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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27F8FF it is the complementary color #D80700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27F8FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27F8FF shade: #2CF8FA, #3DFFFF, #4EFFFF, #5FFFFF and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27F8FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27F8FF shade: #27F8FF, #16E6EC, #05D4D9, #00C2C6 and #00B0B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27F8FF shade: #28F8FF, #28BEFF, #2884FF, #284AFF and #4028FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27F8FF shade: #28F8FF, #28BEFF, #2884FF, #284AFF and #2828FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27F8FF shade matches the following richer shades: #28F8FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27F8FF shade: #28F8FF, #3AE7ED, #4BD7DC, #5CC7CB and #6EB7B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27F8FF shade: #28FF90, #28FFC9, #28FBFF, #28C2FF and #2889FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27F8FF shade: #00CED5, #00F6FE, #28F8FF, #52F9FF and #7BFAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27F8FF shade: #27F8FF, #5728FF and #FFAC28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27F8FF shade: #27F8FF, #FF28FB and #FBFF28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27F8FF shade: #27F8FF, #5728FF, #FF2C28 and #D0FF28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27F8FF shade: #27F8FF, #9728FF, #FF2C28 and #90FF28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

Complementary color

CMYK 0 / 97 / 100 / 15

HEX #D80700

RGB 216 7 0

HSL 1.94, 1%, 0.42%

LAB 45.29, 70.06, 59.38

 

CMYK 82 / 1 / 0 / 2

HEX #2CF8FA

RGB 44 248 250

HSL 180.58, 0.95%, 0.58%

LAB 89.19, -44.84, -14.39

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

CMYK 91 / 3 / 0 / 7

HEX #16E6EC

RGB 22 230 236

HSL 181.68, 0.85%, 0.51%

LAB 83.35, -42.11, -15.83

 

CMYK 98 / 2 / 0 / 15

HEX #05D4D9

RGB 5 212 217

HSL 181.42, 0.95%, 0.44%

LAB 77.36, -40.2, -14.72

 

CMYK 100 / 2 / 0 / 22

HEX #00C2C6

RGB 0 194 198

HSL 181.21, 1%, 0.39%

LAB 71.32, -37.92, -13.51

 

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

 

CMYK 84 / 3 / 0 / 0

HEX #28F8FF

RGB 40 248 255

HSL 181.95, 1%, 0.58%

LAB 89.3, -43.66, -16.84

 

CMYK 84 / 25 / 0 / 0

HEX #28BEFF

RGB 40 190 255

HSL 198.14, 1%, 0.58%

LAB 72.56, -15.53, -42.51

 

CMYK 84 / 48 / 0 / 0

HEX #2884FF

RGB 40 132 255

HSL 214.33, 1%, 0.58%

LAB 56.26, 17.93, -68.41

 

CMYK 84 / 71 / 0 / 0

HEX #284AFF

RGB 40 74 255

HSL 230.51, 1%, 0.58%

LAB 42.11, 53.6, -91.53

 

CMYK 75 / 84 / 0 / 0

HEX #4028FF

RGB 64 40 255

HSL 246.7, 1%, 0.58%

LAB 37.53, 71.16, -99.08

 

CMYK 84 / 3 / 0 / 0

HEX #28F8FF

RGB 40 248 255

HSL 181.95, 1%, 0.58%

LAB 89.3, -43.66, -16.84

 

CMYK 84 / 25 / 0 / 0

HEX #28BEFF

RGB 40 190 255

HSL 198.14, 1%, 0.58%

LAB 72.56, -15.53, -42.51

 

CMYK 84 / 48 / 0 / 0

HEX #2884FF

RGB 40 132 255

HSL 214.33, 1%, 0.58%

LAB 56.26, 17.93, -68.41

 

CMYK 84 / 71 / 0 / 0

HEX #284AFF

RGB 40 74 255

HSL 230.51, 1%, 0.58%

LAB 42.11, 53.6, -91.53

 

CMYK 84 / 84 / 0 / 0

HEX #2828FF

RGB 40 40 255

HSL 240, 1%, 0.58%

LAB 36.35, 70.19, -101.09

 

CMYK 84 / 3 / 0 / 0

HEX #28F8FF

RGB 40 248 255

HSL 181.95, 1%, 0.58%

LAB 89.3, -43.66, -16.84

 

CMYK 84 / 3 / 0 / 0

HEX #28F8FF

RGB 40 248 255

HSL 181.95, 1%, 0.58%

LAB 89.3, -43.66, -16.84

 

CMYK 76 / 3 / 0 / 7

HEX #3AE7ED

RGB 58 231 237

HSL 182.01, 0.83%, 0.58%

LAB 84.05, -39.82, -15.26

 

