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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #229284 it is the complementary color #DD6D7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #229284. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #229284 shade: #27927F, #38A492, #49B6A5, #5AC8B8 and #6BDACB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #229284. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #229284 shade: #229284, #118071, #006E5E, #005C4B and #004A38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #229284 shade: #219082, #219064, #219047, #219029 and #389021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #229284 shade: #219082, #218090, #216290, #214490 and #212790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #229284 shade matches the following richer shades: #219082, #139F8D and #05AD98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #229284 shade: #219082, #308277, #3E736D, #4D6562 and #5B5657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #229284 shade: #219046, #219064, #219081, #218190 and #216490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #229284 shade: #124D46, #1A6F64, #219082, #29B2A0 and #35CFBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #229284 shade: #229284, #292190 and #905521

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #229284 shade: #229284, #812190 and #908121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #229284 shade: #229284, #292190, #902130 and #899021

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #229284 shade: #229284, #4A2190, #902130 and #689021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

Complementary color

CMYK 0 / 51 / 44 / 13

HEX #DD6D7B

RGB 221 109 123

HSL 352.5, 0.62%, 0.65%

LAB 59.65, 45.02, 13

 

CMYK 73 / 0 / 13 / 43

HEX #27927F

RGB 39 146 127

HSL 169.35, 0.58%, 0.36%

LAB 54.58, -34.33, 1.48

 

CMYK 66 / 0 / 11 / 36

HEX #38A492

RGB 56 164 146

HSL 170, 0.49%, 0.43%

LAB 61.19, -34.86, 0.36

 

CMYK 60 / 0 / 9 / 29

HEX #49B6A5

RGB 73 182 165

HSL 170.64, 0.43%, 0.5%

LAB 67.72, -35.16, -0.63

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B8

RGB 90 200 184

HSL 171.27, 0.5%, 0.57%

LAB 74.15, -35.33, -1.53

 

CMYK 51 / 0 / 7 / 15

HEX #6BDACB

RGB 107 218 203

HSL 171.89, 0.6%, 0.64%

LAB 80.5, -35.39, -2.36

 

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

CMYK 87 / 0 / 12 / 50

HEX #118071

RGB 17 128 113

HSL 171.89, 0.77%, 0.28%

LAB 47.94, -32.47, -0.08

 

CMYK 100 / 0 / 15 / 57

HEX #006E5E

RGB 0 110 94

HSL 171.27, 1%, 0.22%

LAB 41.15, -30.97, 1.34

 

CMYK 100 / 0 / 18 / 64

HEX #005C4B

RGB 0 92 75

HSL 168.91, 1%, 0.18%

LAB 34.32, -28.34, 3.12

 

CMYK 100 / 0 / 24 / 71

HEX #004A38

RGB 0 74 56

HSL 165.41, 1%, 0.15%

LAB 27.25, -25.6, 5.04

 

CMYK 77 / 0 / 10 / 44

HEX #219082

RGB 33 144 130

HSL 172.43, 0.63%, 0.35%

LAB 53.9, -33.34, -1.25

 

CMYK 77 / 0 / 31 / 44

HEX #219064

RGB 33 144 100

HSL 156.22, 0.63%, 0.35%

LAB 53.16, -41.13, 14.88

 

CMYK 77 / 0 / 51 / 44

HEX #219047

RGB 33 144 71

HSL 140.54, 0.63%, 0.35%

LAB 52.65, -46.9, 30.14

 

CMYK 77 / 0 / 72 / 44

HEX #219029

RGB 33 144 41

HSL 124.32, 0.63%, 0.35%

LAB 52.32, -50.81, 44.03

 

CMYK 61 / 0 / 77 / 44

HEX #389021

RGB 56 144 33

HSL 107.57, 0.63%, 0.35%

LAB 52.84, -46.73, 47.81

 

CMYK 77 / 0 / 10 / 44

HEX #219082

RGB 33 144 130

HSL 172.43, 0.63%, 0.35%

LAB 53.9, -33.34, -1.25

 

CMYK 77 / 11 / 0 / 44

HEX #218090

RGB 33 128 144

HSL 188.65, 0.63%, 0.35%

LAB 49.22, -21.03, -16.39

 

CMYK 77 / 32 / 0 / 44

HEX #216290

RGB 33 98 144

HSL 204.86, 0.63%, 0.35%

LAB 39.7, -3.82, -31.14

 

CMYK 77 / 53 / 0 / 44

HEX #214490

RGB 33 68 144

HSL 221.08, 0.63%, 0.35%

LAB 30.57, 15.88, -45.71

 

CMYK 77 / 73 / 0 / 44

HEX #212790

RGB 33 39 144

HSL 236.76, 0.63%, 0.35%

LAB 22.96, 35.35, -58.14

 

CMYK 77 / 0 / 10 / 44

HEX #219082

RGB 33 144 130

HSL 172.43, 0.63%, 0.35%

LAB 53.9, -33.34, -1.25

 

CMYK 88 / 0 / 11 / 38

HEX #139F8D

RGB 19 159 141

HSL 172.29, 0.79%, 0.35%

LAB 58.84, -38.29, -0.32

 

