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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2277BD it is the complementary color #DD8842. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2277BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2277BD shade: #2777B8, #3889CB, #499BDE, #5AADF1 and #6BBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2277BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2277BD shade: #2277BD, #1165AA, #005397, #004184 and #002F71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2277BD shade: #2177BE, #214DBE, #2123BE, #4A21BE and #7421BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2277BD shade: #2177BE, #214DBE, #2123BE and #2121BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2277BD shade matches the following richer shades: #2177BE and #0F79D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2277BD shade: #2177BE, #3376AC, #45749A, #587288 and #6A7076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2277BD shade: #21BEB1, #21A1BE, #2178BE, #214EBE and #2124BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2277BD shade: #154B78, #1B619B, #2177BE, #2F8DDA and #52A0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2277BD shade: #2277BD, #8721BE and #B6BE21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2277BD shade: #2277BD, #BE2178 and #78BE21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2277BD shade: #2277BD, #8721BE, #BE6821 and #58BE21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2277BD shade: #2277BD, #B621BE, #BE6821 and #29BE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

Complementary color

CMYK 0 / 38 / 70 / 13

HEX #DD8842

RGB 221 136 66

HSL 27.1, 0.7%, 0.56%

LAB 64.46, 26.64, 50

 

CMYK 79 / 35 / 0 / 28

HEX #2777B8

RGB 39 119 184

HSL 206.9, 0.65%, 0.44%

LAB 48.37, -0.88, -41.02

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 67 / 30 / 0 / 13

HEX #499BDE

RGB 73 155 222

HSL 206.98, 0.69%, 0.58%

LAB 61.77, -3.89, -41.33

 

CMYK 63 / 28 / 0 / 5

HEX #5AADF1

RGB 90 173 241

HSL 207.02, 0.84%, 0.65%

LAB 68.32, -4.95, -41.47

 

CMYK 58 / 25 / 0 / 0

HEX #6BBFFF

RGB 107 191 255

HSL 205.95, 1%, 0.71%

LAB 74.58, -7.34, -39.23

 

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

CMYK 90 / 41 / 0 / 33

HEX #1165AA

RGB 17 101 170

HSL 207.06, 0.82%, 0.37%

LAB 41.73, 2.95, -43.42

 

CMYK 100 / 45 / 0 / 41

HEX #005397

RGB 0 83 151

HSL 207.02, 1%, 0.3%

LAB 34.84, 6, -43.12

 

CMYK 100 / 51 / 0 / 48

HEX #004184

RGB 0 65 132

HSL 210.45, 1%, 0.26%

LAB 27.97, 10.16, -42.54

 

CMYK 100 / 58 / 0 / 56

HEX #002F71

RGB 0 47 113

HSL 215.04, 1%, 0.22%

LAB 20.92, 14.72, -41.95

 

CMYK 83 / 37 / 0 / 25

HEX #2177BE

RGB 33 119 190

HSL 207.13, 0.7%, 0.44%

LAB 48.55, 0.77, -44.2

 

CMYK 83 / 59 / 0 / 25

HEX #214DBE

RGB 33 77 190

HSL 223.18, 0.7%, 0.44%

LAB 36.65, 27.85, -63.38

 

CMYK 83 / 82 / 0 / 25

HEX #2123BE

RGB 33 35 190

HSL 239.24, 0.7%, 0.44%

LAB 27.42, 52.94, -78.59

 

CMYK 61 / 83 / 0 / 25

HEX #4A21BE

RGB 74 33 190

HSL 255.67, 0.7%, 0.44%

LAB 30.06, 56.82, -74.11

 

CMYK 39 / 83 / 0 / 25

HEX #7421BE

RGB 116 33 190

HSL 271.72, 0.7%, 0.44%

LAB 35.04, 61.94, -65.74

 

CMYK 83 / 37 / 0 / 25

HEX #2177BE

RGB 33 119 190

HSL 207.13, 0.7%, 0.44%

LAB 48.55, 0.77, -44.2

 

CMYK 83 / 59 / 0 / 25

HEX #214DBE

RGB 33 77 190

HSL 223.18, 0.7%, 0.44%

LAB 36.65, 27.85, -63.38

 

CMYK 83 / 82 / 0 / 25

HEX #2123BE

RGB 33 35 190

HSL 239.24, 0.7%, 0.44%

LAB 27.42, 52.94, -78.59

 

CMYK 83 / 83 / 0 / 25

HEX #2121BE

RGB 33 33 190

HSL 240, 0.7%, 0.44%

LAB 27.1, 53.88, -79.12

 

CMYK 83 / 37 / 0 / 25

HEX #2177BE

RGB 33 119 190

HSL 207.13, 0.7%, 0.44%

LAB 48.55, 0.77, -44.2

 

CMYK 93 / 42 / 0 / 18

HEX #0F79D0

RGB 15 121 208

HSL 207.05, 0.87%, 0.44%

LAB 49.89, 5.32, -52.37

 

