 199.55, 0.74%, 0.24%

LAB 30.15, -7.35, -22.08

 

CMYK 94 / 30 / 0 / 55

HEX #075073

RGB 7 80 115

HSL 199.44, 0.89%, 0.24%

LAB 31.85, -6.62, -25.73

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 39 / 12 / 0 / 71

HEX #2E424B

RGB 46 66 75

HSL 198.62, 0.24%, 0.24%

LAB 26.69, -5.24, -7.97

 

CMYK 14 / 5 / 0 / 75

HEX #383E41

RGB 56 62 65

HSL 200, 0.07%, 0.24%

LAB 25.77, -1.76, -2.7

 

CMYK 0 / 11 / 17 / 74

HEX #423B37

RGB 66 59 55

HSL 21.82, 0.09%, 0.24%

LAB 25.45, 2.23, 3.58

 

CMYK 0 / 28 / 39 / 70

HEX #4C372E

RGB 76 55 46

HSL 18, 0.25%, 0.24%

LAB 25.16, 7.93, 9.29

 

CMYK 58 / 0 / 12 / 67

HEX #24554B

RGB 36 85 75

HSL 167.76, 0.4%, 0.24%

LAB 32.66, -19.36, 0.81

 

CMYK 58 / 2 / 0 / 67

HEX #245355

RGB 36 83 85

HSL 182.45, 0.4%, 0.24%

LAB 32.3, -15.25, -6.05

 

CMYK 58 / 18 / 0 / 67

HEX #244655

RGB 36 70 85

HSL 198.37, 0.4%, 0.24%

LAB 27.88, -7.47, -12.74

 

CMYK 58 / 33 / 0 / 67

HEX #243955

RGB 36 57 85

HSL 214.29, 0.4%, 0.24%

LAB 23.53, 1.04, -19.47

 

CMYK 58 / 48 / 0 / 67

HEX #242C55

RGB 36 44 85

HSL 230.2, 0.4%, 0.24%

LAB 19.36, 10.17, -26.06

 

CMYK 59 / 19 / 0 / 89

HEX #0B161B

RGB 11 22 27

HSL 198.75, 0.42%, 0.07%

LAB 6.54, -2.68, -4.94

 

CMYK 57 / 18 / 0 / 78

HEX #182E38

RGB 24 46 56

HSL 198.75, 0.4%, 0.16%

LAB 17.62, -5.32, -9.09

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 57 / 18 / 0 / 55

HEX #315D72

RGB 49 93 114

HSL 199.38, 0.4%, 0.32%

LAB 37.29, -8.61, -16.56

 

CMYK 57 / 19 / 0 / 44

HEX #3D748F

RGB 61 116 143

HSL 199.76, 0.4%, 0.4%

LAB 46.27, -9.93, -20.25

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 27 / 58 / 0 / 67

HEX #3E2455

RGB 62 36 85

HSL 271.84, 0.4%, 0.24%

LAB 19.81, 23.22, -25.18

 

CMYK 0 / 5 / 58 / 67

HEX #555124

RGB 85 81 36

HSL 55.1, 0.4%, 0.24%

LAB 33.86, -5.28, 26.71

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 0 / 58 / 18 / 67

HEX #552446

RGB 85 36 70

HSL 318.37, 0.4%, 0.24%

LAB 22.43, 27.56, -10.72

 

CMYK 18 / 0 / 58 / 67

HEX #465524

RGB 70 85 36

HSL 78.37, 0.4%, 0.24%

LAB 33.83, -14.67, 26.34

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 27 / 58 / 0 / 67

HEX #3E2455

RGB 62 36 85

HSL 271.84, 0.4%, 0.24%

LAB 19.81, 23.22, -25.18

 

CMYK 0 / 39 / 58 / 67

HEX #553424

RGB 85 52 36

HSL 19.59, 0.4%, 0.24%

LAB 25.3, 12.9, 16.24

 

CMYK 29 / 0 / 58 / 67

HEX #3C5524

RGB 60 85 36

HSL 90.61, 0.4%, 0.24%

LAB 33.1, -19.08, 25.3

 

CMYK 58 / 19 / 0 / 67

HEX #244555

RGB 36 69 85

HSL 199.59, 0.4%, 0.24%

LAB 27.54, -6.84, -13.26

 

CMYK 11 / 58 / 0 / 67

HEX #4C2455

RGB 76 36 85

HSL 288.98, 0.4%, 0.24%

LAB 21.78, 27.6, -21.94

 

CMYK 0 / 39 / 58 / 67

HEX #553424

RGB 85 52 36

HSL 19.59, 0.4%, 0.24%

LAB 25.3, 12.9, 16.24

 

CMYK 47 / 0 / 58 / 67

HEX #2D5524

RGB 45 85 36

HSL 108.98, 0.4%, 0.24%

LAB 32.22, -24.98, 24.03

 

Description

Color code: HEX #244555 | qconv.com Color code: HEX #244555 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 69 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 69 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 19 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 19% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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