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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237EE5 it is the complementary color #DC811A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237EE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237EE5 shade: #287EE0, #3990F3, #4AA2FF, #5BB4FF and #6CC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237EE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237EE5 shade: #237EE5, #126CD2, #015ABF, #0048AC and #003699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237EE5 shade: #237EE5, #234AE5, #3123E5, #6523E5 and #9923E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237EE5 shade: #237EE5, #234AE5 and #2323E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237EE5 shade matches the following richer shades: #237EE5 and #107DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237EE5 shade: #237EE5, #377FD1, #4B81BD, #5F82A9 and #738396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237EE5 shade: #23E5E2, #23B4E5, #2381E5, #234DE5 and #2D23E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237EE5 shade: #1356A3, #176AC8, #237EE5, #4894E9 and #6DA9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237EE5 shade: #237EE5, #AE23E5 and #CEE523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237EE5 shade: #237EE5, #E52381 and #81E523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237EE5 shade: #237EE5, #AE23E5, #E58723 and #5AE523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237EE5 shade: #237EE5, #E523E2, #E58723 and #23E527

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

Complementary color

CMYK 0 / 41 / 88 / 14

HEX #DC811A

RGB 220 129 26

HSL 31.86, 0.79%, 0.48%

LAB 62.5, 28.53, 63.82

 

CMYK 82 / 44 / 0 / 12

HEX #287EE0

RGB 40 126 224

HSL 211.96, 0.75%, 0.52%

LAB 52.68, 9.98, -56.93

 

CMYK 77 / 41 / 0 / 5

HEX #3990F3

RGB 57 144 243

HSL 211.94, 0.89%, 0.59%

LAB 59.24, 7.74, -56.99

 

CMYK 71 / 36 / 0 / 0

HEX #4AA2FF

RGB 74 162 255

HSL 210.83, 1%, 0.65%

LAB 65.37, 3.48, -53.78

 

CMYK 64 / 29 / 0 / 0

HEX #5BB4FF

RGB 91 180 255

HSL 207.44, 1%, 0.68%

LAB 70.93, -4.16, -44.97

 

CMYK 58 / 22 / 0 / 0

HEX #6CC6FF

RGB 108 198 255

HSL 203.27, 1%, 0.71%

LAB 76.56, -10.91, -36.16

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 91 / 49 / 0 / 18

HEX #126CD2

RGB 18 108 210

HSL 211.88, 0.84%, 0.45%

LAB 46.32, 14.44, -59.26

 

CMYK 99 / 53 / 0 / 25

HEX #015ABF

RGB 1 90 191

HSL 211.89, 0.99%, 0.38%

LAB 39.72, 17.94, -59

 

CMYK 100 / 58 / 0 / 33

HEX #0048AC

RGB 0 72 172

HSL 214.88, 1%, 0.34%

LAB 33.16, 22.25, -58.46

 

CMYK 100 / 65 / 0 / 40

HEX #003699

RGB 0 54 153

HSL 218.82, 1%, 0.3%

LAB 26.56, 26.83, -57.8

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 85 / 68 / 0 / 10

HEX #234AE5

RGB 35 74 229

HSL 227.94, 0.79%, 0.52%

LAB 39.43, 44.35, -81.31

 

CMYK 79 / 85 / 0 / 10

HEX #3123E5

RGB 49 35 229

HSL 244.33, 0.79%, 0.52%

LAB 32.95, 65.17, -92.03

 

CMYK 56 / 85 / 0 / 10

HEX #6523E5

RGB 101 35 229

HSL 260.41, 0.79%, 0.52%

LAB 37.16, 68.79, -84.91

 

CMYK 33 / 85 / 0 / 10

HEX #9923E5

RGB 153 35 229

HSL 276.49, 0.79%, 0.52%

LAB 43.7, 74.89, -73.93

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 85 / 68 / 0 / 10

HEX #234AE5

RGB 35 74 229

HSL 227.94, 0.79%, 0.52%

LAB 39.43, 44.35, -81.31

 

CMYK 85 / 85 / 0 / 10

HEX #2323E5

RGB 35 35 229

HSL 240, 0.79%, 0.52%

LAB 32.29, 64.63, -93.13

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 94 / 50 / 0 / 2

HEX #107DF9

RGB 16 125 249

HSL 211.93, 0.95%, 0.52%

LAB 53.62, 18.76, -69.39

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 74 / 39 / 0 / 18

HEX #377FD1

RGB 55 127 209

HSL 211.95, 0.63%, 0.52%

LAB 52.5, 5.43, -48.73

 

