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Color name
HEX #235D15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235D15 it is the complementary color #DCA2EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235D15 shade: #285D10, #396F23, #4A8136, #5B9349 and #6CA55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235D15 shade: #235D15, #124B02, #013900, #002700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235D15 shade: #225B14, #355B14, #485B14, #5B5B14 and #5B4814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235D15 shade: #225B14, #145B1A, #145B2D, #145B40 and #145B53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235D15 shade matches the following richer shades: #225B14, #1C640B and #176D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235D15 shade: #225B14, #28521D, #2D4926, #33402F and #383739

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235D15 shade: #485B14, #355B14, #225B14, #145B19 and #145B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235D15 shade: #091805, #15390D, #225B14, #2F7D1C and #3B9E24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235D15 shade: #235D15, #145B5B and #5B143F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235D15 shade: #235D15, #14225B and #5B1422

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235D15 shade: #235D15, #145B5B, #4D145B and #5B1414

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235D15 shade: #235D15, #14465B, #4D145B and #5B2914

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

Complementary color

CMYK 6 / 31 / 0 / 8

HEX #DCA2EA

RGB 220 162 234

HSL 288.33, 0.63%, 0.78%

LAB 74.19, 33.61, -27.86

 

CMYK 57 / 0 / 83 / 64

HEX #285D10

RGB 40 93 16

HSL 101.3, 0.71%, 0.21%

LAB 34.64, -32.38, 35.99

 

CMYK 49 / 0 / 68 / 56

HEX #396F23

RGB 57 111 35

HSL 102.63, 0.52%, 0.29%

LAB 41.78, -32.95, 35.6

 

CMYK 43 / 0 / 58 / 49

HEX #4A8136

RGB 74 129 54

HSL 104, 0.41%, 0.36%

LAB 48.79, -33.11, 34.53

 

CMYK 38 / 0 / 50 / 42

HEX #5B9349

RGB 91 147 73

HSL 105.41, 0.34%, 0.43%

LAB 55.66, -33.07, 33.27

 

CMYK 35 / 0 / 44 / 35

HEX #6CA55C

RGB 108 165 92

HSL 106.85, 0.29%, 0.5%

LAB 62.4, -32.94, 32

 

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

CMYK 76 / 0 / 97 / 71

HEX #124B02

RGB 18 75 2

HSL 106.85, 0.95%, 0.15%

LAB 27.2, -32.22, 33.91

 

CMYK 98 / 0 / 100 / 78

HEX #013900

RGB 1 57 0

HSL 118.95, 1%, 0.11%

LAB 19.77, -29.46, 27.11

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 42 / 0 / 78 / 64

HEX #355B14

RGB 53 91 20

HSL 92.11, 0.64%, 0.22%

LAB 34.58, -26.56, 34.61

 

CMYK 21 / 0 / 78 / 64

HEX #485B14

RGB 72 91 20

HSL 76.06, 0.64%, 0.22%

LAB 35.81, -18.44, 36.24

 

CMYK 0 / 0 / 78 / 64

HEX #5B5B14

RGB 91 91 20

HSL 60, 0.64%, 0.22%

LAB 37.4, -9.41, 38.32

 

CMYK 0 / 21 / 78 / 64

HEX #5B4814

RGB 91 72 20

HSL 43.94, 0.64%, 0.22%

LAB 31.6, 1.97, 32.68

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 78 / 0 / 71 / 64

HEX #145B1A

RGB 20 91 26

HSL 125.07, 0.64%, 0.22%

LAB 33.36, -35.77, 30.29

 

CMYK 78 / 0 / 51 / 64

HEX #145B2D

RGB 20 91 45

HSL 141.13, 0.64%, 0.22%

LAB 33.61, -32.89, 20.43

 

CMYK 78 / 0 / 30 / 64

HEX #145B40

RGB 20 91 64

HSL 157.18, 0.64%, 0.22%

LAB 33.99, -28.67, 9.51

 

CMYK 78 / 0 / 9 / 64

HEX #145B53

RGB 20 91 83

HSL 173.24, 0.64%, 0.22%

LAB 34.51, -23.26, -1.57

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 72 / 0 / 89 / 61

HEX #1C640B

RGB 28 100 11

HSL 108.54, 0.8%, 0.22%

LAB 36.72, -38.68, 39.38

 

CMYK 79 / 0 / 98 / 57

HEX #176D02

RGB 23 109 2

HSL 108.22, 0.96%, 0.22%

LAB 39.79, -43.25, 44.34

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 51 / 0 / 65 / 68

HEX #28521D

RGB 40 82 29

HSL 107.55, 0.48%, 0.22%

LAB 30.82, -26.24, 26.13

 

