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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27C782 it is the complementary color #D8387D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27C782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27C782 shade: #2CC77D, #3DD990, #4EEBA3, #5FFDB6 and #70FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27C782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27C782 shade: #27C782, #16B56F, #05A35C, #009149 and #007F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27C782 shade: #27C882, #27C857, #27C82C, #4EC827 and #79C827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27C782 shade: #27C882, #27C8AE, #27B6C8, #278BC8 and #2760C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27C782 shade matches the following richer shades: #27C882, #14DB85 and #00EE88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27C782 shade: #27C882, #3AB480, #4EA17D, #618D7A and #757A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27C782 shade: #27C82C, #27C857, #27C882, #27C8AD and #27B8C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27C782 shade: #198355, #20A56C, #27C882, #3FD997 and #62E0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27C782 shade: #27C782, #274DC8 and #C84227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27C782 shade: #27C782, #8227C8 and #C88227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27C782 shade: #27C782, #274DC8, #C8276D and #C8A227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27C782 shade: #27C782, #3227C8, #C8276D and #BDC827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

Complementary color

CMYK 0 / 74 / 42 / 15

HEX #D8387D

RGB 216 56 125

HSL 334.13, 0.67%, 0.53%

LAB 50.58, 65.98, -1.29

 

CMYK 78 / 0 / 37 / 22

HEX #2CC77D

RGB 44 199 125

HSL 151.35, 0.64%, 0.48%

LAB 71.46, -55.93, 26.16

 

CMYK 72 / 0 / 34 / 15

HEX #3DD990

RGB 61 217 144

HSL 151.92, 0.67%, 0.55%

LAB 77.66, -56.69, 24.64

 

CMYK 67 / 0 / 31 / 8

HEX #4EEBA3

RGB 78 235 163

HSL 152.48, 0.8%, 0.61%

LAB 83.8, -57.17, 23.24

 

CMYK 62 / 0 / 28 / 1

HEX #5FFDB6

RGB 95 253 182

HSL 153.04, 0.98%, 0.68%

LAB 89.89, -57.44, 21.95

 

CMYK 56 / 0 / 21 / 0

HEX #70FFC9

RGB 112 255 201

HSL 157.34, 1%, 0.72%

LAB 91.32, -51.07, 14.28

 

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

CMYK 88 / 0 / 39 / 29

HEX #16B56F

RGB 22 181 111

HSL 153.58, 0.78%, 0.4%

LAB 65.25, -54.2, 25.21

 

CMYK 97 / 0 / 44 / 36

HEX #05A35C

RGB 5 163 92

HSL 153.04, 0.94%, 0.33%

LAB 58.97, -52.41, 27.04

 

CMYK 100 / 0 / 50 / 43

HEX #009149

RGB 0 145 73

HSL 150.21, 1%, 0.28%

LAB 52.65, -49.87, 29.02

 

CMYK 100 / 0 / 57 / 50

HEX #007F36

RGB 0 127 54

HSL 145.51, 1%, 0.25%

LAB 46.24, -46.84, 31.05

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 81 / 0 / 57 / 22

HEX #27C857

RGB 39 200 87

HSL 137.89, 0.67%, 0.47%

LAB 71.17, -63.18, 44.78

 

CMYK 81 / 0 / 78 / 22

HEX #27C82C

RGB 39 200 44

HSL 121.86, 0.67%, 0.47%

LAB 70.82, -67.47, 61.55

 

CMYK 61 / 0 / 81 / 22

HEX #4EC827

RGB 78 200 39

HSL 105.47, 0.67%, 0.47%

LAB 71.61, -60.87, 64.05

 

CMYK 40 / 0 / 81 / 22

HEX #79C827

RGB 121 200 39

HSL 89.44, 0.67%, 0.47%

LAB 73.23, -48.38, 66.14

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 81 / 0 / 13 / 22

HEX #27C8AE

RGB 39 200 174

HSL 170.31, 0.67%, 0.47%

LAB 72.76, -45.46, 1.71

 

CMYK 81 / 9 / 0 / 22

HEX #27B6C8

RGB 39 182 200

HSL 186.71, 0.67%, 0.47%

LAB 68.06, -29.69, -19.5

 

CMYK 81 / 31 / 0 / 22

HEX #278BC8

RGB 39 139 200

HSL 202.73, 0.67%, 0.47%

LAB 55.14, -6.82, -39.48

 

CMYK 81 / 52 / 0 / 22

HEX #2760C8

RGB 39 96 200

HSL 218.76, 0.67%, 0.47%

LAB 42.71, 19.77, -59.33

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 91 / 0 / 39 / 14

HEX #14DB85

RGB 20 219 133

HSL 154.07, 0.83%, 0.47%

LAB 77.58, -63.49, 30.13

 