CMYK 60 / 32 / 0 / 26

HEX #4B81BD

RGB 75 129 189

HSL 211.58, 0.46%, 0.52%

LAB 52.81, 0.5, -36.81

 

CMYK 44 / 23 / 0 / 34

HEX #5F82A9

RGB 95 130 169

HSL 211.62, 0.3%, 0.52%

LAB 53.24, -1.71, -24.57

 

CMYK 23 / 13 / 0 / 41

HEX #738396

RGB 115 131 150

HSL 212.57, 0.14%, 0.52%

LAB 54.11, -1.42, -12.13

 

CMYK 85 / 0 / 1 / 10

HEX #23E5E2

RGB 35 229 226

HSL 179.07, 0.79%, 0.52%

LAB 82.85, -43.93, -11.27

 

CMYK 85 / 21 / 0 / 10

HEX #23B4E5

RGB 35 180 229

HSL 195.15, 0.79%, 0.52%

LAB 68.5, -19.48, -34.74

 

CMYK 85 / 44 / 0 / 10

HEX #2381E5

RGB 35 129 229

HSL 210.93, 0.79%, 0.52%

LAB 53.72, 9.62, -58.07

 

CMYK 85 / 66 / 0 / 10

HEX #234DE5

RGB 35 77 229

HSL 227.01, 0.79%, 0.52%

LAB 40.12, 42.51, -80.18

 

CMYK 80 / 85 / 0 / 10

HEX #2D23E5

RGB 45 35 229

HSL 243.09, 0.79%, 0.52%

LAB 32.74, 64.99, -92.38

 

CMYK 88 / 47 / 0 / 36

HEX #1356A3

RGB 19 86 163

HSL 212.08, 0.79%, 0.36%

LAB 36.81, 10.01, -47.15

 

CMYK 89 / 47 / 0 / 22

HEX #176AC8

RGB 23 106 200

HSL 211.86, 0.79%, 0.44%

LAB 45.17, 12.05, -55.38

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 69 / 36 / 0 / 9

HEX #4894E9

RGB 72 148 233

HSL 211.68, 0.79%, 0.6%

LAB 60.28, 3.76, -49.77

 

CMYK 54 / 29 / 0 / 7

HEX #6DA9ED

RGB 109 169 237

HSL 211.88, 0.78%, 0.68%

LAB 67.83, -0.31, -40

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 24 / 85 / 0 / 10

HEX #AE23E5

RGB 174 35 229

HSL 282.99, 0.79%, 0.52%

LAB 46.79, 77.92, -68.76

 

CMYK 10 / 0 / 85 / 10

HEX #CEE523

RGB 206 229 35

HSL 67.11, 0.79%, 0.52%

LAB 86.64, -28.89, 80.74

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 0 / 85 / 44 / 10

HEX #E52381

RGB 229 35 129

HSL 330.93, 0.79%, 0.52%

LAB 51.2, 75, -2.51

 

CMYK 44 / 0 / 85 / 10

HEX #81E523

RGB 129 229 35

HSL 90.93, 0.79%, 0.52%

LAB 82.29, -57.33, 75.3

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 24 / 85 / 0 / 10

HEX #AE23E5

RGB 174 35 229

HSL 282.99, 0.79%, 0.52%

LAB 46.79, 77.92, -68.76

 

CMYK 0 / 41 / 85 / 10

HEX #E58723

RGB 229 135 35

HSL 30.93, 0.79%, 0.52%

LAB 65.05, 29.31, 63.64

 

CMYK 61 / 0 / 85 / 10

HEX #5AE523

RGB 90 229 35

HSL 102.99, 0.79%, 0.52%

LAB 80.92, -68, 73.58

 

CMYK 85 / 45 / 0 / 10

HEX #237EE5

RGB 35 126 229

HSL 211.86, 0.79%, 0.52%

LAB 52.88, 11.47, -59.42

 

CMYK 0 / 85 / 1 / 10

HEX #E523E2

RGB 229 35 226

HSL 300.93, 0.79%, 0.52%

LAB 55.43, 86.48, -52.68

 

CMYK 0 / 41 / 85 / 10

HEX #E58723

RGB 229 135 35

HSL 30.93, 0.79%, 0.52%

LAB 65.05, 29.31, 63.64

 

CMYK 85 / 0 / 83 / 10

HEX #23E527

RGB 35 229 39

HSL 121.24, 0.79%, 0.52%

LAB 79.92, -76.54, 71.39

 

Description

Color code: HEX #237EE5 | qconv.com Color code: HEX #237EE5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 126 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 126 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 45 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 45% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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