CMYK 66 / 2 / 0 / 14

HEX #4BD7DC

RGB 75 215 220

HSL 182.07, 0.67%, 0.58%

LAB 79.19, -35.25, -13.49

 

CMYK 55 / 2 / 0 / 20

HEX #5CC7CB

RGB 92 199 203

HSL 182.16, 0.52%, 0.58%

LAB 74.47, -29.47, -11.36

 

CMYK 41 / 1 / 0 / 27

HEX #6EB7B9

RGB 110 183 185

HSL 181.6, 0.35%, 0.58%

LAB 69.95, -22.22, -8.19

 

CMYK 84 / 0 / 44 / 0

HEX #28FF90

RGB 40 255 144

HSL 149.02, 1%, 0.58%

LAB 88.92, -72.39, 39.5

 

CMYK 84 / 0 / 21 / 0

HEX #28FFC9

RGB 40 255 201

HSL 164.93, 1%, 0.58%

LAB 89.95, -60.78, 12.15

 

CMYK 84 / 2 / 0 / 0

HEX #28FBFF

RGB 40 251 255

HSL 181.12, 1%, 0.58%

LAB 90.17, -44.98, -15.54

 

CMYK 84 / 24 / 0 / 0

HEX #28C2FF

RGB 40 194 255

HSL 197.02, 1%, 0.58%

LAB 73.71, -17.64, -40.71

 

CMYK 84 / 46 / 0 / 0

HEX #2889FF

RGB 40 137 255

HSL 212.93, 1%, 0.58%

LAB 57.62, 14.86, -66.22

 

CMYK 100 / 3 / 0 / 16

HEX #00CED5

RGB 0 206 213

HSL 181.97, 1%, 0.42%

LAB 75.42, -38.82, -15.49

 

CMYK 100 / 3 / 0 / 0

HEX #00F6FE

RGB 0 246 254

HSL 181.89, 1%, 0.5%

LAB 88.48, -44.46, -17.57

 

CMYK 84 / 3 / 0 / 0

HEX #28F8FF

RGB 40 248 255

HSL 181.95, 1%, 0.58%

LAB 89.3, -43.66, -16.84

 

CMYK 68 / 2 / 0 / 0

HEX #52F9FF

RGB 82 249 255

HSL 182.08, 1%, 0.66%

LAB 90.21, -40.14, -15.41

 

CMYK 52 / 2 / 0 / 0

HEX #7BFAFF

RGB 123 250 255

HSL 182.27, 1%, 0.74%

LAB 91.6, -33.9, -13.22

 

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

CMYK 66 / 84 / 0 / 0

HEX #5728FF

RGB 87 40 255

HSL 253.12, 1%, 0.58%

LAB 39.18, 72.55, -96.3

 

CMYK 0 / 33 / 84 / 0

HEX #FFAC28

RGB 255 172 40

HSL 36.84, 1%, 0.58%

LAB 76.63, 20.84, 73.02

 

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

CMYK 0 / 84 / 2 / 0

HEX #FF28FB

RGB 255 40 251

HSL 301.12, 1%, 0.58%

LAB 61.43, 93.75, -56.85

 

CMYK 2 / 0 / 84 / 0

HEX #FBFF28

RGB 251 255 40

HSL 61.12, 1%, 0.58%

LAB 96.89, -22.68, 89.55

 

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

CMYK 66 / 84 / 0 / 0

HEX #5728FF

RGB 87 40 255

HSL 253.12, 1%, 0.58%

LAB 39.18, 72.55, -96.3

 

CMYK 0 / 83 / 84 / 0

HEX #FF2C28

RGB 255 44 40

HSL 1.12, 1%, 0.58%

LAB 55.29, 75.12, 55.09

 

CMYK 18 / 0 / 84 / 0

HEX #D0FF28

RGB 208 255 40

HSL 73.12, 1%, 0.58%

LAB 93.92, -39.79, 85.87

 

CMYK 85 / 3 / 0 / 0

HEX #27F8FF

RGB 39 248 255

HSL 181.94, 1%, 0.58%

LAB 89.29, -43.72, -16.85

 

CMYK 41 / 84 / 0 / 0

HEX #9728FF

RGB 151 40 255

HSL 270.98, 1%, 0.58%

LAB 46.07, 78.75, -84.7

 

CMYK 0 / 83 / 84 / 0

HEX #FF2C28

RGB 255 44 40

HSL 1.12, 1%, 0.58%

LAB 55.29, 75.12, 55.09

 

CMYK 44 / 0 / 84 / 0

HEX #90FF28

RGB 144 255 40

HSL 90.98, 1%, 0.58%

LAB 90.6, -62.29, 81.72

 

Description

Color code: HEX #27F8FF | qconv.com Color code: HEX #27F8FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 248 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 248 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 3 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 3% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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