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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243C93 it is the complementary color #DBC36C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243C93 shade: #293C8E, #3A4EA1, #4B60B4, #5C72C7 and #6D84DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243C93 shade: #243C93, #132A80, #02186D, #00065A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243C93 shade: #233C93, #292393, #472393, #662393 and #842393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243C93 shade: #233C93 and #232393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243C93 shade matches the following richer shades: #233C93, #1433A2 and #062BB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243C93 shade: #233C93, #324484, #414C76, #505567 and #5F5D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243C93 shade: #237793, #235993, #233C93, #292393 and #472393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243C93 shade: #132151, #1B2E72, #233C93, #2B49B5 and #3A5ACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243C93 shade: #243C93, #912393 and #689323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243C93 shade: #243C93, #93233C and #3C9323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243C93 shade: #243C93, #912393, #937B23 and #259323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243C93 shade: #243C93, #932374, #937B23 and #239343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

Complementary color

CMYK 0 / 11 / 51 / 14

HEX #DBC36C

RGB 219 195 108

HSL 47.03, 0.61%, 0.64%

LAB 79.14, -2.64, 46.45

 

CMYK 71 / 58 / 0 / 44

HEX #293C8E

RGB 41 60 142

HSL 228.71, 0.55%, 0.36%

LAB 28.53, 21.69, -47.77

 

CMYK 64 / 52 / 0 / 37

HEX #3A4EA1

RGB 58 78 161

HSL 228.35, 0.47%, 0.43%

LAB 35.83, 19.52, -47.46

 

CMYK 58 / 47 / 0 / 29

HEX #4B60B4

RGB 75 96 180

HSL 228, 0.41%, 0.5%

LAB 43, 17.82, -47.16

 

CMYK 54 / 43 / 0 / 22

HEX #5C72C7

RGB 92 114 199

HSL 227.66, 0.49%, 0.57%

LAB 50.02, 16.46, -46.89

 

CMYK 50 / 39 / 0 / 15

HEX #6D84DA

RGB 109 132 218

HSL 227.34, 0.6%, 0.64%

LAB 56.9, 15.34, -46.67

 

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

CMYK 85 / 67 / 0 / 50

HEX #132A80

RGB 19 42 128

HSL 227.34, 0.74%, 0.29%

LAB 21.41, 26.03, -50.71

 

CMYK 98 / 78 / 0 / 57

HEX #02186D

RGB 2 24 109

HSL 227.66, 0.96%, 0.22%

LAB 14.23, 29.64, -50.35

 

CMYK 100 / 93 / 0 / 65

HEX #00065A

RGB 0 6 90

HSL 236, 1%, 0.18%

LAB 7.84, 33.17, -48.33

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 72 / 76 / 0 / 42

HEX #292393

RGB 41 35 147

HSL 243.21, 0.62%, 0.36%

LAB 22.93, 39.58, -60.02

 

CMYK 52 / 76 / 0 / 42

HEX #472393

RGB 71 35 147

HSL 259.29, 0.62%, 0.36%

LAB 25.71, 43.52, -55.36

 

CMYK 31 / 76 / 0 / 42

HEX #662393

RGB 102 35 147

HSL 275.89, 0.62%, 0.36%

LAB 29.75, 49.01, -48.6

 

CMYK 10 / 76 / 0 / 42

HEX #842393

RGB 132 35 147

HSL 291.96, 0.62%, 0.36%

LAB 34.43, 55.13, -40.81

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 76 / 76 / 0 / 42

HEX #232393

RGB 35 35 147

HSL 240, 0.62%, 0.36%

LAB 22.53, 39, -60.69

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 88 / 69 / 0 / 36

HEX #1433A2

RGB 20 51 162

HSL 226.9, 0.78%, 0.36%

LAB 27.09, 33.34, -62.39

 

CMYK 97 / 76 / 0 / 31

HEX #062BB1

RGB 6 43 177

HSL 227.02, 0.93%, 0.36%

LAB 26.57, 43.36, -72.29

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 62 / 48 / 0 / 48

HEX #324484

RGB 50 68 132

HSL 226.83, 0.45%, 0.36%

LAB 30.59, 14.1, -38.24

 

CMYK 45 / 36 / 0 / 54

HEX #414C76

RGB 65 76 118

HSL 227.55, 0.29%, 0.36%

LAB 33.14, 7.64, -25.42

 

