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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27EBC9 it is the complementary color #D81436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27EBC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27EBC9 shade: #2CEBC4, #3DFDD7, #4EFFEA, #5FFFFD and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27EBC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27EBC9 shade: #27EBC9, #16D9B6, #05C7A3, #00B590 and #00A37D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27EBC9 shade: #28EBC9, #28EB94, #28EB60, #28EB2B and #59EB28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27EBC9 shade: #28EBC9, #28D8EB, #28A3EB, #286FEB and #283AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27EBC9 shade matches the following richer shades: #28EBC9 and #15FED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27EBC9 shade: #28EBC9, #3BD8BC, #4EC5B0, #61B2A4 and #749F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27EBC9 shade: #28EB5F, #28EB93, #28EBC7, #28DAEB and #28A6EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27EBC9 shade: #10B094, #13D6B4, #28EBC9, #4EEED2 and #73F2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27EBC9 shade: #27EBC9, #2B28EB and #EB7928

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27EBC9 shade: #27EBC9, #C728EB and #EBC728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27EBC9 shade: #27EBC9, #2B28EB, #EB284C and #E7EB28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27EBC9 shade: #27EBC9, #6628EB, #EB284C and #ADEB28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

Complementary color

CMYK 0 / 91 / 75 / 15

HEX #D81436

RGB 216 20 54

HSL 349.59, 0.83%, 0.46%

LAB 46.13, 69.71, 35.91

 

CMYK 81 / 0 / 17 / 8

HEX #2CEBC4

RGB 44 235 196

HSL 167.75, 0.83%, 0.55%

LAB 83.93, -53.85, 6.15

 

CMYK 76 / 0 / 15 / 1

HEX #3DFDD7

RGB 61 253 215

HSL 168.13, 0.98%, 0.62%

LAB 89.93, -54.81, 4.92

 

CMYK 69 / 0 / 8 / 0

HEX #4EFFEA

RGB 78 255 234

HSL 172.88, 1%, 0.65%

LAB 91.27, -48.89, -2.94

 

CMYK 63 / 0 / 1 / 0

HEX #5FFFFD

RGB 95 255 253

HSL 179.25, 1%, 0.69%

LAB 92.15, -41.56, -11.44

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

CMYK 90 / 0 / 16 / 15

HEX #16D9B6

RGB 22 217 182

HSL 169.23, 0.82%, 0.47%

LAB 77.98, -51.58, 4.95

 

CMYK 97 / 0 / 18 / 22

HEX #05C7A3

RGB 5 199 163

HSL 168.87, 0.95%, 0.4%

LAB 71.91, -49.84, 6.42

 

CMYK 100 / 0 / 20 / 29

HEX #00B590

RGB 0 181 144

HSL 167.73, 1%, 0.35%

LAB 65.8, -47.65, 8.03

 

CMYK 100 / 0 / 23 / 36

HEX #00A37D

RGB 0 163 125

HSL 166.01, 1%, 0.32%

LAB 59.59, -45.24, 9.76

 

CMYK 83 / 0 / 14 / 8

HEX #28EBC9

RGB 40 235 201

HSL 169.54, 0.83%, 0.54%

LAB 84.01, -52.9, 3.63

 

CMYK 83 / 0 / 37 / 8

HEX #28EB94

RGB 40 235 148

HSL 153.23, 0.83%, 0.54%

LAB 82.92, -64.84, 29.62

 

CMYK 83 / 0 / 59 / 8

HEX #28EB60

RGB 40 235 96

HSL 137.23, 0.83%, 0.54%

LAB 82.22, -73.04, 53.68

 

CMYK 83 / 0 / 82 / 8

HEX #28EB2B

RGB 40 235 43

HSL 120.92, 0.83%, 0.54%

LAB 81.86, -77.57, 72.2

 

CMYK 62 / 0 / 83 / 8

HEX #59EB28

RGB 89 235 40

HSL 104.92, 0.83%, 0.54%

LAB 82.75, -69.98, 74.07

 

CMYK 83 / 0 / 14 / 8

HEX #28EBC9

RGB 40 235 201

HSL 169.54, 0.83%, 0.54%

LAB 84.01, -52.9, 3.63

 

CMYK 83 / 8 / 0 / 8

HEX #28D8EB

RGB 40 216 235

HSL 185.85, 0.83%, 0.54%

LAB 79.36, -35.03, -21.3

 

CMYK 83 / 31 / 0 / 8

HEX #28A3EB

RGB 40 163 235

HSL 202.15, 0.83%, 0.54%

LAB 63.87, -7.79, -45.26

 

CMYK 83 / 53 / 0 / 8

HEX #286FEB

RGB 40 111 235

HSL 218.15, 0.83%, 0.54%

LAB 49.27, 23.55, -68.6

 

CMYK 83 / 75 / 0 / 8

HEX #283AEB

RGB 40 58 235

HSL 234.46, 0.83%, 0.54%

LAB 36.88, 55.87, -88.92

 

CMYK 83 / 0 / 14 / 8

HEX #28EBC9

RGB 40 235 201

HSL 169.54, 0.83%, 0.54%

LAB 84.01, -52.9, 3.63

 

CMYK 92 / 0 / 16 / 0

HEX #15FED5

RGB 21 254 213

HSL 169.44, 0.99%, 0.54%

LAB 89.79, -58.47, 5.71

 

