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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235380 it is the complementary color #DCAC7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235380 shade: #28537B, #39658E, #4A77A1, #5B89B4 and #6C9BC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235380 shade: #235380, #12416D, #012F5A, #001D47 and #000B34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235380 shade: #235380, #233A80, #252380, #3E2380 and #572380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235380 shade: #235380, #233A80 and #232380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235380 shade matches the following richer shades: #235380, #15538D and #08539A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235380 shade: #235380, #305272, #3D5265, #4A5158 and #57514B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235380 shade: #23807B, #236B80, #235380, #233A80 and #242380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235380 shade: #11293F, #1A3E5F, #235380, #2B68A0 and #347DC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235380 shade: #235380, #622380 and #788023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235380 shade: #235380, #802353 and #538023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235380 shade: #235380, #622380, #805023 and #408023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235380 shade: #235380, #7E2380, #805023 and #248023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

Complementary color

CMYK 0 / 22 / 42 / 14

HEX #DCAC7F

RGB 220 172 127

HSL 29.03, 0.57%, 0.68%

LAB 73.71, 11.77, 29.85

 

CMYK 67 / 33 / 0 / 52

HEX #28537B

RGB 40 83 123

HSL 208.92, 0.51%, 0.32%

LAB 34.12, -1.18, -27.08

 

CMYK 60 / 29 / 0 / 44

HEX #39658E

RGB 57 101 142

HSL 208.94, 0.43%, 0.39%

LAB 41.42, -2.21, -27.17

 

CMYK 54 / 26 / 0 / 37

HEX #4A77A1

RGB 74 119 161

HSL 208.97, 0.37%, 0.46%

LAB 48.54, -2.95, -27.29

 

CMYK 49 / 24 / 0 / 29

HEX #5B89B4

RGB 91 137 180

HSL 208.99, 0.37%, 0.53%

LAB 55.49, -3.52, -27.42

 

CMYK 46 / 22 / 0 / 22

HEX #6C9BC7

RGB 108 155 199

HSL 209.01, 0.45%, 0.6%

LAB 62.3, -3.96, -27.57

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 83 / 40 / 0 / 57

HEX #12416D

RGB 18 65 109

HSL 209.01, 0.72%, 0.25%

LAB 26.77, 1.73, -29.95

 

CMYK 99 / 48 / 0 / 65

HEX #012F5A

RGB 1 47 90

HSL 208.99, 0.98%, 0.18%

LAB 19.13, 4.36, -29.84

 

CMYK 100 / 59 / 0 / 72

HEX #001D47

RGB 0 29 71

HSL 215.49, 1%, 0.14%

LAB 11.51, 8.95, -29.25

 

CMYK 100 / 79 / 0 / 80

HEX #000B34

RGB 0 11 52

HSL 227.31, 1%, 0.1%

LAB 4.4, 11.32, -27.21

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 73 / 55 / 0 / 50

HEX #233A80

RGB 35 58 128

HSL 225.16, 0.57%, 0.32%

LAB 26.57, 16.73, -42.26

 

CMYK 71 / 73 / 0 / 50

HEX #252380

RGB 37 35 128

HSL 241.29, 0.57%, 0.32%

LAB 20.65, 32.57, -51.91

 

CMYK 52 / 73 / 0 / 50

HEX #3E2380

RGB 62 35 128

HSL 257.42, 0.57%, 0.32%

LAB 22.95, 36.43, -48.06

 

CMYK 32 / 73 / 0 / 50

HEX #572380

RGB 87 35 128

HSL 273.55, 0.57%, 0.32%

LAB 26.12, 41.42, -42.75

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 73 / 55 / 0 / 50

HEX #233A80

RGB 35 58 128

HSL 225.16, 0.57%, 0.32%

LAB 26.57, 16.73, -42.26

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 85 / 41 / 0 / 45

HEX #15538D

RGB 21 83 141

HSL 209, 0.74%, 0.32%

LAB 34.54, 3.19, -37.52

 

CMYK 95 / 46 / 0 / 40

HEX #08539A

RGB 8 83 154

HSL 209.18, 0.9%, 0.32%

LAB 35.15, 7.66, -44.44

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 58 / 28 / 0 / 55

HEX #305272

RGB 48 82 114

HSL 209.09, 0.41%, 0.32%

LAB 33.73, -2.06, -22.08

 