CMYK 97 / 0 / 12 / 32

HEX #05AD98

RGB 5 173 152

HSL 172.5, 0.94%, 0.35%

LAB 63.5, -41.96, 0.28

 

CMYK 77 / 0 / 10 / 44

HEX #219082

RGB 33 144 130

HSL 172.43, 0.63%, 0.35%

LAB 53.9, -33.34, -1.25

 

CMYK 63 / 0 / 8 / 49

HEX #308277

RGB 48 130 119

HSL 171.95, 0.46%, 0.35%

LAB 49.41, -27.44, -1.4

 

CMYK 46 / 0 / 5 / 55

HEX #3E736D

RGB 62 115 109

HSL 173.21, 0.3%, 0.35%

LAB 44.79, -19.26, -2.19

 

CMYK 24 / 0 / 3 / 60

HEX #4D6562

RGB 77 101 98

HSL 172.5, 0.13%, 0.35%

LAB 40.84, -9.61, -1.24

 

CMYK 0 / 5 / 4 / 64

HEX #5B5657

RGB 91 86 87

HSL 348, 0.03%, 0.35%

LAB 37.06, 2.23, 0.14

 

CMYK 77 / 0 / 51 / 44

HEX #219046

RGB 33 144 70

HSL 140, 0.63%, 0.35%

LAB 52.63, -47.06, 30.65

 

CMYK 77 / 0 / 31 / 44

HEX #219064

RGB 33 144 100

HSL 156.22, 0.63%, 0.35%

LAB 53.16, -41.13, 14.88

 

CMYK 77 / 0 / 10 / 44

HEX #219081

RGB 33 144 129

HSL 171.89, 0.63%, 0.35%

LAB 53.87, -33.62, -0.71

 

CMYK 77 / 10 / 0 / 44

HEX #218190

RGB 33 129 144

HSL 188.11, 0.63%, 0.35%

LAB 49.54, -21.56, -15.91

 

CMYK 77 / 31 / 0 / 44

HEX #216490

RGB 33 100 144

HSL 203.78, 0.63%, 0.35%

LAB 40.33, -5.05, -30.15

 

CMYK 77 / 0 / 9 / 70

HEX #124D46

RGB 18 77 70

HSL 172.88, 0.62%, 0.19%

LAB 29.1, -20.37, -1.26

 

CMYK 77 / 0 / 10 / 56

HEX #1A6F64

RGB 26 111 100

HSL 172.24, 0.62%, 0.27%

LAB 42.01, -27.25, -0.99

 

CMYK 77 / 0 / 10 / 44

HEX #219082

RGB 33 144 130

HSL 172.43, 0.63%, 0.35%

LAB 53.9, -33.34, -1.25

 

CMYK 77 / 0 / 10 / 30

HEX #29B2A0

RGB 41 178 160

HSL 172.12, 0.63%, 0.43%

LAB 65.63, -39.47, -1

 

CMYK 74 / 0 / 9 / 19

HEX #35CFBC

RGB 53 207 188

HSL 172.6, 0.62%, 0.51%

LAB 75.46, -43.31, -1.89

 

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

CMYK 72 / 77 / 0 / 44

HEX #292190

RGB 41 33 144

HSL 244.32, 0.63%, 0.35%

LAB 22.21, 39.71, -59.36

 

CMYK 0 / 41 / 77 / 44

HEX #905521

RGB 144 85 33

HSL 28.11, 0.63%, 0.35%

LAB 42.06, 20.11, 39.25

 

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

CMYK 10 / 77 / 0 / 44

HEX #812190

RGB 129 33 144

HSL 291.89, 0.63%, 0.35%

LAB 33.5, 54.62, -40.49

 

CMYK 0 / 10 / 77 / 44

HEX #908121

RGB 144 129 33

HSL 51.89, 0.63%, 0.35%

LAB 53.75, -5.11, 50.6

 

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

CMYK 72 / 77 / 0 / 44

HEX #292190

RGB 41 33 144

HSL 244.32, 0.63%, 0.35%

LAB 22.21, 39.71, -59.36

 

CMYK 0 / 77 / 67 / 44

HEX #902130

RGB 144 33 48

HSL 351.89, 0.63%, 0.35%

LAB 32.33, 46.5, 19.55

 

CMYK 5 / 0 / 77 / 44

HEX #899021

RGB 137 144 33

HSL 63.78, 0.63%, 0.35%

LAB 57.44, -16.38, 53.81

 

CMYK 77 / 0 / 10 / 43

HEX #229284

RGB 34 146 132

HSL 172.5, 0.62%, 0.35%

LAB 54.62, -33.58, -1.34

 

CMYK 49 / 77 / 0 / 44

HEX #4A2190

RGB 74 33 144

HSL 262.16, 0.63%, 0.35%

LAB 25.43, 44.14, -53.94

 

CMYK 0 / 77 / 67 / 44

HEX #902130

RGB 144 33 48

HSL 351.89, 0.63%, 0.35%

LAB 32.33, 46.5, 19.55

 

CMYK 28 / 0 / 77 / 44

HEX #689021

RGB 104 144 33

HSL 81.62, 0.63%, 0.35%

LAB 55.07, -30.52, 50.74

 

Description

Color code: HEX #229284 | qconv.com Color code: HEX #229284 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 146 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 146 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 10 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 10% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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