CMYK 22 / 17 / 0 / 60

HEX #505567

RGB 80 85 103

HSL 226.96, 0.13%, 0.36%

LAB 36.33, 2.37, -11.03

 

CMYK 0 / 2 / 7 / 63

HEX #5F5D58

RGB 95 93 88

HSL 42.86, 0.04%, 0.36%

LAB 39.52, -0.21, 3.15

 

CMYK 76 / 19 / 0 / 42

HEX #237793

RGB 35 119 147

HSL 195, 0.62%, 0.36%

LAB 46.52, -14.84, -22.29

 

CMYK 76 / 39 / 0 / 42

HEX #235993

RGB 35 89 147

HSL 211.07, 0.62%, 0.36%

LAB 37.13, 3.29, -37.01

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 72 / 76 / 0 / 42

HEX #292393

RGB 41 35 147

HSL 243.21, 0.62%, 0.36%

LAB 22.93, 39.58, -60.02

 

CMYK 52 / 76 / 0 / 42

HEX #472393

RGB 71 35 147

HSL 259.29, 0.62%, 0.36%

LAB 25.71, 43.52, -55.36

 

CMYK 77 / 59 / 0 / 68

HEX #132151

RGB 19 33 81

HSL 226.45, 0.62%, 0.2%

LAB 14.51, 13.05, -31.21

 

CMYK 76 / 60 / 0 / 55

HEX #1B2E72

RGB 27 46 114

HSL 226.9, 0.62%, 0.28%

LAB 21.59, 18.42, -41.48

 

CMYK 76 / 59 / 0 / 42

HEX #233C93

RGB 35 60 147

HSL 226.61, 0.62%, 0.36%

LAB 28.63, 22.8, -50.69

 

CMYK 76 / 60 / 0 / 29

HEX #2B49B5

RGB 43 73 181

HSL 226.96, 0.62%, 0.44%

LAB 35.23, 28.03, -60.38

 

CMYK 72 / 57 / 0 / 19

HEX #3A5ACF

RGB 58 90 207

HSL 227.11, 0.61%, 0.52%

LAB 42.33, 28.4, -63.95

 

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

CMYK 1 / 76 / 0 / 42

HEX #912393

RGB 145 35 147

HSL 298.93, 0.62%, 0.36%

LAB 36.61, 57.93, -37.2

 

CMYK 29 / 0 / 76 / 42

HEX #689323

RGB 104 147 35

HSL 83.04, 0.62%, 0.36%

LAB 56.02, -31.81, 50.95

 

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

CMYK 0 / 76 / 59 / 42

HEX #93233C

RGB 147 35 60

HSL 346.61, 0.62%, 0.36%

LAB 33.42, 47.55, 13.3

 

CMYK 59 / 0 / 76 / 42

HEX #3C9323

RGB 60 147 35

HSL 106.61, 0.62%, 0.36%

LAB 53.97, -46.66, 48.26

 

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

CMYK 1 / 76 / 0 / 42

HEX #912393

RGB 145 35 147

HSL 298.93, 0.62%, 0.36%

LAB 36.61, 57.93, -37.2

 

CMYK 0 / 16 / 76 / 42

HEX #937B23

RGB 147 123 35

HSL 47.14, 0.62%, 0.36%

LAB 52.39, -0.29, 48.65

 

CMYK 75 / 0 / 76 / 42

HEX #259323

RGB 37 147 35

HSL 118.93, 0.62%, 0.36%

LAB 53.37, -51.69, 47.45

 

CMYK 76 / 59 / 0 / 42

HEX #243C93

RGB 36 60 147

HSL 227.03, 0.61%, 0.36%

LAB 28.68, 22.93, -50.61

 

CMYK 0 / 76 / 21 / 42

HEX #932374

RGB 147 35 116

HSL 316.61, 0.62%, 0.36%

LAB 35.33, 53.58, -19.95

 

CMYK 0 / 16 / 76 / 42

HEX #937B23

RGB 147 123 35

HSL 47.14, 0.62%, 0.36%

LAB 52.39, -0.29, 48.65

 

CMYK 76 / 0 / 54 / 42

HEX #239343

RGB 35 147 67

HSL 137.14, 0.62%, 0.36%

LAB 53.63, -48.33, 33.44

 

Description

Color code: HEX #243C93 | qconv.com Color code: HEX #243C93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 60 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 60 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 59 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 59% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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