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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235FF4 it is the complementary color #DCA00B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235FF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235FF4 shade: #285FEF, #3971FF, #4A83FF, #5B95FF and #6CA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235FF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235FF4 shade: #235FF4, #124DE1, #013BCE, #0029BB and #0017A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235FF4 shade: #2460F3, #2428F3, #5924F3, #9024F3 and #C824F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235FF4 shade: #2460F3, #2428F3 and #2424F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235FF4 shade matches the following richer shades: #2460F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235FF4 shade: #2460F3, #3768E0, #4A70CE, #5C77BB and #6F7FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235FF4 shade: #24D1F3, #249AF3, #2462F3, #242BF3 and #5524F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235FF4 shade: #093DBC, #0B49E3, #2460F3, #4C7CF5 and #7399F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235FF4 shade: #235FF4, #DE24F3 and #B5F324

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235FF4 shade: #235FF4, #F32462 and #62F324

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235FF4 shade: #235FF4, #DE24F3, #F3B524 and #39F324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235FF4 shade: #235FF4, #F324CA, #F3B524 and #24F34E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

Complementary color

CMYK 0 / 27 / 95 / 14

HEX #DCA00B

RGB 220 160 11

HSL 42.78, 0.9%, 0.45%

LAB 69.74, 11.71, 72.19

 

CMYK 83 / 60 / 0 / 6

HEX #285FEF

RGB 40 95 239

HSL 223.42, 0.86%, 0.55%

LAB 45.45, 35.2, -77.08

 

CMYK 78 / 56 / 0 / 0

HEX #3971FF

RGB 57 113 255

HSL 223.03, 1%, 0.61%

LAB 51.72, 31.17, -75.74

 

CMYK 71 / 49 / 0 / 0

HEX #4A83FF

RGB 74 131 255

HSL 221.1, 1%, 0.65%

LAB 56.99, 21.97, -67.19

 

CMYK 64 / 42 / 0 / 0

HEX #5B95FF

RGB 91 149 255

HSL 218.78, 1%, 0.68%

LAB 62.46, 13.65, -58.38

 

CMYK 58 / 35 / 0 / 0

HEX #6CA7FF

RGB 108 167 255

HSL 215.92, 1%, 0.71%

LAB 68.05, 6.21, -49.45

 

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

CMYK 92 / 66 / 0 / 12

HEX #124DE1

RGB 18 77 225

HSL 222.9, 0.85%, 0.48%

LAB 39.37, 40.25, -79.16

 

CMYK 100 / 71 / 0 / 19

HEX #013BCE

RGB 1 59 206

HSL 223.02, 0.99%, 0.41%

LAB 33.12, 44.03, -78.54

 

CMYK 100 / 78 / 0 / 27

HEX #0029BB

RGB 0 41 187

HSL 226.84, 1%, 0.37%

LAB 27.22, 47.85, -77.16

 

CMYK 100 / 86 / 0 / 34

HEX #0017A8

RGB 0 23 168

HSL 231.79, 1%, 0.33%

LAB 21.73, 50.64, -74.92

 

CMYK 85 / 60 / 0 / 5

HEX #2460F3

RGB 36 96 243

HSL 222.61, 0.9%, 0.55%

LAB 45.92, 35.78, -78.55

 

CMYK 85 / 84 / 0 / 5

HEX #2428F3

RGB 36 40 243

HSL 238.84, 0.9%, 0.55%

LAB 34.73, 66.67, -97.03

 

CMYK 63 / 85 / 0 / 5

HEX #5924F3

RGB 89 36 243

HSL 255.36, 0.9%, 0.55%

LAB 37.58, 70.96, -92.2

 

CMYK 41 / 85 / 0 / 5

HEX #9024F3

RGB 144 36 243

HSL 271.3, 0.9%, 0.55%

LAB 43.74, 76.4, -81.82

 

CMYK 18 / 85 / 0 / 5

HEX #C824F3

RGB 200 36 243

HSL 287.54, 0.9%, 0.55%

LAB 51.85, 84.18, -68.26

 

CMYK 85 / 60 / 0 / 5

HEX #2460F3

RGB 36 96 243

HSL 222.61, 0.9%, 0.55%

LAB 45.92, 35.78, -78.55

 

CMYK 85 / 84 / 0 / 5

HEX #2428F3

RGB 36 40 243

HSL 238.84, 0.9%, 0.55%

LAB 34.73, 66.67, -97.03

 

CMYK 85 / 85 / 0 / 5

HEX #2424F3

RGB 36 36 243

HSL 240, 0.9%, 0.55%

LAB 34.21, 68.24, -97.91

 

CMYK 85 / 60 / 0 / 5

HEX #2460F3

RGB 36 96 243

HSL 222.61, 0.9%, 0.55%

LAB 45.92, 35.78, -78.55

 

CMYK 85 / 60 / 0 / 5

HEX #2460F3

RGB 36 96 243

HSL 222.61, 0.9%, 0.55%

LAB 45.92, 35.78, -78.55

 

