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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27F68F it is the complementary color #D80970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27F68F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27F68F shade: #2CF68A, #3DFF9D, #4EFFB0, #5FFFC3 and #70FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27F68F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27F68F shade: #27F68F, #16E47C, #05D269, #00C056 and #00AE43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27F68F shade: #27F68F, #27F657, #2FF627, #66F627 and #9EF627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27F68F shade: #27F68F, #27F6C6, #27EDF6, #27B5F6 and #277EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27F68F shade matches the following richer shades: #27F68F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27F68F shade: #27F68F, #39E38F, #4BD18F, #5EBF8F and #70AD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27F68F shade: #2EF627, #27F657, #27F68E, #27F6C5 and #27EFF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27F68F shade: #08C265, #09EA7A, #27F68F, #4FF7A3 and #76F9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27F68F shade: #27F68F, #2765F6 and #F63C27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27F68F shade: #27F68F, #8E27F6 and #F68E27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27F68F shade: #27F68F, #2765F6, #F6278E and #F6B827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27F68F shade: #27F68F, #2727F6, #F6278E and #F6F627

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

Complementary color

CMYK 0 / 96 / 48 / 15

HEX #D80970

RGB 216 9 112

HSL 330.14, 0.92%, 0.44%

LAB 46.93, 74.19, 1.31

 

CMYK 82 / 0 / 44 / 4

HEX #2CF68A

RGB 44 246 138

HSL 147.92, 0.92%, 0.57%

LAB 86.15, -70.08, 38.86

 

CMYK 76 / 0 / 38 / 0

HEX #3DFF9D

RGB 61 255 157

HSL 149.69, 1%, 0.62%

LAB 89.37, -68.06, 33.74

 

CMYK 69 / 0 / 31 / 0

HEX #4EFFB0

RGB 78 255 176

HSL 153.22, 1%, 0.65%

LAB 89.99, -62.19, 25.08

 

CMYK 63 / 0 / 24 / 0

HEX #5FFFC3

RGB 95 255 195

HSL 157.5, 1%, 0.69%

LAB 90.73, -55.54, 16.47

 

CMYK 56 / 0 / 16 / 0

HEX #70FFD6

RGB 112 255 214

HSL 162.8, 1%, 0.72%

LAB 91.6, -48.22, 8

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 90 / 0 / 46 / 11

HEX #16E47C

RGB 22 228 124

HSL 149.71, 0.82%, 0.49%

LAB 80.24, -68.05, 38.12

 

CMYK 98 / 0 / 50 / 18

HEX #05D269

RGB 5 210 105

HSL 149.27, 0.95%, 0.42%

LAB 74.28, -66, 39.9

 

CMYK 100 / 0 / 55 / 25

HEX #00C056

RGB 0 192 86

HSL 146.88, 1%, 0.38%

LAB 68.29, -63.34, 41.75

 

CMYK 100 / 0 / 61 / 32

HEX #00AE43

RGB 0 174 67

HSL 143.1, 1%, 0.34%

LAB 62.23, -60.28, 43.52

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 0 / 65 / 4

HEX #27F657

RGB 39 246 87

HSL 133.91, 0.92%, 0.56%

LAB 85.52, -77.46, 61.19

 

CMYK 81 / 0 / 84 / 4

HEX #2FF627

RGB 47 246 39

HSL 117.68, 0.92%, 0.56%

LAB 85.33, -80.13, 76.31

 

CMYK 59 / 0 / 84 / 4

HEX #66F627

RGB 102 246 39

HSL 101.74, 0.92%, 0.56%

LAB 86.45, -70.66, 77.72

 

CMYK 36 / 0 / 84 / 4

HEX #9EF627

RGB 158 246 39

HSL 85.51, 0.92%, 0.56%

LAB 88.6, -54.31, 80.44

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 0 / 20 / 4

HEX #27F6C6

RGB 39 246 198

HSL 166.09, 0.92%, 0.56%

LAB 87.2, -58.09, 9.79

 

CMYK 84 / 4 / 0 / 4

HEX #27EDF6

RGB 39 237 246

HSL 182.61, 0.92%, 0.56%

LAB 85.83, -41.44, -17.35

 

CMYK 84 / 26 / 0 / 4

HEX #27B5F6

RGB 39 181 246

HSL 198.84, 0.92%, 0.56%

LAB 69.56, -13.89, -42.33

 

CMYK 84 / 49 / 0 / 4

HEX #277EF6

RGB 39 126 246

HSL 214.78, 0.92%, 0.56%

LAB 54.03, 18.2, -67.03

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 75 / 0 / 37 / 11

HEX #39E38F

RGB 57 227 143

HSL 150.35, 0.75%, 0.56%

LAB 80.62, -61.14, 29.14

 