CMYK 100 / 0 / 43 / 7

HEX #00EE88

RGB 0 238 136

HSL 154.29, 1%, 0.47%

LAB 83.4, -70.02, 36.24

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 68 / 0 / 29 / 29

HEX #3AB480

RGB 58 180 128

HSL 154.43, 0.51%, 0.47%

LAB 65.83, -45.88, 16.94

 

CMYK 52 / 0 / 22 / 37

HEX #4EA17D

RGB 78 161 125

HSL 153.98, 0.35%, 0.47%

LAB 60.42, -34.05, 11.13

 

CMYK 31 / 0 / 13 / 45

HEX #618D7A

RGB 97 141 122

HSL 154.09, 0.18%, 0.47%

LAB 55.07, -19.37, 5.34

 

CMYK 4 / 0 / 2 / 52

HEX #757A78

RGB 117 122 120

HSL 156, 0.02%, 0.47%

LAB 50.75, -2.28, 0.43

 

CMYK 81 / 0 / 78 / 22

HEX #27C82C

RGB 39 200 44

HSL 121.86, 0.67%, 0.47%

LAB 70.82, -67.47, 61.55

 

CMYK 81 / 0 / 57 / 22

HEX #27C857

RGB 39 200 87

HSL 137.89, 0.67%, 0.47%

LAB 71.17, -63.18, 44.78

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 81 / 0 / 14 / 22

HEX #27C8AD

RGB 39 200 173

HSL 169.94, 0.67%, 0.47%

LAB 72.73, -45.73, 2.22

 

CMYK 81 / 8 / 0 / 22

HEX #27B8C8

RGB 39 184 200

HSL 185.96, 0.67%, 0.47%

LAB 68.67, -30.66, -18.58

 

CMYK 81 / 0 / 35 / 49

HEX #198355

RGB 25 131 85

HSL 153.96, 0.68%, 0.31%

LAB 48.38, -40.23, 16.85

 

CMYK 81 / 0 / 35 / 35

HEX #20A56C

RGB 32 165 108

HSL 154.29, 0.68%, 0.39%

LAB 60.16, -47.9, 20.01

 

CMYK 81 / 0 / 35 / 22

HEX #27C882

RGB 39 200 130

HSL 153.91, 0.67%, 0.47%

LAB 71.79, -55.85, 23.97

 

CMYK 71 / 0 / 30 / 15

HEX #3FD997

RGB 63 217 151

HSL 154.29, 0.67%, 0.55%

LAB 77.83, -54.97, 21.23

 

CMYK 56 / 0 / 25 / 12

HEX #62E0A9

RGB 98 224 169

HSL 153.81, 0.67%, 0.63%

LAB 81.17, -47.74, 16.56

 

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

CMYK 81 / 62 / 0 / 22

HEX #274DC8

RGB 39 77 200

HSL 225.84, 0.67%, 0.47%

LAB 37.68, 32.15, -67.52

 

CMYK 0 / 67 / 81 / 22

HEX #C84227

RGB 200 66 39

HSL 10.06, 0.67%, 0.47%

LAB 47.39, 51.88, 44.56

 

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

CMYK 35 / 81 / 0 / 22

HEX #8227C8

RGB 130 39 200

HSL 273.91, 0.67%, 0.47%

LAB 38.49, 64.27, -65.88

 

CMYK 0 / 35 / 81 / 22

HEX #C88227

RGB 200 130 39

HSL 33.91, 0.67%, 0.47%

LAB 60.24, 19.82, 56.61

 

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

CMYK 81 / 62 / 0 / 22

HEX #274DC8

RGB 39 77 200

HSL 225.84, 0.67%, 0.47%

LAB 37.68, 32.15, -67.52

 

CMYK 0 / 81 / 46 / 22

HEX #C8276D

RGB 200 39 109

HSL 333.91, 0.67%, 0.47%

LAB 45.41, 65.23, 0.57

 

CMYK 0 / 19 / 81 / 22

HEX #C8A227

RGB 200 162 39

HSL 45.84, 0.67%, 0.47%

LAB 68.22, 2.43, 63.77

 

CMYK 80 / 0 / 35 / 22

HEX #27C782

RGB 39 199 130

HSL 154.13, 0.67%, 0.47%

LAB 71.48, -55.48, 23.55

 

CMYK 75 / 81 / 0 / 22

HEX #3227C8

RGB 50 39 200

HSL 244.1, 0.67%, 0.47%

LAB 30.16, 55.09, -79.9

 

CMYK 0 / 81 / 46 / 22

HEX #C8276D

RGB 200 39 109

HSL 333.91, 0.67%, 0.47%

LAB 45.41, 65.23, 0.57

 

CMYK 5 / 0 / 81 / 22

HEX #BDC827

RGB 189 200 39

HSL 64.1, 0.67%, 0.47%

LAB 77.44, -21.92, 71.5

 

Description

Color code: HEX #27C782 | qconv.com Color code: HEX #27C782 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 199 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 199 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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