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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #229E24 it is the complementary color #DD61DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #229E24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #229E24 shade: #279E1F, #38B032, #49C245, #5AD458 and #6BE66B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #229E24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #229E24 shade: #229E24, #118C11, #007A00, #006800 and #005600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #229E24 shade: #219F23, #419F21, #639F21, #859F21 and #9F9821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #229E24 shade: #219F23, #219F45, #219F67, #219F89 and #21939F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #229E24 shade matches the following richer shades: #219F23, #12AF14 and #02BF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #229E24 shade: #219F23, #319033, #418042, #507051 and #606160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #229E24 shade: #659F21, #439F21, #219F21, #219F43 and #219F65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #229E24 shade: #135B14, #1A7D1C, #219F23, #29C12B and #3ED640

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #229E24 shade: #229E24, #21869F and #9F2154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #229E24 shade: #229E24, #21219F and #9F2121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #229E24 shade: #229E24, #21869F, #9F219F and #9F3B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #229E24 shade: #229E24, #21609F, #9F219F and #9F6021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

Complementary color

CMYK 0 / 56 / 1 / 13

HEX #DD61DB

RGB 221 97 219

HSL 300.97, 0.65%, 0.62%

LAB 60.81, 63.96, -40.3

 

CMYK 75 / 0 / 80 / 38

HEX #279E1F

RGB 39 158 31

HSL 116.22, 0.67%, 0.37%

LAB 57.06, -55.26, 52.41

 

CMYK 68 / 0 / 72 / 31

HEX #38B032

RGB 56 176 50

HSL 117.14, 0.56%, 0.44%

LAB 63.44, -56.73, 52.23

 

CMYK 62 / 0 / 64 / 24

HEX #49C245

RGB 73 194 69

HSL 118.08, 0.51%, 0.52%

LAB 69.77, -57.63, 51.43

 

CMYK 58 / 0 / 58 / 17

HEX #5AD458

RGB 90 212 88

HSL 119.03, 0.59%, 0.59%

LAB 76.05, -58.15, 50.34

 

CMYK 53 / 0 / 53 / 10

HEX #6BE66B

RGB 107 230 107

HSL 120, 0.71%, 0.66%

LAB 82.26, -58.41, 49.12

 

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

CMYK 88 / 0 / 88 / 45

HEX #118C11

RGB 17 140 17

HSL 120, 0.78%, 0.31%

LAB 50.59, -53.28, 50.21

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 79 / 0 / 78 / 38

HEX #219F23

RGB 33 159 35

HSL 120.95, 0.66%, 0.38%

LAB 57.31, -56.22, 51.32

 

CMYK 59 / 0 / 79 / 38

HEX #419F21

RGB 65 159 33

HSL 104.76, 0.66%, 0.38%

LAB 58.07, -49.93, 52.97

 

CMYK 38 / 0 / 79 / 38

HEX #639F21

RGB 99 159 33

HSL 88.57, 0.66%, 0.38%

LAB 59.49, -39.22, 54.82

 

CMYK 16 / 0 / 79 / 38

HEX #859F21

RGB 133 159 33

HSL 72.38, 0.66%, 0.38%

LAB 61.56, -25.72, 57.49

 

CMYK 0 / 4 / 79 / 38

HEX #9F9821

RGB 159 152 33

HSL 56.67, 0.66%, 0.38%

LAB 61.6, -10.74, 58.29

 

CMYK 79 / 0 / 78 / 38

HEX #219F23

RGB 33 159 35

HSL 120.95, 0.66%, 0.38%

LAB 57.31, -56.22, 51.32

 

CMYK 79 / 0 / 57 / 38

HEX #219F45

RGB 33 159 69

HSL 137.14, 0.66%, 0.38%

LAB 57.61, -52.59, 37.22

 

CMYK 79 / 0 / 35 / 38

HEX #219F67

RGB 33 159 103

HSL 153.33, 0.66%, 0.38%

LAB 58.13, -46.51, 20

 

CMYK 79 / 0 / 14 / 38

HEX #219F89

RGB 33 159 137

HSL 169.52, 0.66%, 0.38%

LAB 58.91, -38.2, 2.06

 

CMYK 79 / 8 / 0 / 38

HEX #21939F

RGB 33 147 159

HSL 185.71, 0.66%, 0.38%

LAB 55.78, -25.93, -15.13

 

CMYK 79 / 0 / 78 / 38

HEX #219F23

RGB 33 159 35

HSL 120.95, 0.66%, 0.38%

LAB 57.31, -56.22, 51.32

 

CMYK 90 / 0 / 89 / 31

HEX #12AF14

RGB 18 175 20

HSL 120.76, 0.81%, 0.38%

LAB 62.37, -63.43, 59.93

 

CMYK 99 / 0 / 97 / 25

HEX #02BF05

RGB 2 191 5

HSL 120.95, 0.98%, 0.38%

LAB 67.49, -69.15, 66.37

 

