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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235146 it is the complementary color #DCAEB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235146 shade: #285141, #396354, #4A7567, #5B877A and #6C998D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235146 shade: #235146, #123F33, #012D20, #001B0D and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235146 shade: #235246, #23523A, #23522D, #255223 and #325223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235146 shade: #235246, #235052, #234452, #233752 and #232A52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235146 shade matches the following richer shades: #235246, #195B4B, #106550 and #066E55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235146 shade: #235246, #2C4841, #363F3C, #3F3538 and #492C33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235146 shade: #23522D, #235239, #235246, #235152 and #234452

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235146 shade: #0A1815, #16352D, #235246, #2F6E5F and #3B8B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235146 shade: #235146, #232552 and #523323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235146 shade: #235146, #462352 and #524623

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235146 shade: #235146, #232552, #52232E and #524F23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235146 shade: #235146, #2E2352, #52232E and #465223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

Complementary color

CMYK 0 / 21 / 16 / 14

HEX #DCAEB9

RGB 220 174 185

HSL 345.65, 0.4%, 0.77%

LAB 75.45, 18.44, 0.79

 

CMYK 51 / 0 / 20 / 68

HEX #285141

RGB 40 81 65

HSL 156.59, 0.34%, 0.24%

LAB 31.16, -18.8, 5

 

CMYK 42 / 0 / 15 / 61

HEX #396354

RGB 57 99 84

HSL 158.57, 0.27%, 0.31%

LAB 38.61, -18.58, 3.94

 

CMYK 37 / 0 / 12 / 54

HEX #4A7567

RGB 74 117 103

HSL 160.47, 0.23%, 0.37%

LAB 45.85, -18.34, 3.01

 

CMYK 33 / 0 / 10 / 47

HEX #5B877A

RGB 91 135 122

HSL 162.27, 0.19%, 0.44%

LAB 52.9, -18.12, 2.18

 

CMYK 29 / 0 / 8 / 40

HEX #6C998D

RGB 108 153 141

HSL 164, 0.18%, 0.51%

LAB 59.79, -17.92, 1.4

 

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

CMYK 71 / 0 / 19 / 75

HEX #123F33

RGB 18 63 51

HSL 164, 0.56%, 0.16%

LAB 23.41, -18.76, 2.88

 

CMYK 98 / 0 / 29 / 82

HEX #012D20

RGB 1 45 32

HSL 162.27, 0.96%, 0.09%

LAB 15.42, -18.64, 4.32

 

CMYK 100 / 0 / 52 / 89

HEX #001B0D

RGB 0 27 13

HSL 148.89, 1%, 0.05%

LAB 7.34, -12.62, 5.32

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 57 / 0 / 29 / 68

HEX #23523A

RGB 35 82 58

HSL 149.36, 0.4%, 0.23%

LAB 31.11, -22.52, 9.32

 

CMYK 57 / 0 / 45 / 68

HEX #23522D

RGB 35 82 45

HSL 132.77, 0.4%, 0.23%

LAB 30.83, -25.33, 16.96

 

CMYK 55 / 0 / 57 / 68

HEX #255223

RGB 37 82 35

HSL 117.45, 0.4%, 0.23%

LAB 30.76, -26.42, 22.74

 

CMYK 39 / 0 / 57 / 68

HEX #325223

RGB 50 82 35

HSL 100.85, 0.4%, 0.23%

LAB 31.43, -21.74, 23.7

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 57 / 2 / 0 / 68

HEX #235052

RGB 35 80 82

HSL 182.55, 0.4%, 0.23%

LAB 31.12, -14.72, -5.9

 

CMYK 57 / 17 / 0 / 68

HEX #234452

RGB 35 68 82

HSL 197.87, 0.4%, 0.23%

LAB 27.02, -7.5, -12.11

 

CMYK 57 / 33 / 0 / 68

HEX #233752

RGB 35 55 82

HSL 214.47, 0.4%, 0.23%

LAB 22.65, 1.05, -18.87

 

CMYK 57 / 49 / 0 / 68

HEX #232A52

RGB 35 42 82

HSL 231.06, 0.4%, 0.23%

LAB 18.46, 10.24, -25.48

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 73 / 0 / 18 / 64

HEX #195B4B

RGB 25 91 75

HSL 165.45, 0.57%, 0.23%

LAB 34.39, -24.84, 3.27

 

CMYK 84 / 0 / 21 / 60

HEX #106550

RGB 16 101 80

HSL 165.18, 0.73%, 0.23%

LAB 37.84, -29.54, 5.1

 

CMYK 95 / 0 / 23 / 57

HEX #066E55

RGB 6 110 85

HSL 165.58, 0.9%, 0.23%

LAB 40.97, -33.12, 6.52

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 39 / 0 / 10 / 72

HEX #2C4841

RGB 44 72 65

HSL 165, 0.24%, 0.23%

LAB 28.25, -12.44, 0.85

 