CMYK 83 / 0 / 14 / 8

HEX #28EBC9

RGB 40 235 201

HSL 169.54, 0.83%, 0.54%

LAB 84.01, -52.9, 3.63

 

CMYK 73 / 0 / 13 / 15

HEX #3BD8BC

RGB 59 216 188

HSL 169.3, 0.67%, 0.54%

LAB 78.27, -46.47, 2.23

 

CMYK 60 / 0 / 11 / 23

HEX #4EC5B0

RGB 78 197 176

HSL 169.41, 0.51%, 0.54%

LAB 72.69, -38.3, 0.62

 

CMYK 46 / 0 / 8 / 30

HEX #61B2A4

RGB 97 178 164

HSL 169.63, 0.34%, 0.54%

LAB 67.32, -28.25, -0.55

 

CMYK 27 / 0 / 5 / 38

HEX #749F97

RGB 116 159 151

HSL 168.84, 0.18%, 0.54%

LAB 62.29, -16.31, -0.55

 

CMYK 83 / 0 / 60 / 8

HEX #28EB5F

RGB 40 235 95

HSL 136.92, 0.83%, 0.54%

LAB 82.21, -73.16, 54.11

 

CMYK 83 / 0 / 37 / 8

HEX #28EB93

RGB 40 235 147

HSL 152.92, 0.83%, 0.54%

LAB 82.9, -65.03, 30.11

 

CMYK 83 / 0 / 15 / 8

HEX #28EBC7

RGB 40 235 199

HSL 168.92, 0.83%, 0.54%

LAB 83.96, -53.41, 4.61

 

CMYK 83 / 7 / 0 / 8

HEX #28DAEB

RGB 40 218 235

HSL 185.23, 0.83%, 0.54%

LAB 79.95, -35.96, -20.42

 

CMYK 83 / 29 / 0 / 8

HEX #28A6EB

RGB 40 166 235

HSL 201.23, 0.83%, 0.54%

LAB 64.74, -9.47, -43.89

 

CMYK 91 / 0 / 16 / 31

HEX #10B094

RGB 16 176 148

HSL 169.5, 0.83%, 0.38%

LAB 64.4, -43.89, 3.83

 

CMYK 91 / 0 / 16 / 16

HEX #13D6B4

RGB 19 214 180

HSL 169.54, 0.84%, 0.46%

LAB 77, -51.02, 4.6

 

CMYK 83 / 0 / 14 / 8

HEX #28EBC9

RGB 40 235 201

HSL 169.54, 0.83%, 0.54%

LAB 84.01, -52.9, 3.63

 

CMYK 67 / 0 / 12 / 7

HEX #4EEED2

RGB 78 238 210

HSL 169.5, 0.82%, 0.62%

LAB 85.72, -47.73, 1.46

 

CMYK 52 / 0 / 9 / 5

HEX #73F2DC

RGB 115 242 220

HSL 169.61, 0.83%, 0.7%

LAB 88.12, -40.54, -0.15

 

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

CMYK 82 / 83 / 0 / 8

HEX #2B28EB

RGB 43 40 235

HSL 240.92, 0.83%, 0.54%

LAB 34.04, 64.62, -93.63

 

CMYK 0 / 49 / 83 / 8

HEX #EB7928

RGB 235 121 40

HSL 24.92, 0.83%, 0.54%

LAB 62.92, 39.09, 60.39

 

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

CMYK 15 / 83 / 0 / 8

HEX #C728EB

RGB 199 40 235

HSL 288.92, 0.83%, 0.54%

LAB 51.45, 81.79, -64.42

 

CMYK 0 / 15 / 83 / 8

HEX #EBC728

RGB 235 199 40

HSL 48.92, 0.83%, 0.54%

LAB 81.11, -1.73, 75.92

 

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

CMYK 82 / 83 / 0 / 8

HEX #2B28EB

RGB 43 40 235

HSL 240.92, 0.83%, 0.54%

LAB 34.04, 64.62, -93.63

 

CMYK 0 / 83 / 68 / 8

HEX #EB284C

RGB 235 40 76

HSL 348.92, 0.83%, 0.54%

LAB 51.5, 71.91, 30.15

 

CMYK 2 / 0 / 83 / 8

HEX #E7EB28

RGB 231 235 40

HSL 61.23, 0.83%, 0.54%

LAB 90.12, -21.35, 83.33

 

CMYK 83 / 0 / 14 / 8

HEX #27EBC9

RGB 39 235 201

HSL 169.59, 0.83%, 0.54%

LAB 84, -52.97, 3.62

 

CMYK 57 / 83 / 0 / 8

HEX #6628EB

RGB 102 40 235

HSL 259.08, 0.83%, 0.54%

LAB 38.45, 68.7, -86.2

 

CMYK 0 / 83 / 68 / 8

HEX #EB284C

RGB 235 40 76

HSL 348.92, 0.83%, 0.54%

LAB 51.5, 71.91, 30.15

 

CMYK 26 / 0 / 83 / 8

HEX #ADEB28

RGB 173 235 40

HSL 79.08, 0.83%, 0.54%

LAB 86.23, -44.36, 78.48

 

Description

Color code: HEX #27EBC9 | qconv.com Color code: HEX #27EBC9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 235 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 235 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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