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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #229689 it is the complementary color #DD6976. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #229689. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #229689 shade: #279684, #38A897, #49BAAA, #5ACCBD and #6BDED0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #229689. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #229689 shade: #229689, #118476, #007263, #006050 and #004E3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #229689 shade: #219588, #219569, #21954A, #21952B and #389521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #229689 shade: #219588, #218395, #216495, #214595 and #212595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #229689 shade matches the following richer shades: #219588, #13A494 and #04B39F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #229689 shade: #219588, #30867D, #3F7771, #4E6966 and #5D5A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #229689 shade: #21954A, #219569, #219588, #218495 and #216595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #229689 shade: #12524B, #1A7469, #219588, #29B7A7 and #38D1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #229689 shade: #229689, #2B2195 and #955921

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #229689 shade: #229689, #882195 and #958821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #229689 shade: #229689, #2B2195, #95212F and #8B9521

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #229689 shade: #229689, #4E2195, #95212F and #699521

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

Complementary color

CMYK 0 / 52 / 47 / 13

HEX #DD6976

RGB 221 105 118

HSL 353.28, 0.63%, 0.64%

LAB 58.77, 46.5, 14.67

 

CMYK 74 / 0 / 12 / 41

HEX #279684

RGB 39 150 132

HSL 170.27, 0.59%, 0.37%

LAB 56, -34.79, 0.68

 

CMYK 67 / 0 / 10 / 34

HEX #38A897

RGB 56 168 151

HSL 170.89, 0.5%, 0.44%

LAB 62.58, -35.37, -0.42

 

CMYK 61 / 0 / 9 / 27

HEX #49BAAA

RGB 73 186 170

HSL 171.5, 0.45%, 0.51%

LAB 69.07, -35.72, -1.41

 

CMYK 56 / 0 / 7 / 20

HEX #5ACCBD

RGB 90 204 189

HSL 172.11, 0.53%, 0.58%

LAB 75.47, -35.91, -2.3

 

CMYK 52 / 0 / 6 / 13

HEX #6BDED0

RGB 107 222 208

HSL 172.7, 0.64%, 0.65%

LAB 81.8, -36.01, -3.13

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 87 / 0 / 11 / 48

HEX #118476

RGB 17 132 118

HSL 172.7, 0.77%, 0.29%

LAB 49.41, -32.85, -0.88

 

CMYK 100 / 0 / 13 / 55

HEX #007263

RGB 0 114 99

HSL 172.11, 1%, 0.22%

LAB 42.67, -31.31, 0.53

 

CMYK 100 / 0 / 17 / 62

HEX #006050

RGB 0 96 80

HSL 170, 1%, 0.19%

LAB 35.88, -28.7, 2.26

 

CMYK 100 / 0 / 22 / 69

HEX #004E3D

RGB 0 78 61

HSL 166.92, 1%, 0.15%

LAB 28.87, -25.99, 4.13

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 78 / 0 / 30 / 42

HEX #219569

RGB 33 149 105

HSL 157.24, 0.64%, 0.36%

LAB 54.91, -42.04, 14.47

 

CMYK 78 / 0 / 50 / 42

HEX #21954A

RGB 33 149 74

HSL 141.21, 0.64%, 0.36%

LAB 54.36, -48.25, 30.71

 

CMYK 78 / 0 / 71 / 42

HEX #21952B

RGB 33 149 43

HSL 125.17, 0.64%, 0.36%

LAB 54.02, -52.3, 45.01

 

CMYK 62 / 0 / 78 / 42

HEX #389521

RGB 56 149 33

HSL 108.1, 0.64%, 0.36%

LAB 54.5, -48.56, 49.43

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 78 / 12 / 0 / 42

HEX #218395

RGB 33 131 149

HSL 189.31, 0.64%, 0.36%

LAB 50.36, -20.94, -17.57

 

CMYK 78 / 33 / 0 / 42

HEX #216495

RGB 33 100 149

HSL 205.34, 0.64%, 0.36%

LAB 40.59, -3.16, -32.75

 

CMYK 78 / 54 / 0 / 42

HEX #214595

RGB 33 69 149

HSL 221.38, 0.64%, 0.36%

LAB 31.23, 17.18, -47.7

 

CMYK 78 / 75 / 0 / 42

HEX #212595

RGB 33 37 149

HSL 237.93, 0.64%, 0.36%

LAB 23.05, 38.34, -61.07

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 88 / 0 / 10 / 36

HEX #13A494

RGB 19 164 148

HSL 173.38, 0.79%, 0.36%

LAB 60.63, -38.51, -1.66

 