CMYK 14 / 0 / 5 / 75

HEX #363F3C

RGB 54 63 60

HSL 160, 0.08%, 0.23%

LAB 25.76, -4.44, 0.58

 

CMYK 0 / 16 / 11 / 75

HEX #3F3538

RGB 63 53 56

HSL 342, 0.09%, 0.23%

LAB 23.3, 5.06, -0.24

 

CMYK 0 / 40 / 30 / 71

HEX #492C33

RGB 73 44 51

HSL 345.52, 0.25%, 0.23%

LAB 21.79, 14.53, 1.11

 

CMYK 57 / 0 / 45 / 68

HEX #23522D

RGB 35 82 45

HSL 132.77, 0.4%, 0.23%

LAB 30.83, -25.33, 16.96

 

CMYK 57 / 0 / 30 / 68

HEX #235239

RGB 35 82 57

HSL 148.09, 0.4%, 0.23%

LAB 31.08, -22.75, 9.91

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 57 / 1 / 0 / 68

HEX #235152

RGB 35 81 82

HSL 181.28, 0.4%, 0.23%

LAB 31.47, -15.29, -5.39

 

CMYK 57 / 17 / 0 / 68

HEX #234452

RGB 35 68 82

HSL 197.87, 0.4%, 0.23%

LAB 27.02, -7.5, -12.11

 

CMYK 58 / 0 / 13 / 91

HEX #0A1815

RGB 10 24 21

HSL 167.14, 0.41%, 0.07%

LAB 6.97, -6, 0.19

 

CMYK 58 / 0 / 15 / 79

HEX #16352D

RGB 22 53 45

HSL 164.52, 0.41%, 0.15%

LAB 19.66, -13.92, 1.53

 

CMYK 57 / 0 / 15 / 68

HEX #235246

RGB 35 82 70

HSL 164.68, 0.4%, 0.23%

LAB 31.43, -19.4, 2.19

 

CMYK 57 / 0 / 14 / 57

HEX #2F6E5F

RGB 47 110 95

HSL 165.71, 0.4%, 0.31%

LAB 42.13, -24.23, 2.27

 

CMYK 58 / 0 / 14 / 45

HEX #3B8B78

RGB 59 139 120

HSL 165.75, 0.4%, 0.39%

LAB 52.68, -29.3, 2.83

 

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

CMYK 57 / 55 / 0 / 68

HEX #232552

RGB 35 37 82

HSL 237.45, 0.4%, 0.23%

LAB 16.94, 13.86, -27.92

 

CMYK 0 / 38 / 57 / 68

HEX #523323

RGB 82 51 35

HSL 20.43, 0.4%, 0.23%

LAB 24.59, 12, 15.88

 

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

CMYK 15 / 57 / 0 / 68

HEX #462352

RGB 70 35 82

HSL 284.68, 0.4%, 0.23%

LAB 20.49, 25.57, -22.01

 

CMYK 0 / 15 / 57 / 68

HEX #524623

RGB 82 70 35

HSL 44.68, 0.4%, 0.23%

LAB 30.15, -0.12, 22.79

 

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

CMYK 57 / 55 / 0 / 68

HEX #232552

RGB 35 37 82

HSL 237.45, 0.4%, 0.23%

LAB 16.94, 13.86, -27.92

 

CMYK 0 / 57 / 44 / 68

HEX #52232E

RGB 82 35 46

HSL 345.96, 0.4%, 0.23%

LAB 20.8, 23.24, 3.31

 

CMYK 0 / 4 / 57 / 68

HEX #524F23

RGB 82 79 35

HSL 56.17, 0.4%, 0.23%

LAB 32.93, -5.63, 26.1

 

CMYK 57 / 0 / 14 / 68

HEX #235146

RGB 35 81 70

HSL 165.65, 0.4%, 0.23%

LAB 31.08, -18.86, 1.68

 

CMYK 44 / 57 / 0 / 68

HEX #2E2352

RGB 46 35 82

HSL 254.04, 0.4%, 0.23%

LAB 17.42, 18.23, -27.08

 

CMYK 0 / 57 / 44 / 68

HEX #52232E

RGB 82 35 46

HSL 345.96, 0.4%, 0.23%

LAB 20.8, 23.24, 3.31

 

CMYK 15 / 0 / 57 / 68

HEX #465223

RGB 70 82 35

HSL 75.32, 0.4%, 0.23%

LAB 32.83, -13.09, 25.71

 

Description

Color code: HEX #235146 | qconv.com Color code: HEX #235146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 81 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 81 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 14 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 14% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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