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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22C570 it is the complementary color #DD3A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22C570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22C570 shade: #27C56B, #38D77E, #49E991, #5AFBA4 and #6BFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22C570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22C570 shade: #22C570, #11B35D, #00A14A, #008F37 and #007D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22C570 shade: #21C46F, #21C443, #2BC421, #57C421 and #83C421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22C570 shade: #21C46F, #21C49B, #21C1C4, #2195C4 and #2169C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22C570 shade matches the following richer shades: #21C46F and #0ED66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22C570 shade: #21C46F, #33B170, #469F70, #588C71 and #6B7972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22C570 shade: #2CC421, #21C441, #21C46D, #21C498 and #21C4C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22C570 shade: #157D47, #1BA05B, #21C46F, #32DC83 and #55E298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22C570 shade: #22C570, #2157C4 and #C42C21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22C570 shade: #22C570, #6D21C4 and #C46D21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22C570 shade: #22C570, #2157C4, #C42178 and #C48D21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22C570 shade: #22C570, #2126C4, #C42178 and #C4BE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

Complementary color

CMYK 0 / 74 / 35 / 13

HEX #DD3A8F

RGB 221 58 143

HSL 328.71, 0.71%, 0.55%

LAB 52.27, 68.48, -9.5

 

CMYK 80 / 0 / 46 / 23

HEX #27C56B

RGB 39 197 107

HSL 145.82, 0.67%, 0.46%

LAB 70.47, -59.1, 34.15

 

CMYK 74 / 0 / 41 / 16

HEX #38D77E

RGB 56 215 126

HSL 146.42, 0.67%, 0.53%

LAB 76.65, -60.06, 32.54

 

CMYK 69 / 0 / 38 / 9

HEX #49E991

RGB 73 233 145

HSL 147, 0.78%, 0.6%

LAB 82.77, -60.68, 31.04

 

CMYK 64 / 0 / 35 / 2

HEX #5AFBA4

RGB 90 251 164

HSL 147.58, 0.95%, 0.67%

LAB 88.85, -61.05, 29.65

 

CMYK 58 / 0 / 28 / 0

HEX #6BFFB7

RGB 107 255 183

HSL 150.81, 1%, 0.71%

LAB 90.81, -55.76, 22.76

 

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

CMYK 91 / 0 / 48 / 30

HEX #11B35D

RGB 17 179 93

HSL 148.15, 0.83%, 0.38%

LAB 64.28, -57.18, 33.34

 

CMYK 100 / 0 / 54 / 37

HEX #00A14A

RGB 0 161 74

HSL 147.58, 1%, 0.32%

LAB 58.02, -55.12, 35.17

 

CMYK 100 / 0 / 62 / 44

HEX #008F37

RGB 0 143 55

HSL 143.08, 1%, 0.28%

LAB 51.75, -52.01, 37.05

 

CMYK 100 / 0 / 71 / 51

HEX #007D24

RGB 0 125 36

HSL 137.28, 1%, 0.25%

LAB 45.35, -48.55, 38.63

 

CMYK 83 / 0 / 43 / 23

HEX #21C46F

RGB 33 196 111

HSL 148.71, 0.71%, 0.45%

LAB 70.14, -58.66, 31.66

 

CMYK 83 / 0 / 66 / 23

HEX #21C443

RGB 33 196 67

HSL 132.52, 0.71%, 0.45%

LAB 69.62, -64.96, 51.88

 

CMYK 78 / 0 / 83 / 23

HEX #2BC421

RGB 43 196 33

HSL 116.32, 0.71%, 0.45%

LAB 69.54, -66.4, 63.47

 

CMYK 56 / 0 / 83 / 23

HEX #57C421

RGB 87 196 33

HSL 100.12, 0.71%, 0.45%

LAB 70.61, -57.51, 64.83

 

CMYK 33 / 0 / 83 / 23

HEX #83C421

RGB 131 196 33

HSL 83.93, 0.71%, 0.45%

LAB 72.5, -43.44, 67.24

 

CMYK 83 / 0 / 43 / 23

HEX #21C46F

RGB 33 196 111

HSL 148.71, 0.71%, 0.45%

LAB 70.14, -58.66, 31.66

 

CMYK 83 / 0 / 21 / 23

HEX #21C49B

RGB 33 196 155

HSL 164.91, 0.71%, 0.45%

LAB 70.99, -49.2, 9.46

 

CMYK 83 / 2 / 0 / 23

HEX #21C1C4

RGB 33 193 196

HSL 181.1, 0.71%, 0.45%

LAB 71.18, -36.63, -12.61

 

CMYK 83 / 24 / 0 / 23

HEX #2195C4

RGB 33 149 196

HSL 197.3, 0.71%, 0.45%

LAB 57.85, -14.43, -32.99

 

CMYK 83 / 46 / 0 / 23

HEX #2169C4

RGB 33 105 196

HSL 213.5, 0.71%, 0.45%

LAB 44.82, 11.86, -53.63

 

CMYK 83 / 0 / 43 / 23

HEX #21C46F

RGB 33 196 111

HSL 148.71, 0.71%, 0.45%

LAB 70.14, -58.66, 31.66

 

CMYK 93 / 0 / 49 / 16

HEX #0ED66E

RGB 14 214 110

HSL 148.8, 0.88%, 0.45%

LAB 75.65, -66.17, 39.17

 