CMYK 79 / 0 / 78 / 38

HEX #219F23

RGB 33 159 35

HSL 120.95, 0.66%, 0.38%

LAB 57.31, -56.22, 51.32

 

CMYK 66 / 0 / 65 / 44

HEX #319033

RGB 49 144 51

HSL 121.26, 0.49%, 0.38%

LAB 52.77, -46.74, 40.29

 

CMYK 49 / 0 / 48 / 50

HEX #418042

RGB 65 128 66

HSL 120.95, 0.33%, 0.38%

LAB 48.2, -33.95, 27.44

 

CMYK 29 / 0 / 28 / 56

HEX #507051

RGB 80 112 81

HSL 121.88, 0.17%, 0.38%

LAB 44.07, -18.35, 13.62

 

CMYK 1 / 0 / 1 / 62

HEX #606160

RGB 96 97 96

HSL 120, 0.01%, 0.38%

LAB 41.03, -0.6, 0.43

 

CMYK 36 / 0 / 79 / 38

HEX #659F21

RGB 101 159 33

HSL 87.62, 0.66%, 0.38%

LAB 59.59, -38.49, 54.95

 

CMYK 58 / 0 / 79 / 38

HEX #439F21

RGB 67 159 33

HSL 103.81, 0.66%, 0.38%

LAB 58.13, -49.41, 53.05

 

CMYK 79 / 0 / 79 / 38

HEX #219F21

RGB 33 159 33

HSL 120, 0.66%, 0.38%

LAB 57.3, -56.36, 51.97

 

CMYK 79 / 0 / 58 / 38

HEX #219F43

RGB 33 159 67

HSL 136.19, 0.66%, 0.38%

LAB 57.58, -52.87, 38.17

 

CMYK 79 / 0 / 36 / 38

HEX #219F65

RGB 33 159 101

HSL 152.38, 0.66%, 0.38%

LAB 58.09, -46.94, 21.05

 

CMYK 79 / 0 / 78 / 64

HEX #135B14

RGB 19 91 20

HSL 120.83, 0.65%, 0.22%

LAB 33.29, -36.58, 32.88

 

CMYK 79 / 0 / 78 / 51

HEX #1A7D1C

RGB 26 125 28

HSL 121.21, 0.66%, 0.3%

LAB 45.59, -46.65, 42.19

 

CMYK 79 / 0 / 78 / 38

HEX #219F23

RGB 33 159 35

HSL 120.95, 0.66%, 0.38%

LAB 57.31, -56.22, 51.32

 

CMYK 79 / 0 / 78 / 24

HEX #29C12B

RGB 41 193 43

HSL 120.79, 0.65%, 0.46%

LAB 68.6, -65.17, 59.73

 

CMYK 71 / 0 / 70 / 16

HEX #3ED640

RGB 62 214 64

HSL 120.79, 0.65%, 0.54%

LAB 75.75, -66.97, 59.76

 

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

CMYK 79 / 16 / 0 / 38

HEX #21869F

RGB 33 134 159

HSL 191.9, 0.66%, 0.38%

LAB 51.7, -19.16, -21.35

 

CMYK 0 / 79 / 47 / 38

HEX #9F2154

RGB 159 33 84

HSL 335.71, 0.66%, 0.38%

LAB 36.17, 53.71, 1.95

 

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

CMYK 79 / 79 / 0 / 38

HEX #21219F

RGB 33 33 159

HSL 240, 0.66%, 0.38%

LAB 23.39, 44.01, -66.66

 

CMYK 0 / 79 / 79 / 38

HEX #9F2121

RGB 159 33 33

HSL 0, 0.66%, 0.38%

LAB 35.14, 50.47, 32.92

 

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

CMYK 79 / 16 / 0 / 38

HEX #21869F

RGB 33 134 159

HSL 191.9, 0.66%, 0.38%

LAB 51.7, -19.16, -21.35

 

CMYK 0 / 79 / 0 / 38

HEX #9F219F

RGB 159 33 159

HSL 300, 0.66%, 0.38%

LAB 39.52, 63.46, -39.71

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 78 / 0 / 77 / 38

HEX #229E24

RGB 34 158 36

HSL 120.97, 0.65%, 0.38%

LAB 57, -55.69, 50.68

 

CMYK 79 / 40 / 0 / 38

HEX #21609F

RGB 33 96 159

HSL 210, 0.66%, 0.38%

LAB 39.9, 3.2, -39.8

 

CMYK 0 / 79 / 0 / 38

HEX #9F219F

RGB 159 33 159

HSL 300, 0.66%, 0.38%

LAB 39.52, 63.46, -39.71

 

CMYK 0 / 40 / 79 / 38

HEX #9F6021

RGB 159 96 33

HSL 30, 0.66%, 0.38%

LAB 46.77, 20.52, 44.58

 

Description

Color code: HEX #229E24 | qconv.com Color code: HEX #229E24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 158 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 158 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 77 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 77% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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