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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235FAE it is the complementary color #DCA051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235FAE shade: #285FA9, #3971BC, #4A83CF, #5B95E2 and #6CA7F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235FAE shade: #235FAE, #124D9B, #013B88, #002975 and #001762

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235FAE shade: #225EAE, #2239AE, #3122AE, #5722AE and #7D22AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235FAE shade: #225EAE, #2239AE and #2222AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235FAE shade matches the following richer shades: #225EAE, #115CBF and #005AD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235FAE shade: #225EAE, #33619D, #44638C, #55657B and #66686A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235FAE shade: #22A9AE, #2284AE, #225FAE, #2239AE and #3022AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235FAE shade: #143969, #1B4C8C, #225EAE, #2971D1 and #4887DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235FAE shade: #235FAE, #8D22AE and #97AE22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235FAE shade: #235FAE, #AE225F and #5FAE22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235FAE shade: #235FAE, #8D22AE, #AE7122 and #43AE22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235FAE shade: #235FAE, #AE22A5, #AE7122 and #22AE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

Complementary color

CMYK 0 / 27 / 63 / 14

HEX #DCA051

RGB 220 160 81

HSL 34.1, 0.67%, 0.59%

LAB 70.14, 14.23, 49.06

 

CMYK 76 / 44 / 0 / 34

HEX #285FA9

RGB 40 95 169

HSL 214.42, 0.62%, 0.41%

LAB 40.41, 8.58, -44.92

 

CMYK 70 / 40 / 0 / 26

HEX #3971BC

RGB 57 113 188

HSL 214.35, 0.53%, 0.48%

LAB 47.38, 6.69, -44.87

 

CMYK 64 / 37 / 0 / 19

HEX #4A83CF

RGB 74 131 207

HSL 214.29, 0.58%, 0.55%

LAB 54.23, 5.21, -44.81

 

CMYK 60 / 34 / 0 / 11

HEX #5B95E2

RGB 91 149 226

HSL 214.22, 0.7%, 0.62%

LAB 60.97, 4.04, -44.77

 

CMYK 56 / 32 / 0 / 4

HEX #6CA7F5

RGB 108 167 245

HSL 214.16, 0.87%, 0.69%

LAB 67.59, 3.08, -44.74

 

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

CMYK 88 / 50 / 0 / 39

HEX #124D9B

RGB 18 77 155

HSL 214.16, 0.79%, 0.34%

LAB 33.57, 12.71, -47.58

 

CMYK 99 / 57 / 0 / 47

HEX #013B88

RGB 1 59 136

HSL 214.22, 0.99%, 0.27%

LAB 26.48, 16.2, -47.44

 

CMYK 100 / 65 / 0 / 54

HEX #002975

RGB 0 41 117

HSL 218.97, 1%, 0.23%

LAB 19.52, 20.88, -46.82

 

CMYK 100 / 77 / 0 / 62

HEX #001762

RGB 0 23 98

HSL 225.92, 1%, 0.19%

LAB 12.57, 25.75, -45.85

 

CMYK 80 / 46 / 0 / 32

HEX #225EAE

RGB 34 94 174

HSL 214.29, 0.67%, 0.41%

LAB 40.25, 10.47, -48.14

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 72 / 80 / 0 / 32

HEX #3122AE

RGB 49 34 174

HSL 246.43, 0.67%, 0.41%

LAB 26.31, 49.49, -70.86

 

CMYK 50 / 80 / 0 / 32

HEX #5722AE

RGB 87 34 174

HSL 262.71, 0.67%, 0.41%

LAB 29.98, 53.65, -64.69

 

CMYK 28 / 80 / 0 / 32

HEX #7D22AE

RGB 125 34 174

HSL 279, 0.67%, 0.41%

LAB 35.12, 59.52, -56.07

 

CMYK 80 / 46 / 0 / 32

HEX #225EAE

RGB 34 94 174

HSL 214.29, 0.67%, 0.41%

LAB 40.25, 10.47, -48.14

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 80 / 80 / 0 / 32

HEX #2222AE

RGB 34 34 174

HSL 240, 0.67%, 0.41%

LAB 25.38, 48.44, -72.43

 

CMYK 80 / 46 / 0 / 32

HEX #225EAE

RGB 34 94 174

HSL 214.29, 0.67%, 0.41%

LAB 40.25, 10.47, -48.14

 

CMYK 91 / 52 / 0 / 25

HEX #115CBF

RGB 17 92 191

HSL 214.14, 0.84%, 0.41%

LAB 40.47, 17.24, -57.77

 

CMYK 100 / 57 / 0 / 18

HEX #005AD0

RGB 0 90 208

HSL 214.04, 1%, 0.41%

LAB 41, 24.75, -66.75

 

CMYK 80 / 46 / 0 / 32

HEX #225EAE

RGB 34 94 174

HSL 214.29, 0.67%, 0.41%

LAB 40.25, 10.47, -48.14

 

