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Color name
HEX #27A292

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A292 it is the complementary color #D85D6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A292 shade: #2CA28D, #3DB4A0, #4EC6B3, #5FD8C6 and #70EAD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A292 shade: #27A292, #16907F, #057E6C, #006C59 and #005A46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A292 shade: #26A090, #26A06F, #26A04E, #26A02E and #40A026

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A292 shade: #26A090, #268FA0, #266EA0, #264DA0 and #262DA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A292 shade matches the following richer shades: #26A090, #16B09C and #06C0A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A292 shade: #26A090, #369084, #467F78, #576F6C and #675F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A292 shade: #26A04F, #26A06F, #26A08F, #268FA0 and #266FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A292 shade: #165D54, #1E7E72, #26A090, #2EC1AE and #46D2C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A292 shade: #27A292, #2E26A0 and #A05F26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A292 shade: #27A292, #8F26A0 and #A08F26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A292 shade: #27A292, #2E26A0, #A02636 and #98A026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A292 shade: #27A292, #5326A0, #A02636 and #73A026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

Complementary color

CMYK 0 / 57 / 50 / 15

HEX #D85D6D

RGB 216 93 109

HSL 352.2, 0.61%, 0.61%

LAB 55.62, 49.67, 15.43

 

CMYK 73 / 0 / 13 / 36

HEX #2CA28D

RGB 44 162 141

HSL 169.32, 0.57%, 0.4%

LAB 60.16, -37.12, 1.64

 

CMYK 66 / 0 / 11 / 29

HEX #3DB4A0

RGB 61 180 160

HSL 169.92, 0.49%, 0.47%

LAB 66.65, -37.66, 0.54

 

CMYK 61 / 0 / 10 / 22

HEX #4EC6B3

RGB 78 198 179

HSL 170.5, 0.51%, 0.54%

LAB 73.06, -37.98, -0.46

 

CMYK 56 / 0 / 8 / 15

HEX #5FD8C6

RGB 95 216 198

HSL 171.07, 0.61%, 0.61%

LAB 79.4, -38.17, -1.36

 

CMYK 52 / 0 / 7 / 8

HEX #70EAD9

RGB 112 234 217

HSL 171.64, 0.74%, 0.68%

LAB 85.66, -38.26, -2.2

 

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

CMYK 85 / 0 / 12 / 44

HEX #16907F

RGB 22 144 127

HSL 171.64, 0.73%, 0.33%

LAB 53.65, -35.32, 0.1

 

CMYK 96 / 0 / 14 / 51

HEX #057E6C

RGB 5 126 108

HSL 171.07, 0.92%, 0.26%

LAB 47.02, -33.81, 1.51

 

CMYK 100 / 0 / 18 / 58

HEX #006C59

RGB 0 108 89

HSL 169.44, 1%, 0.21%

LAB 40.32, -31.54, 3.17

 

CMYK 100 / 0 / 22 / 65

HEX #005A46

RGB 0 90 70

HSL 166.67, 1%, 0.18%

LAB 33.47, -28.9, 5.01

 

CMYK 76 / 0 / 10 / 37

HEX #26A090

RGB 38 160 144

HSL 172.13, 0.62%, 0.39%

LAB 59.5, -36.15, -1.03

 

CMYK 76 / 0 / 31 / 37

HEX #26A06F

RGB 38 160 111

HSL 155.9, 0.62%, 0.39%

LAB 58.7, -44.52, 16.37

 

CMYK 76 / 0 / 51 / 37

HEX #26A04E

RGB 38 160 78

HSL 139.67, 0.62%, 0.39%

LAB 58.14, -50.89, 33.37

 

CMYK 76 / 0 / 71 / 37

HEX #26A02E

RGB 38 160 46

HSL 123.93, 0.62%, 0.39%

LAB 57.8, -54.91, 47.8

 

CMYK 60 / 0 / 76 / 37

HEX #40A026

RGB 64 160 38

HSL 107.21, 0.62%, 0.39%

LAB 58.39, -50.23, 51.6

 

CMYK 76 / 0 / 10 / 37

HEX #26A090

RGB 38 160 144

HSL 172.13, 0.62%, 0.39%

LAB 59.5, -36.15, -1.03

 

CMYK 76 / 11 / 0 / 37

HEX #268FA0

RGB 38 143 160

HSL 188.36, 0.62%, 0.39%

LAB 54.65, -23.01, -17.4

 

CMYK 76 / 31 / 0 / 37

HEX #266EA0

RGB 38 110 160

HSL 204.59, 0.62%, 0.39%

LAB 44.38, -4.5, -33.3

 

CMYK 76 / 52 / 0 / 37

HEX #264DA0

RGB 38 77 160

HSL 220.82, 0.62%, 0.39%

LAB 34.51, 16.71, -49.04

 

CMYK 76 / 72 / 0 / 37

HEX #262DA0

RGB 38 45 160

HSL 236.56, 0.62%, 0.39%

LAB 26.24, 37.83, -62.55

 

CMYK 76 / 0 / 10 / 37

HEX #26A090

RGB 38 160 144

HSL 172.13, 0.62%, 0.39%

LAB 59.5, -36.15, -1.03

 

CMYK 88 / 0 / 11 / 31

HEX #16B09C

RGB 22 176 156

HSL 172.21, 0.78%, 0.39%

LAB 64.66, -41.35, -0.23

 

