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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27CDAF it is the complementary color #D83250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27CDAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27CDAF shade: #2CCDAA, #3DDFBD, #4EF1D0, #5FFFE3 and #70FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27CDAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27CDAF shade: #27CDAF, #16BB9C, #05A989, #009776 and #008563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27CDAF shade: #27CDAF, #27CD82, #27CD55, #27CD28 and #52CD27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27CDAF shade: #27CDAF, #27BECD, #2791CD, #2765CD and #2738CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27CDAF shade matches the following richer shades: #27CDAF and #13E1BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27CDAF shade: #27CDAF, #3AB9A2, #4EA696, #629289 and #767E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27CDAF shade: #27CD56, #27CD82, #27CDAF, #27BFCD and #2793CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27CDAF shade: #198874, #20AA91, #27CDAF, #42DBBF and #65E1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27CDAF shade: #27CDAF, #2927CD and #CD6C27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27CDAF shade: #27CDAF, #AF27CD and #CDAF27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27CDAF shade: #27CDAF, #2927CD, #CD2745 and #CACD27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27CDAF shade: #27CDAF, #5B27CD, #CD2745 and #98CD27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

Complementary color

CMYK 0 / 77 / 63 / 15

HEX #D83250

RGB 216 50 80

HSL 349.16, 0.68%, 0.52%

LAB 48.83, 64.38, 23.61

 

CMYK 79 / 0 / 17 / 20

HEX #2CCDAA

RGB 44 205 170

HSL 166.96, 0.65%, 0.49%

LAB 74.25, -48.12, 6.05

 

CMYK 73 / 0 / 15 / 13

HEX #3DDFBD

RGB 61 223 189

HSL 167.41, 0.72%, 0.56%

LAB 80.43, -48.92, 4.83

 

CMYK 68 / 0 / 14 / 5

HEX #4EF1D0

RGB 78 241 208

HSL 167.85, 0.85%, 0.63%

LAB 86.55, -49.49, 3.71

 

CMYK 63 / 0 / 11 / 0

HEX #5FFFE3

RGB 95 255 227

HSL 169.5, 1%, 0.69%

LAB 91.46, -48.19, 1.01

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF6

RGB 112 255 246

HSL 176.22, 1%, 0.72%

LAB 92.41, -40.56, -7.39

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 88 / 0 / 17 / 27

HEX #16BB9C

RGB 22 187 156

HSL 168.73, 0.79%, 0.41%

LAB 68.1, -46.04, 4.77

 

CMYK 97 / 0 / 19 / 34

HEX #05A989

RGB 5 169 137

HSL 168.29, 0.94%, 0.34%

LAB 61.84, -44.36, 6.25

 

CMYK 100 / 0 / 22 / 41

HEX #009776

RGB 0 151 118

HSL 166.89, 1%, 0.3%

LAB 55.52, -42.13, 7.93

 

CMYK 100 / 0 / 26 / 48

HEX #008563

RGB 0 133 99

HSL 164.66, 1%, 0.26%

LAB 49.1, -39.63, 9.75

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 81 / 0 / 37 / 20

HEX #27CD82

RGB 39 205 130

HSL 152.89, 0.68%, 0.48%

LAB 73.35, -57.7, 26.07

 

CMYK 81 / 0 / 59 / 20

HEX #27CD55

RGB 39 205 85

HSL 136.63, 0.68%, 0.48%

LAB 72.73, -65.07, 47.55

 

CMYK 81 / 0 / 80 / 20

HEX #27CD28

RGB 39 205 40

HSL 120.36, 0.68%, 0.48%

LAB 72.39, -69.2, 64.22

 

CMYK 60 / 0 / 81 / 20

HEX #52CD27

RGB 82 205 39

HSL 104.46, 0.68%, 0.48%

LAB 73.29, -61.63, 65.65

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 81 / 7 / 0 / 20

HEX #27BECD

RGB 39 190 205

HSL 185.42, 0.68%, 0.48%

LAB 70.64, -32, -18.33

 

CMYK 81 / 29 / 0 / 20

HEX #2791CD

RGB 39 145 205

HSL 201.69, 0.68%, 0.48%

LAB 57.16, -8.45, -39.13

 

CMYK 81 / 51 / 0 / 20

HEX #2765CD

RGB 39 101 205

HSL 217.59, 0.68%, 0.48%

LAB 44.44, 18.45, -59.41

 