CMYK 68 / 38 / 0 / 38

HEX #33619D

RGB 51 97 157

HSL 213.96, 0.51%, 0.41%

LAB 40.72, 4.45, -37.28

 

CMYK 51 / 29 / 0 / 45

HEX #44638C

RGB 68 99 140

HSL 214.17, 0.35%, 0.41%

LAB 41.29, 0.93, -26.14

 

CMYK 31 / 18 / 0 / 52

HEX #55657B

RGB 85 101 123

HSL 214.74, 0.18%, 0.41%

LAB 42.26, -0.46, -14.28

 

CMYK 4 / 2 / 0 / 58

HEX #66686A

RGB 102 104 106

HSL 210, 0.02%, 0.41%

LAB 43.9, -0.35, -1.4

 

CMYK 80 / 3 / 0 / 32

HEX #22A9AE

RGB 34 169 174

HSL 182.14, 0.67%, 0.41%

LAB 63.15, -31.93, -12.49

 

CMYK 80 / 24 / 0 / 32

HEX #2284AE

RGB 34 132 174

HSL 198, 0.67%, 0.41%

LAB 51.72, -12.7, -29.99

 

CMYK 80 / 45 / 0 / 32

HEX #225FAE

RGB 34 95 174

HSL 213.86, 0.67%, 0.41%

LAB 40.54, 9.82, -47.67

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 72 / 80 / 0 / 32

HEX #3022AE

RGB 48 34 174

HSL 246, 0.67%, 0.41%

LAB 26.24, 49.41, -70.98

 

CMYK 81 / 46 / 0 / 59

HEX #143969

RGB 20 57 105

HSL 213.88, 0.68%, 0.25%

LAB 23.98, 5.84, -31.84

 

CMYK 81 / 46 / 0 / 45

HEX #1B4C8C

RGB 27 76 140

HSL 213.98, 0.68%, 0.33%

LAB 32.47, 8.08, -40.21

 

CMYK 80 / 46 / 0 / 32

HEX #225EAE

RGB 34 94 174

HSL 214.29, 0.67%, 0.41%

LAB 40.25, 10.47, -48.14

 

CMYK 80 / 46 / 0 / 18

HEX #2971D1

RGB 41 113 209

HSL 214.29, 0.67%, 0.49%

LAB 48.11, 12.51, -55.77

 

CMYK 67 / 38 / 0 / 15

HEX #4887DA

RGB 72 135 218

HSL 214.11, 0.66%, 0.57%

LAB 55.85, 6.27, -48.44

 

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

CMYK 19 / 80 / 0 / 32

HEX #8D22AE

RGB 141 34 174

HSL 285.86, 0.67%, 0.41%

LAB 37.59, 62.35, -51.94

 

CMYK 13 / 0 / 80 / 32

HEX #97AE22

RGB 151 174 34

HSL 69.86, 0.67%, 0.41%

LAB 67.25, -25.41, 62.8

 

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

CMYK 0 / 80 / 45 / 32

HEX #AE225F

RGB 174 34 95

HSL 333.86, 0.67%, 0.41%

LAB 39.53, 58.51, 0.16

 

CMYK 45 / 0 / 80 / 32

HEX #5FAE22

RGB 95 174 34

HSL 93.86, 0.67%, 0.41%

LAB 64.02, -46.79, 58.66

 

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

CMYK 19 / 80 / 0 / 32

HEX #8D22AE

RGB 141 34 174

HSL 285.86, 0.67%, 0.41%

LAB 37.59, 62.35, -51.94

 

CMYK 0 / 35 / 80 / 32

HEX #AE7122

RGB 174 113 34

HSL 33.86, 0.67%, 0.41%

LAB 52.87, 17.64, 50.6

 

CMYK 61 / 0 / 80 / 32

HEX #43AE22

RGB 67 174 34

HSL 105.86, 0.67%, 0.41%

LAB 62.99, -54.76, 57.34

 

CMYK 80 / 45 / 0 / 32

HEX #235FAE

RGB 35 95 174

HSL 214.1, 0.67%, 0.41%

LAB 40.57, 9.93, -47.62

 

CMYK 0 / 80 / 5 / 32

HEX #AE22A5

RGB 174 34 165

HSL 303.86, 0.67%, 0.41%

LAB 42.55, 67.21, -38.33

 

CMYK 0 / 35 / 80 / 32

HEX #AE7122

RGB 174 113 34

HSL 33.86, 0.67%, 0.41%

LAB 52.87, 17.64, 50.6

 

CMYK 80 / 0 / 75 / 32

HEX #22AE2B

RGB 34 174 43

HSL 123.86, 0.67%, 0.41%

LAB 62.33, -60.21, 53.53

 

Description

Color code: HEX #235FAE | qconv.com Color code: HEX #235FAE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 95 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 95 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 45 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 45% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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