CMYK 64 / 0 / 32 / 18

HEX #4BD18F

RGB 75 209 143

HSL 150.45, 0.59%, 0.56%

LAB 75.5, -51.49, 22.28

 

CMYK 51 / 0 / 25 / 25

HEX #5EBF8F

RGB 94 191 143

HSL 150.31, 0.43%, 0.56%

LAB 70.61, -39.82, 15.62

 

CMYK 35 / 0 / 18 / 32

HEX #70AD8E

RGB 112 173 142

HSL 149.51, 0.27%, 0.56%

LAB 65.97, -26.64, 9.75

 

CMYK 81 / 0 / 84 / 4

HEX #2EF627

RGB 46 246 39

HSL 117.97, 0.92%, 0.56%

LAB 85.32, -80.24, 76.29

 

CMYK 84 / 0 / 65 / 4

HEX #27F657

RGB 39 246 87

HSL 133.91, 0.92%, 0.56%

LAB 85.52, -77.46, 61.19

 

CMYK 84 / 0 / 42 / 4

HEX #27F68E

RGB 39 246 142

HSL 149.86, 0.92%, 0.56%

LAB 86.15, -69.81, 36.9

 

CMYK 84 / 0 / 20 / 4

HEX #27F6C5

RGB 39 246 197

HSL 165.8, 0.92%, 0.56%

LAB 87.18, -58.33, 10.28

 

CMYK 84 / 3 / 0 / 4

HEX #27EFF6

RGB 39 239 246

HSL 182.03, 0.92%, 0.56%

LAB 86.41, -42.34, -16.48

 

CMYK 96 / 0 / 48 / 24

HEX #08C265

RGB 8 194 101

HSL 150, 0.92%, 0.4%

LAB 69.17, -61.31, 35.46

 

CMYK 96 / 0 / 48 / 8

HEX #09EA7A

RGB 9 234 122

HSL 150.13, 0.93%, 0.48%

LAB 82.01, -70.85, 41.32

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 68 / 0 / 34 / 3

HEX #4FF7A3

RGB 79 247 163

HSL 150, 0.91%, 0.64%

LAB 87.4, -61.57, 28.15

 

CMYK 53 / 0 / 26 / 2

HEX #76F9B8

RGB 118 249 184

HSL 150.23, 0.92%, 0.72%

LAB 89.42, -50.78, 20.39

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 59 / 0 / 4

HEX #2765F6

RGB 39 101 246

HSL 222.03, 0.92%, 0.56%

LAB 47.49, 33.93, -77.67

 

CMYK 0 / 76 / 84 / 4

HEX #F63C27

RGB 246 60 39

HSL 6.09, 0.92%, 0.56%

LAB 55.04, 68.44, 54.67

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 42 / 84 / 0 / 4

HEX #8E27F6

RGB 142 39 246

HSL 269.86, 0.92%, 0.56%

LAB 44.03, 75.99, -83.06

 

CMYK 0 / 42 / 84 / 4

HEX #F68E27

RGB 246 142 39

HSL 29.86, 0.92%, 0.56%

LAB 68.81, 32.72, 66.37

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 59 / 0 / 4

HEX #2765F6

RGB 39 101 246

HSL 222.03, 0.92%, 0.56%

LAB 47.49, 33.93, -77.67

 

CMYK 0 / 84 / 42 / 4

HEX #F6278E

RGB 246 39 142

HSL 330.14, 0.92%, 0.56%

LAB 55.07, 79.32, -4.24

 

CMYK 0 / 25 / 84 / 4

HEX #F6B827

RGB 246 184 39

HSL 42.03, 0.92%, 0.56%

LAB 78.47, 10.73, 74.43

 

CMYK 84 / 0 / 42 / 4

HEX #27F68F

RGB 39 246 143

HSL 150.14, 0.92%, 0.56%

LAB 86.17, -69.63, 36.42

 

CMYK 84 / 84 / 0 / 4

HEX #2727F6

RGB 39 39 246

HSL 240, 0.92%, 0.56%

LAB 35.08, 68.02, -98.15

 

CMYK 0 / 84 / 42 / 4

HEX #F6278E

RGB 246 39 142

HSL 330.14, 0.92%, 0.56%

LAB 55.07, 79.32, -4.24

 

CMYK 0 / 0 / 84 / 4

HEX #F6F627

RGB 246 246 39

HSL 60, 0.92%, 0.56%

LAB 94.16, -20.47, 87.35

 

Description

Color code: HEX #27F68F | qconv.com Color code: HEX #27F68F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 246 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 246 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 42 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 42% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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