CMYK 81 / 73 / 0 / 20

HEX #2738CD

RGB 39 56 205

HSL 233.86, 0.68%, 0.48%

LAB 33.28, 46.97, -77.66

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 92 / 0 / 16 / 12

HEX #13E1BC

RGB 19 225 188

HSL 169.22, 0.84%, 0.48%

LAB 80.53, -53.4, 5.44

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 69 / 0 / 12 / 27

HEX #3AB9A2

RGB 58 185 162

HSL 169.13, 0.52%, 0.48%

LAB 68.17, -39.84, 1.64

 

CMYK 53 / 0 / 10 / 35

HEX #4EA696

RGB 78 166 150

HSL 169.09, 0.36%, 0.48%

LAB 62.59, -30.43, 0.23

 

CMYK 33 / 0 / 6 / 43

HEX #629289

RGB 98 146 137

HSL 168.75, 0.2%, 0.48%

LAB 57.04, -18.26, -0.4

 

CMYK 6 / 0 / 2 / 51

HEX #767E7C

RGB 118 126 124

HSL 165, 0.03%, 0.48%

LAB 52.09, -3.38, 0.05

 

CMYK 81 / 0 / 58 / 20

HEX #27CD56

RGB 39 205 86

HSL 136.99, 0.68%, 0.48%

LAB 72.74, -64.94, 47.1

 

CMYK 81 / 0 / 37 / 20

HEX #27CD82

RGB 39 205 130

HSL 152.89, 0.68%, 0.48%

LAB 73.35, -57.7, 26.07

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 81 / 7 / 0 / 20

HEX #27BFCD

RGB 39 191 205

HSL 185.06, 0.68%, 0.48%

LAB 70.94, -32.48, -17.88

 

CMYK 81 / 28 / 0 / 20

HEX #2793CD

RGB 39 147 205

HSL 200.96, 0.68%, 0.48%

LAB 57.76, -9.58, -38.2

 

CMYK 82 / 0 / 15 / 47

HEX #198874

RGB 25 136 116

HSL 169.19, 0.69%, 0.32%

LAB 50.78, -34.53, 2.29

 

CMYK 81 / 0 / 15 / 33

HEX #20AA91

RGB 32 170 145

HSL 169.13, 0.68%, 0.4%

LAB 62.59, -40.96, 2.9

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 70 / 0 / 13 / 14

HEX #42DBBF

RGB 66 219 191

HSL 169.02, 0.68%, 0.56%

LAB 79.38, -46.08, 2.25

 

CMYK 55 / 0 / 10 / 12

HEX #65E1CB

RGB 101 225 203

HSL 169.35, 0.67%, 0.64%

LAB 82.34, -39.83, 0.3

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 80 / 81 / 0 / 20

HEX #2927CD

RGB 41 39 205

HSL 240.72, 0.68%, 0.48%

LAB 30.23, 56.08, -82.71

 

CMYK 0 / 47 / 81 / 20

HEX #CD6C27

RGB 205 108 39

HSL 24.94, 0.68%, 0.48%

LAB 55.94, 33.75, 52.92

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 15 / 81 / 0 / 20

HEX #AF27CD

RGB 175 39 205

HSL 289.16, 0.68%, 0.48%

LAB 45.6, 72.74, -56.94

 

CMYK 0 / 15 / 81 / 20

HEX #CDAF27

RGB 205 175 39

HSL 49.16, 0.68%, 0.48%

LAB 72.08, -2.28, 67.35

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 80 / 81 / 0 / 20

HEX #2927CD

RGB 41 39 205

HSL 240.72, 0.68%, 0.48%

LAB 30.23, 56.08, -82.71

 

CMYK 0 / 81 / 66 / 20

HEX #CD2745

RGB 205 39 69

HSL 349.16, 0.68%, 0.48%

LAB 45.44, 63.75, 25.52

 

CMYK 1 / 0 / 81 / 20

HEX #CACD27

RGB 202 205 39

HSL 61.08, 0.68%, 0.48%

LAB 79.82, -18.89, 73.95

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 56 / 81 / 0 / 20

HEX #5B27CD

RGB 91 39 205

HSL 258.8, 0.68%, 0.48%

LAB 34.16, 60.23, -76.09

 

CMYK 0 / 81 / 66 / 20

HEX #CD2745

RGB 205 39 69

HSL 349.16, 0.68%, 0.48%

LAB 45.44, 63.75, 25.52

 

CMYK 26 / 0 / 81 / 20

HEX #98CD27

RGB 152 205 39

HSL 79.16, 0.68%, 0.48%

LAB 76.37, -39.25, 69.59

 

Description

Color code: HEX #27CDAF | qconv.com Color code: HEX #27CDAF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 205 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 205 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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