CMYK 40 / 19 / 0 / 60

HEX #3D5265

RGB 61 82 101

HSL 208.5, 0.25%, 0.32%

LAB 33.91, -2.69, -13.59

 

CMYK 16 / 8 / 0 / 65

HEX #4A5158

RGB 74 81 88

HSL 210, 0.09%, 0.32%

LAB 34.08, -1.12, -5.05

 

CMYK 0 / 7 / 14 / 66

HEX #57514B

RGB 87 81 75

HSL 30, 0.07%, 0.32%

LAB 34.84, 1.28, 4.41

 

CMYK 73 / 0 / 4 / 50

HEX #23807B

RGB 35 128 123

HSL 176.77, 0.57%, 0.32%

LAB 48.54, -27.46, -5.06

 

CMYK 73 / 16 / 0 / 50

HEX #236B80

RGB 35 107 128

HSL 193.55, 0.57%, 0.32%

LAB 41.89, -14.71, -18.08

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 73 / 55 / 0 / 50

HEX #233A80

RGB 35 58 128

HSL 225.16, 0.57%, 0.32%

LAB 26.57, 16.73, -42.26

 

CMYK 72 / 73 / 0 / 50

HEX #242380

RGB 36 35 128

HSL 240.65, 0.57%, 0.32%

LAB 20.58, 32.45, -52.03

 

CMYK 73 / 35 / 0 / 75

HEX #11293F

RGB 17 41 63

HSL 208.7, 0.58%, 0.16%

LAB 15.82, -0.95, -16.76

 

CMYK 73 / 35 / 0 / 63

HEX #1A3E5F

RGB 26 62 95

HSL 208.7, 0.57%, 0.24%

LAB 25.23, -0.76, -23.37

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 73 / 35 / 0 / 37

HEX #2B68A0

RGB 43 104 160

HSL 208.72, 0.58%, 0.4%

LAB 42.69, -0.13, -35.96

 

CMYK 73 / 35 / 0 / 25

HEX #347DC0

RGB 52 125 192

HSL 208.71, 0.57%, 0.48%

LAB 50.92, 0.06, -41.56

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 23 / 73 / 0 / 50

HEX #622380

RGB 98 35 128

HSL 280.65, 0.57%, 0.32%

LAB 27.73, 43.83, -40.07

 

CMYK 6 / 0 / 73 / 50

HEX #788023

RGB 120 128 35

HSL 65.16, 0.57%, 0.32%

LAB 51.33, -15.47, 46.77

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 0 / 73 / 35 / 50

HEX #802353

RGB 128 35 83

HSL 329.03, 0.57%, 0.32%

LAB 30.44, 43.97, -6.53

 

CMYK 35 / 0 / 73 / 50

HEX #538023

RGB 83 128 35

HSL 89.03, 0.57%, 0.32%

LAB 48.76, -31.19, 43.35

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 23 / 73 / 0 / 50

HEX #622380

RGB 98 35 128

HSL 280.65, 0.57%, 0.32%

LAB 27.73, 43.83, -40.07

 

CMYK 0 / 38 / 73 / 50

HEX #805023

RGB 128 80 35

HSL 29.03, 0.57%, 0.32%

LAB 38.63, 15.85, 33.99

 

CMYK 50 / 0 / 73 / 50

HEX #408023

RGB 64 128 35

HSL 101.29, 0.57%, 0.32%

LAB 47.82, -37.95, 42.08

 

CMYK 73 / 35 / 0 / 50

HEX #235380

RGB 35 83 128

HSL 209.03, 0.57%, 0.32%

LAB 34.2, -0.17, -30.07

 

CMYK 2 / 73 / 0 / 50

HEX #7E2380

RGB 126 35 128

HSL 298.71, 0.57%, 0.32%

LAB 32.25, 50.31, -32.59

 

CMYK 0 / 38 / 73 / 50

HEX #805023

RGB 128 80 35

HSL 29.03, 0.57%, 0.32%

LAB 38.63, 15.85, 33.99

 

CMYK 72 / 0 / 73 / 50

HEX #248023

RGB 36 128 35

HSL 119.35, 0.57%, 0.32%

LAB 46.89, -45.3, 40.83

 

Description

Color code: HEX #235380 | qconv.com Color code: HEX #235380 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 83 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 83 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 35 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 35% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Program Pendidikan d...
Link: http://www.bankbjb.co.id

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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