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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2428EA it is the complementary color #DBD715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2428EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2428EA shade: #2928E5, #3A3AF8, #4B4CFF, #5C5EFF and #6D70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2428EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2428EA shade: #2428EA, #1316D7, #0204C4, #0000B1 and #00009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2428EA shade: #2327EA, #5523EA, #8A23EA, #C023EA and #EA23DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2428EA shade: #2327EA and #2323EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2428EA shade matches the following richer shades: #2327EA and #1015FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2428EA shade: #2327EA, #373AD7, #4A4CC3, #5D5FB0 and #71729D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2428EA shade: #2394EA, #235FEA, #232AEA, #5223EA and #8723EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2428EA shade: #0F13AB, #1317D1, #2327EA, #494CEE and #6F71F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2428EA shade: #2428EA, #EA23C9 and #79EA23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2428EA shade: #2428EA, #EA232A and #2AEA23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2428EA shade: #2428EA, #EA23C9, #EAE323 and #23EA44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2428EA shade: #2428EA, #EA238D, #EAE323 and #23EA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

Complementary color

CMYK 0 / 2 / 90 / 14

HEX #DBD715

RGB 219 215 21

HSL 58.79, 0.83%, 0.47%

LAB 83.82, -17.03, 81.32

 

CMYK 82 / 83 / 0 / 10

HEX #2928E5

RGB 41 40 229

HSL 240.32, 0.78%, 0.53%

LAB 33.23, 62.8, -91.56

 

CMYK 77 / 77 / 0 / 3

HEX #3A3AF8

RGB 58 58 248

HSL 240, 0.93%, 0.6%

LAB 39.08, 60.99, -92.61

 

CMYK 71 / 70 / 0 / 0

HEX #4B4CFF

RGB 75 76 255

HSL 239.67, 1%, 0.65%

LAB 44.07, 55.07, -88.25

 

CMYK 64 / 63 / 0 / 0

HEX #5C5EFF

RGB 92 94 255

HSL 239.26, 1%, 0.68%

LAB 48.88, 46.83, -80.3

 

CMYK 57 / 56 / 0 / 0

HEX #6D70FF

RGB 109 112 255

HSL 238.77, 1%, 0.71%

LAB 54.09, 38.89, -71.78

 

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

CMYK 91 / 90 / 0 / 16

HEX #1316D7

RGB 19 22 215

HSL 239.08, 0.84%, 0.46%

LAB 28.43, 64.92, -91.54

 

CMYK 99 / 98 / 0 / 23

HEX #0204C4

RGB 2 4 196

HSL 239.38, 0.98%, 0.39%

LAB 23.95, 64.09, -87.93

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 85 / 83 / 0 / 8

HEX #2327EA

RGB 35 39 234

HSL 238.79, 0.83%, 0.53%

LAB 33.45, 64.46, -94.05

 

CMYK 64 / 85 / 0 / 8

HEX #5523EA

RGB 85 35 234

HSL 255.08, 0.83%, 0.53%

LAB 36.13, 68.69, -89.52

 

CMYK 41 / 85 / 0 / 8

HEX #8A23EA

RGB 138 35 234

HSL 271.06, 0.83%, 0.53%

LAB 42.07, 73.99, -79.52

 

CMYK 18 / 85 / 0 / 8

HEX #C023EA

RGB 192 35 234

HSL 287.34, 0.83%, 0.53%

LAB 49.92, 81.58, -66.39

 

CMYK 0 / 85 / 5 / 8

HEX #EA23DE

RGB 234 35 222

HSL 303.62, 0.83%, 0.53%

LAB 56.06, 86.8, -49.38

 

CMYK 85 / 83 / 0 / 8

HEX #2327EA

RGB 35 39 234

HSL 238.79, 0.83%, 0.53%

LAB 33.45, 64.46, -94.05

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 85 / 83 / 0 / 8

HEX #2327EA

RGB 35 39 234

HSL 238.79, 0.83%, 0.53%

LAB 33.45, 64.46, -94.05

 

CMYK 94 / 92 / 0 / 0

HEX #1015FE

RGB 16 21 254

HSL 238.74, 0.99%, 0.53%

LAB 33.57, 75.44, -105.18

 

CMYK 85 / 83 / 0 / 8

HEX #2327EA

RGB 35 39 234

HSL 238.79, 0.83%, 0.53%

LAB 33.45, 64.46, -94.05

 

CMYK 74 / 73 / 0 / 16

HEX #373AD7

RGB 55 58 215

HSL 238.88, 0.67%, 0.53%

LAB 35.49, 50.38, -79.78

 

CMYK 62 / 61 / 0 / 24

HEX #4A4CC3

RGB 74 76 195

HSL 239.01, 0.5%, 0.53%

LAB 38.84, 35.38, -62.64

 