CMYK 38 / 0 / 48 / 71

HEX #2D4926

RGB 45 73 38

HSL 108, 0.32%, 0.22%

LAB 28.01, -18.53, 17.66

 

CMYK 20 / 0 / 27 / 75

HEX #33402F

RGB 51 64 47

HSL 105.88, 0.15%, 0.22%

LAB 25.49, -9.2, 8.7

 

CMYK 2 / 4 / 0 / 78

HEX #383739

RGB 56 55 57

HSL 270, 0.02%, 0.22%

LAB 23.23, 0.89, -1.1

 

CMYK 21 / 0 / 78 / 64

HEX #485B14

RGB 72 91 20

HSL 76.06, 0.64%, 0.22%

LAB 35.81, -18.44, 36.24

 

CMYK 42 / 0 / 78 / 64

HEX #355B14

RGB 53 91 20

HSL 92.11, 0.64%, 0.22%

LAB 34.58, -26.56, 34.61

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 78 / 0 / 73 / 64

HEX #145B19

RGB 20 91 25

HSL 124.23, 0.64%, 0.22%

LAB 33.35, -35.89, 30.75

 

CMYK 78 / 0 / 52 / 64

HEX #145B2C

RGB 20 91 44

HSL 140.28, 0.64%, 0.22%

LAB 33.59, -33.08, 20.99

 

CMYK 63 / 0 / 79 / 91

HEX #091805

RGB 9 24 5

HSL 107.37, 0.66%, 0.06%

LAB 6.52, -9.01, 7.55

 

CMYK 63 / 0 / 77 / 78

HEX #15390D

RGB 21 57 13

HSL 109.09, 0.63%, 0.14%

LAB 20.5, -22.94, 22.69

 

CMYK 63 / 0 / 78 / 64

HEX #225B14

RGB 34 91 20

HSL 108.17, 0.64%, 0.22%

LAB 33.72, -33.05, 33.46

 

CMYK 62 / 0 / 78 / 51

HEX #2F7D1C

RGB 47 125 28

HSL 108.25, 0.63%, 0.3%

LAB 46.12, -42.28, 42.89

 

CMYK 63 / 0 / 77 / 38

HEX #3B9E24

RGB 59 158 36

HSL 108.69, 0.63%, 0.38%

LAB 57.57, -50.88, 51.43

 

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

CMYK 78 / 0 / 0 / 64

HEX #145B5B

RGB 20 91 91

HSL 180, 0.64%, 0.22%

LAB 34.77, -20.68, -6.18

 

CMYK 0 / 78 / 31 / 64

HEX #5B143F

RGB 91 20 63

HSL 323.66, 0.64%, 0.22%

LAB 20.37, 36.16, -8.95

 

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

CMYK 78 / 63 / 0 / 64

HEX #14225B

RGB 20 34 91

HSL 228.17, 0.64%, 0.22%

LAB 15.74, 16.68, -35.96

 

CMYK 0 / 78 / 63 / 64

HEX #5B1422

RGB 91 20 34

HSL 348.17, 0.64%, 0.22%

LAB 19.39, 32.95, 10.02

 

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

CMYK 78 / 0 / 0 / 64

HEX #145B5B

RGB 20 91 91

HSL 180, 0.64%, 0.22%

LAB 34.77, -20.68, -6.18

 

CMYK 15 / 78 / 0 / 64

HEX #4D145B

RGB 77 20 91

HSL 288.17, 0.64%, 0.22%

LAB 19.36, 37.37, -29.77

 

CMYK 0 / 78 / 78 / 64

HEX #5B1414

RGB 91 20 20

HSL 0, 0.64%, 0.22%

LAB 19.12, 32.03, 19.37

 

CMYK 62 / 0 / 77 / 64

HEX #235D15

RGB 35 93 21

HSL 108.33, 0.63%, 0.22%

LAB 34.48, -33.5, 33.83

 

CMYK 78 / 23 / 0 / 64

HEX #14465B

RGB 20 70 91

HSL 197.75, 0.64%, 0.22%

LAB 27.53, -8.55, -17.21

 

CMYK 15 / 78 / 0 / 64

HEX #4D145B

RGB 77 20 91

HSL 288.17, 0.64%, 0.22%

LAB 19.36, 37.37, -29.77

 

CMYK 0 / 55 / 78 / 64

HEX #5B2914

RGB 91 41 20

HSL 17.75, 0.64%, 0.22%

LAB 23.2, 21.23, 23.95

 

Description

Color code: HEX #235D15 | qconv.com Color code: HEX #235D15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 93 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 93 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 77 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 77% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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