CMYK 98 / 0 / 11 / 30

HEX #04B39F

RGB 4 179 159

HSL 173.14, 0.96%, 0.36%

LAB 65.57, -42.61, -0.58

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 64 / 0 / 7 / 47

HEX #30867D

RGB 48 134 125

HSL 173.72, 0.47%, 0.36%

LAB 50.87, -27.72, -2.75

 

CMYK 47 / 0 / 5 / 53

HEX #3F7771

RGB 63 119 113

HSL 173.57, 0.31%, 0.36%

LAB 46.23, -20.04, -2.45

 

CMYK 26 / 0 / 3 / 59

HEX #4E6966

RGB 78 105 102

HSL 173.33, 0.15%, 0.36%

LAB 42.28, -10.6, -1.56

 

CMYK 0 / 3 / 3 / 64

HEX #5D5A5A

RGB 93 90 90

HSL 0, 0.02%, 0.36%

LAB 38.51, 1.2, 0.42

 

CMYK 78 / 0 / 50 / 42

HEX #21954A

RGB 33 149 74

HSL 141.21, 0.64%, 0.36%

LAB 54.36, -48.25, 30.71

 

CMYK 78 / 0 / 30 / 42

HEX #219569

RGB 33 149 105

HSL 157.24, 0.64%, 0.36%

LAB 54.91, -42.04, 14.47

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 78 / 11 / 0 / 42

HEX #218495

RGB 33 132 149

HSL 188.79, 0.64%, 0.36%

LAB 50.68, -21.47, -17.09

 

CMYK 78 / 32 / 0 / 42

HEX #216595

RGB 33 101 149

HSL 204.83, 0.64%, 0.36%

LAB 40.9, -3.78, -32.26

 

CMYK 78 / 0 / 9 / 68

HEX #12524B

RGB 18 82 75

HSL 173.44, 0.64%, 0.2%

LAB 31.05, -21.41, -1.61

 

CMYK 78 / 0 / 9 / 55

HEX #1A7469

RGB 26 116 105

HSL 172.67, 0.63%, 0.28%

LAB 43.84, -28.2, -1.31

 

CMYK 78 / 0 / 9 / 42

HEX #219588

RGB 33 149 136

HSL 173.28, 0.64%, 0.36%

LAB 55.68, -33.94, -2.08

 

CMYK 78 / 0 / 9 / 28

HEX #29B7A7

RGB 41 183 167

HSL 173.24, 0.63%, 0.44%

LAB 67.37, -39.77, -2.32

 

CMYK 73 / 0 / 8 / 18

HEX #38D1C0

RGB 56 209 192

HSL 173.33, 0.62%, 0.52%

LAB 76.22, -42.76, -2.92

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 71 / 78 / 0 / 42

HEX #2B2195

RGB 43 33 149

HSL 245.17, 0.64%, 0.36%

LAB 22.9, 41.56, -61.31

 

CMYK 0 / 40 / 78 / 42

HEX #955921

RGB 149 89 33

HSL 28.97, 0.64%, 0.36%

LAB 43.72, 20.05, 41.14

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 9 / 78 / 0 / 42

HEX #882195

RGB 136 33 149

HSL 293.28, 0.64%, 0.36%

LAB 34.99, 57.01, -41.1

 

CMYK 0 / 9 / 78 / 42

HEX #958821

RGB 149 136 33

HSL 53.28, 0.64%, 0.36%

LAB 56.2, -6.66, 53.04

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 71 / 78 / 0 / 42

HEX #2B2195

RGB 43 33 149

HSL 245.17, 0.64%, 0.36%

LAB 22.9, 41.56, -61.31

 

CMYK 0 / 78 / 68 / 42

HEX #95212F

RGB 149 33 47

HSL 352.76, 0.64%, 0.36%

LAB 33.31, 48.01, 21.65

 

CMYK 7 / 0 / 78 / 42

HEX #8B9521

RGB 139 149 33

HSL 65.17, 0.64%, 0.36%

LAB 59.06, -18.09, 55.37

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 48 / 78 / 0 / 42

HEX #4E2195

RGB 78 33 149

HSL 263.28, 0.64%, 0.36%

LAB 26.38, 46.14, -55.45

 

CMYK 0 / 78 / 68 / 42

HEX #95212F

RGB 149 33 47

HSL 352.76, 0.64%, 0.36%

LAB 33.31, 48.01, 21.65

 

CMYK 30 / 0 / 78 / 42

HEX #699521

RGB 105 149 33

HSL 82.76, 0.64%, 0.36%

LAB 56.69, -32.46, 52.3

 

Description

Color code: HEX #229689 | qconv.com Color code: HEX #229689 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 150 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 150 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 9 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 9% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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