CMYK 47 / 46 / 0 / 31

HEX #5D5FB0

RGB 93 95 176

HSL 238.55, 0.34%, 0.53%

LAB 43.72, 21.18, -43.59

 

CMYK 28 / 27 / 0 / 38

HEX #71729D

RGB 113 114 157

HSL 238.64, 0.18%, 0.53%

LAB 49.47, 9.7, -23.3

 

CMYK 85 / 37 / 0 / 8

HEX #2394EA

RGB 35 148 234

HSL 205.93, 0.83%, 0.53%

LAB 59.41, 0.07, -51.77

 

CMYK 85 / 59 / 0 / 8

HEX #235FEA

RGB 35 95 234

HSL 221.91, 0.83%, 0.53%

LAB 44.92, 33.01, -75.14

 

CMYK 85 / 82 / 0 / 8

HEX #232AEA

RGB 35 42 234

HSL 237.89, 0.83%, 0.53%

LAB 33.89, 63.17, -93.34

 

CMYK 65 / 85 / 0 / 8

HEX #5223EA

RGB 82 35 234

HSL 254.17, 0.83%, 0.53%

LAB 35.86, 68.46, -89.97

 

CMYK 42 / 85 / 0 / 8

HEX #8723EA

RGB 135 35 234

HSL 270.15, 0.83%, 0.53%

LAB 41.68, 73.63, -80.17

 

CMYK 91 / 89 / 0 / 33

HEX #0F13AB

RGB 15 19 171

HSL 238.46, 0.84%, 0.36%

LAB 21.97, 53.43, -76.32

 

CMYK 91 / 89 / 0 / 18

HEX #1317D1

RGB 19 23 209

HSL 238.74, 0.83%, 0.45%

LAB 27.72, 62.96, -89.24

 

CMYK 85 / 83 / 0 / 8

HEX #2327EA

RGB 35 39 234

HSL 238.79, 0.83%, 0.53%

LAB 33.45, 64.46, -94.05

 

CMYK 69 / 68 / 0 / 7

HEX #494CEE

RGB 73 76 238

HSL 238.91, 0.83%, 0.61%

LAB 42.4, 49.43, -81.47

 

CMYK 54 / 53 / 0 / 5

HEX #6F71F1

RGB 111 113 241

HSL 239.08, 0.82%, 0.69%

LAB 53.54, 34.3, -64.9

 

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

CMYK 0 / 85 / 14 / 8

HEX #EA23C9

RGB 234 35 201

HSL 309.95, 0.83%, 0.53%

LAB 54.98, 83.96, -39.09

 

CMYK 48 / 0 / 85 / 8

HEX #79EA23

RGB 121 234 35

HSL 94.07, 0.83%, 0.53%

LAB 83.46, -61.62, 76.2

 

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

CMYK 0 / 85 / 82 / 8

HEX #EA232A

RGB 234 35 42

HSL 357.89, 0.83%, 0.53%

LAB 50.52, 71.47, 48.27

 

CMYK 82 / 0 / 85 / 8

HEX #2AEA23

RGB 42 234 35

HSL 117.89, 0.83%, 0.53%

LAB 81.54, -77.46, 73.78

 

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

CMYK 0 / 85 / 14 / 8

HEX #EA23C9

RGB 234 35 201

HSL 309.95, 0.83%, 0.53%

LAB 54.98, 83.96, -39.09

 

CMYK 0 / 3 / 85 / 8

HEX #EAE323

RGB 234 227 35

HSL 57.89, 0.83%, 0.53%

LAB 88.23, -16.34, 82.92

 

CMYK 85 / 0 / 71 / 8

HEX #23EA44

RGB 35 234 68

HSL 129.95, 0.83%, 0.53%

LAB 81.63, -76.06, 64.27

 

CMYK 85 / 83 / 0 / 8

HEX #2428EA

RGB 36 40 234

HSL 238.79, 0.83%, 0.53%

LAB 33.63, 64.07, -93.76

 

CMYK 0 / 85 / 40 / 8

HEX #EA238D

RGB 234 35 141

HSL 328.04, 0.83%, 0.53%

LAB 52.53, 77.24, -7.66

 

CMYK 0 / 3 / 85 / 8

HEX #EAE323

RGB 234 227 35

HSL 57.89, 0.83%, 0.53%

LAB 88.23, -16.34, 82.92

 

CMYK 85 / 0 / 45 / 8

HEX #23EA80

RGB 35 234 128

HSL 148.04, 0.83%, 0.53%

LAB 82.25, -68.51, 38.74

 

Description

Color code: HEX #2428EA | qconv.com Color code: HEX #2428EA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 40 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 40 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 83 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 83% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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