CMYK 97 / 0 / 13 / 25

HEX #06C0A8

RGB 6 192 168

HSL 172.26, 0.94%, 0.39%

LAB 69.87, -45.59, 0.74

 

CMYK 76 / 0 / 10 / 37

HEX #26A090

RGB 38 160 144

HSL 172.13, 0.62%, 0.39%

LAB 59.5, -36.15, -1.03

 

CMYK 63 / 0 / 8 / 44

HEX #369084

RGB 54 144 132

HSL 172, 0.45%, 0.39%

LAB 54.45, -29.54, -1.54

 

CMYK 45 / 0 / 6 / 50

HEX #467F78

RGB 70 127 120

HSL 172.63, 0.29%, 0.39%

LAB 49.3, -20.54, -2.05

 

CMYK 22 / 0 / 3 / 56

HEX #576F6C

RGB 87 111 108

HSL 172.5, 0.12%, 0.39%

LAB 44.91, -9.49, -1.25

 

CMYK 0 / 8 / 7 / 60

HEX #675F60

RGB 103 95 96

HSL 352.5, 0.04%, 0.39%

LAB 41.08, 3.39, 0.58

 

CMYK 76 / 0 / 51 / 37

HEX #26A04F

RGB 38 160 79

HSL 140.16, 0.62%, 0.39%

LAB 58.15, -50.73, 32.87

 

CMYK 76 / 0 / 31 / 37

HEX #26A06F

RGB 38 160 111

HSL 155.9, 0.62%, 0.39%

LAB 58.7, -44.52, 16.37

 

CMYK 76 / 0 / 11 / 37

HEX #26A08F

RGB 38 160 143

HSL 171.64, 0.62%, 0.39%

LAB 59.47, -36.43, -0.51

 

CMYK 76 / 11 / 0 / 37

HEX #268FA0

RGB 38 143 160

HSL 188.36, 0.62%, 0.39%

LAB 54.65, -23.01, -17.4

 

CMYK 76 / 31 / 0 / 37

HEX #266FA0

RGB 38 111 160

HSL 204.1, 0.62%, 0.39%

LAB 44.69, -5.1, -32.82

 

CMYK 76 / 0 / 10 / 64

HEX #165D54

RGB 22 93 84

HSL 172.39, 0.62%, 0.23%

LAB 35.28, -23.67, -1.05

 

CMYK 76 / 0 / 10 / 51

HEX #1E7E72

RGB 30 126 114

HSL 172.5, 0.62%, 0.31%

LAB 47.51, -29.85, -1.28

 

CMYK 76 / 0 / 10 / 37

HEX #26A090

RGB 38 160 144

HSL 172.13, 0.62%, 0.39%

LAB 59.5, -36.15, -1.03

 

CMYK 76 / 0 / 10 / 24

HEX #2EC1AE

RGB 46 193 174

HSL 172.24, 0.62%, 0.47%

LAB 70.72, -41.73, -1.25

 

CMYK 67 / 0 / 9 / 18

HEX #46D2C0

RGB 70 210 192

HSL 172.29, 0.61%, 0.55%

LAB 76.8, -41.32, -2.03

 

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

CMYK 71 / 76 / 0 / 37

HEX #2E26A0

RGB 46 38 160

HSL 243.93, 0.62%, 0.39%

LAB 25.28, 42.71, -64.12

 

CMYK 0 / 41 / 76 / 37

HEX #A05F26

RGB 160 95 38

HSL 28.03, 0.62%, 0.39%

LAB 46.71, 21.75, 42.28

 

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

CMYK 11 / 76 / 0 / 37

HEX #8F26A0

RGB 143 38 160

HSL 291.64, 0.62%, 0.39%

LAB 37.42, 58.83, -43.82

 

CMYK 0 / 11 / 76 / 37

HEX #A08F26

RGB 160 143 38

HSL 51.64, 0.62%, 0.39%

LAB 59.21, -5.25, 54.45

 

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

CMYK 71 / 76 / 0 / 37

HEX #2E26A0

RGB 46 38 160

HSL 243.93, 0.62%, 0.39%

LAB 25.28, 42.71, -64.12

 

CMYK 0 / 76 / 66 / 37

HEX #A02636

RGB 160 38 54

HSL 352.13, 0.62%, 0.39%

LAB 36.23, 50.14, 21.33

 

CMYK 5 / 0 / 76 / 37

HEX #98A026

RGB 152 160 38

HSL 63.93, 0.62%, 0.39%

LAB 63.31, -17.81, 58.02

 

CMYK 76 / 0 / 10 / 36

HEX #27A292

RGB 39 162 146

HSL 172.2, 0.61%, 0.39%

LAB 60.2, -36.38, -1.13

 

CMYK 48 / 76 / 0 / 37

HEX #5326A0

RGB 83 38 160

HSL 262.13, 0.62%, 0.39%

LAB 28.81, 47.58, -58.18

 

CMYK 0 / 76 / 66 / 37

HEX #A02636

RGB 160 38 54

HSL 352.13, 0.62%, 0.39%

LAB 36.23, 50.14, 21.33

 

CMYK 28 / 0 / 76 / 37

HEX #73A026

RGB 115 160 38

HSL 82.13, 0.62%, 0.39%

LAB 60.72, -33.33, 54.66

 

Description

Color code: HEX #27A292 | qconv.com Color code: HEX #27A292 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 162 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 162 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 10 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 10% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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