CMYK 83 / 37 / 0 / 25

HEX #2177BE

RGB 33 119 190

HSL 207.13, 0.7%, 0.44%

LAB 48.55, 0.77, -44.2

 

CMYK 70 / 31 / 0 / 33

HEX #3376AC

RGB 51 118 172

HSL 206.78, 0.54%, 0.44%

LAB 47.8, -3.08, -34.93

 

CMYK 55 / 25 / 0 / 40

HEX #45749A

RGB 69 116 154

HSL 206.82, 0.38%, 0.44%

LAB 47.09, -4.58, -25.44

 

CMYK 35 / 16 / 0 / 47

HEX #587288

RGB 88 114 136

HSL 207.5, 0.21%, 0.44%

LAB 46.83, -3.72, -15.11

 

CMYK 10 / 5 / 0 / 54

HEX #6A7076

RGB 106 112 118

HSL 210, 0.05%, 0.44%

LAB 46.92, -0.97, -4.11

 

CMYK 83 / 0 / 7 / 25

HEX #21BEB1

RGB 33 190 177

HSL 175.03, 0.7%, 0.44%

LAB 69.7, -40.81, -4.41

 

CMYK 83 / 15 / 0 / 25

HEX #21A1BE

RGB 33 161 190

HSL 191.08, 0.7%, 0.44%

LAB 61.25, -22.9, -24.36

 

CMYK 83 / 37 / 0 / 25

HEX #2178BE

RGB 33 120 190

HSL 206.75, 0.7%, 0.44%

LAB 48.85, 0.17, -43.72

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

CMYK 83 / 81 / 0 / 25

HEX #2124BE

RGB 33 36 190

HSL 238.85, 0.7%, 0.44%

LAB 27.58, 52.46, -78.32

 

CMYK 83 / 38 / 0 / 53

HEX #154B78

RGB 21 75 120

HSL 207.27, 0.7%, 0.28%

LAB 30.75, -0.08, -30.57

 

CMYK 83 / 37 / 0 / 39

HEX #1B619B

RGB 27 97 155

HSL 207.19, 0.7%, 0.36%

LAB 39.83, 0.35, -37.54

 

CMYK 83 / 37 / 0 / 25

HEX #2177BE

RGB 33 119 190

HSL 207.13, 0.7%, 0.44%

LAB 48.55, 0.77, -44.2

 

CMYK 78 / 35 / 0 / 15

HEX #2F8DDA

RGB 47 141 218

HSL 207.02, 0.7%, 0.52%

LAB 56.8, -0.62, -46.99

 

CMYK 63 / 29 / 0 / 12

HEX #52A0E0

RGB 82 160 224

HSL 207.04, 0.7%, 0.6%

LAB 63.6, -4.57, -39.54

 

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

CMYK 29 / 83 / 0 / 25

HEX #8721BE

RGB 135 33 190

HSL 278.98, 0.7%, 0.44%

LAB 37.76, 64.81, -61.18

 

CMYK 4 / 0 / 83 / 25

HEX #B6BE21

RGB 182 190 33

HSL 63.06, 0.7%, 0.44%

LAB 74.11, -20.15, 69.94

 

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

CMYK 0 / 83 / 37 / 25

HEX #BE2178

RGB 190 33 120

HSL 326.75, 0.7%, 0.44%

LAB 43.35, 65.28, -9.49

 

CMYK 37 / 0 / 83 / 25

HEX #78BE21

RGB 120 190 33

HSL 86.75, 0.7%, 0.44%

LAB 70.13, -44.87, 64.92

 

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

CMYK 29 / 83 / 0 / 25

HEX #8721BE

RGB 135 33 190

HSL 278.98, 0.7%, 0.44%

LAB 37.76, 64.81, -61.18

 

CMYK 0 / 45 / 83 / 25

HEX #BE6821

RGB 190 104 33

HSL 27.13, 0.7%, 0.44%

LAB 52.9, 29.48, 51.82

 

CMYK 54 / 0 / 83 / 25

HEX #58BE21

RGB 88 190 33

HSL 98.98, 0.7%, 0.44%

LAB 68.76, -55.07, 63.17

 

CMYK 82 / 37 / 0 / 26

HEX #2277BD

RGB 34 119 189

HSL 207.1, 0.7%, 0.44%

LAB 48.52, 0.49, -43.67

 

CMYK 4 / 83 / 0 / 25

HEX #B621BE

RGB 182 33 190

HSL 296.94, 0.7%, 0.44%

LAB 45.29, 72.92, -48.65

 

CMYK 0 / 45 / 83 / 25

HEX #BE6821

RGB 190 104 33

HSL 27.13, 0.7%, 0.44%

LAB 52.9, 29.48, 51.82

 

CMYK 78 / 0 / 83 / 25

HEX #29BE21

RGB 41 190 33

HSL 116.94, 0.7%, 0.44%

LAB 67.58, -64.86, 61.67

 

Description

Color code: HEX #2277BD | qconv.com Color code: HEX #2277BD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 119 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 119 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 37 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 37% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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