CMYK 75 / 54 / 0 / 12

HEX #3768E0

RGB 55 104 224

HSL 222.6, 0.73%, 0.55%

LAB 47.1, 25.32, -65.91

 

CMYK 64 / 46 / 0 / 19

HEX #4A70CE

RGB 74 112 206

HSL 222.73, 0.57%, 0.55%

LAB 48.88, 16.52, -52.76

 

CMYK 51 / 36 / 0 / 27

HEX #5C77BB

RGB 92 119 187

HSL 222.95, 0.41%, 0.55%

LAB 50.75, 9.57, -38.84

 

CMYK 34 / 25 / 0 / 34

HEX #6F7FA9

RGB 111 127 169

HSL 223.45, 0.25%, 0.55%

LAB 53.41, 4.56, -24.22

 

CMYK 85 / 14 / 0 / 5

HEX #24D1F3

RGB 36 209 243

HSL 189.86, 0.9%, 0.55%

LAB 77.55, -29.45, -28.35

 

CMYK 85 / 37 / 0 / 5

HEX #249AF3

RGB 36 154 243

HSL 205.8, 0.9%, 0.55%

LAB 61.62, -0.05, -53.23

 

CMYK 85 / 60 / 0 / 5

HEX #2462F3

RGB 36 98 243

HSL 222.03, 0.9%, 0.55%

LAB 46.42, 34.52, -77.74

 

CMYK 85 / 82 / 0 / 5

HEX #242BF3

RGB 36 43 243

HSL 237.97, 0.9%, 0.55%

LAB 35.15, 65.42, -96.33

 

CMYK 65 / 85 / 0 / 5

HEX #5524F3

RGB 85 36 243

HSL 254.2, 0.9%, 0.55%

LAB 37.23, 70.67, -92.79

 

CMYK 95 / 68 / 0 / 26

HEX #093DBC

RGB 9 61 188

HSL 222.57, 0.91%, 0.39%

LAB 31.87, 36.29, -70.07

 

CMYK 95 / 68 / 0 / 11

HEX #0B49E3

RGB 11 73 227

HSL 222.78, 0.91%, 0.47%

LAB 38.52, 43.28, -81.69

 

CMYK 85 / 60 / 0 / 5

HEX #2460F3

RGB 36 96 243

HSL 222.61, 0.9%, 0.55%

LAB 45.92, 35.78, -78.55

 

CMYK 69 / 49 / 0 / 4

HEX #4C7CF5

RGB 76 124 245

HSL 222.96, 0.89%, 0.63%

LAB 54.6, 23.03, -65.51

 

CMYK 53 / 38 / 0 / 3

HEX #7399F7

RGB 115 153 247

HSL 222.73, 0.89%, 0.71%

LAB 64.28, 13.21, -51.04

 

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

CMYK 9 / 85 / 0 / 5

HEX #DE24F3

RGB 222 36 243

HSL 293.91, 0.9%, 0.55%

LAB 55.34, 87.69, -62.45

 

CMYK 26 / 0 / 85 / 5

HEX #B5F324

RGB 181 243 36

HSL 77.97, 0.9%, 0.55%

LAB 88.95, -44.93, 81.83

 

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

CMYK 0 / 85 / 60 / 5

HEX #F32462

RGB 243 36 98

HSL 342.03, 0.9%, 0.55%

LAB 53.17, 75.93, 19.4

 

CMYK 60 / 0 / 85 / 5

HEX #62F324

RGB 98 243 36

HSL 102.03, 0.9%, 0.55%

LAB 85.42, -70.72, 77.4

 

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

CMYK 9 / 85 / 0 / 5

HEX #DE24F3

RGB 222 36 243

HSL 293.91, 0.9%, 0.55%

LAB 55.34, 87.69, -62.45

 

CMYK 0 / 26 / 85 / 5

HEX #F3B524

RGB 243 181 36

HSL 42.03, 0.9%, 0.55%

LAB 77.42, 10.95, 74.22

 

CMYK 77 / 0 / 85 / 5

HEX #39F324

RGB 57 243 36

HSL 113.91, 0.9%, 0.55%

LAB 84.53, -78.21, 76.29

 

CMYK 86 / 61 / 0 / 4

HEX #235FF4

RGB 35 95 244

HSL 222.78, 0.9%, 0.55%

LAB 45.73, 36.72, -79.42

 

CMYK 0 / 85 / 17 / 5

HEX #F324CA

RGB 243 36 202

HSL 311.88, 0.9%, 0.55%

LAB 56.66, 85.66, -36.92

 

CMYK 0 / 26 / 85 / 5

HEX #F3B524

RGB 243 181 36

HSL 42.03, 0.9%, 0.55%

LAB 77.42, 10.95, 74.22

 

CMYK 85 / 0 / 68 / 5

HEX #24F34E

RGB 36 243 78

HSL 132.17, 0.9%, 0.55%

LAB 84.5, -77.71, 63.59

 

Description

Color code: HEX #235FF4 | qconv.com Color code: HEX #235FF4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 95 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 95 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 61 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 61% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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