CMYK 83 / 0 / 43 / 23

HEX #21C46F

RGB 33 196 111

HSL 148.71, 0.71%, 0.45%

LAB 70.14, -58.66, 31.66

 

CMYK 71 / 0 / 37 / 31

HEX #33B170

RGB 51 177 112

HSL 149.05, 0.55%, 0.45%

LAB 64.42, -49.17, 23.64

 

CMYK 56 / 0 / 30 / 38

HEX #469F70

RGB 70 159 112

HSL 148.31, 0.39%, 0.45%

LAB 59.22, -37.91, 16.67

 

CMYK 37 / 0 / 19 / 45

HEX #588C71

RGB 88 140 113

HSL 148.85, 0.23%, 0.45%

LAB 54.05, -23.68, 9

 

CMYK 12 / 0 / 6 / 53

HEX #6B7972

RGB 107 121 114

HSL 150, 0.06%, 0.45%

LAB 49.51, -6.67, 2.07

 

CMYK 78 / 0 / 83 / 23

HEX #2CC421

RGB 44 196 33

HSL 115.95, 0.71%, 0.45%

LAB 69.56, -66.26, 63.49

 

CMYK 83 / 0 / 67 / 23

HEX #21C441

RGB 33 196 65

HSL 131.78, 0.71%, 0.45%

LAB 69.6, -65.16, 52.68

 

CMYK 83 / 0 / 44 / 23

HEX #21C46D

RGB 33 196 109

HSL 147.98, 0.71%, 0.45%

LAB 70.11, -59.02, 32.65

 

CMYK 83 / 0 / 22 / 23

HEX #21C498

RGB 33 196 152

HSL 163.8, 0.71%, 0.45%

LAB 70.92, -49.93, 10.99

 

CMYK 83 / 0 / 0 / 23

HEX #21C4C4

RGB 33 196 196

HSL 180, 0.71%, 0.45%

LAB 72.09, -38.01, -11.25

 

CMYK 83 / 0 / 43 / 51

HEX #157D47

RGB 21 125 71

HSL 148.85, 0.71%, 0.29%

LAB 46.02, -41.29, 21.62

 

CMYK 83 / 0 / 43 / 37

HEX #1BA05B

RGB 27 160 91

HSL 148.87, 0.71%, 0.37%

LAB 58.16, -49.99, 26.55

 

CMYK 83 / 0 / 43 / 23

HEX #21C46F

RGB 33 196 111

HSL 148.71, 0.71%, 0.45%

LAB 70.14, -58.66, 31.66

 

CMYK 77 / 0 / 40 / 14

HEX #32DC83

RGB 50 220 131

HSL 148.59, 0.71%, 0.53%

LAB 78.17, -61.72, 31.98

 

CMYK 62 / 0 / 33 / 11

HEX #55E298

RGB 85 226 152

HSL 148.51, 0.71%, 0.61%

LAB 81.07, -54.59, 25.22

 

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

CMYK 83 / 56 / 0 / 23

HEX #2157C4

RGB 33 87 196

HSL 220.12, 0.71%, 0.45%

LAB 39.79, 23.58, -61.76

 

CMYK 0 / 78 / 83 / 23

HEX #C42C21

RGB 196 44 33

HSL 4.05, 0.71%, 0.45%

LAB 43.72, 58.34, 43.86

 

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

CMYK 44 / 83 / 0 / 23

HEX #6D21C4

RGB 109 33 196

HSL 267.98, 0.71%, 0.45%

LAB 34.65, 62.37, -69.95

 

CMYK 0 / 44 / 83 / 23

HEX #C46D21

RGB 196 109 33

HSL 27.98, 0.71%, 0.45%

LAB 54.85, 29.31, 53.87

 

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

CMYK 83 / 56 / 0 / 23

HEX #2157C4

RGB 33 87 196

HSL 220.12, 0.71%, 0.45%

LAB 39.79, 23.58, -61.76

 

CMYK 0 / 83 / 39 / 23

HEX #C42178

RGB 196 33 120

HSL 327.98, 0.71%, 0.45%

LAB 44.49, 66.73, -7.66

 

CMYK 0 / 28 / 83 / 23

HEX #C48D21

RGB 196 141 33

HSL 39.75, 0.71%, 0.45%

LAB 62.42, 11.85, 60.45

 

CMYK 83 / 0 / 43 / 23

HEX #22C570

RGB 34 197 112

HSL 148.71, 0.71%, 0.45%

LAB 70.48, -58.73, 31.6

 

CMYK 83 / 81 / 0 / 23

HEX #2126C4

RGB 33 38 196

HSL 238.16, 0.71%, 0.45%

LAB 28.63, 53.37, -80.11

 

CMYK 0 / 83 / 39 / 23

HEX #C42178

RGB 196 33 120

HSL 327.98, 0.71%, 0.45%

LAB 44.49, 66.73, -7.66

 

CMYK 0 / 3 / 83 / 23

HEX #C4BE21

RGB 196 190 33

HSL 57.79, 0.71%, 0.45%

LAB 75.25, -14.13, 71.35

 

Description

Color code: HEX #22C570 | qconv.com Color code: HEX #22C570 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 197 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 197 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 43 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 43% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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