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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2268DC it is the complementary color #DD9723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2268DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2268DC shade: #2768D7, #387AEA, #498CFD, #5A9EFF and #6BB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2268DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2268DC shade: #2268DC, #1156C9, #0044B6, #0032A3 and #002090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2268DC shade: #2268DC, #2236DC, #4022DC, #7222DC and #A522DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2268DC shade: #2268DC, #2236DC and #2222DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2268DC shade matches the following richer shades: #2268DC and #0D63F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2268DC shade: #2268DC, #376DC7, #4B72B3, #60779E and #747C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2268DC shade: #22CDDC, #229BDC, #2269DC, #2238DC and #3E22DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2268DC shade: #174695, #1C57B8, #2268DC, #4680E2 and #6999E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2268DC shade: #2268DC, #BA22DC and #B4DC22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2268DC shade: #2268DC, #DC2269 and #69DC22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2268DC shade: #2268DC, #BA22DC, #DC9522 and #44DC22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2268DC shade: #2268DC, #DC22C6, #DC9522 and #22DC38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

Complementary color

CMYK 0 / 32 / 84 / 13

HEX #DD9723

RGB 221 151 35

HSL 37.42, 0.73%, 0.5%

LAB 67.74, 17.4, 65.5

 

CMYK 82 / 52 / 0 / 16

HEX #2768D7

RGB 39 104 215

HSL 217.84, 0.69%, 0.5%

LAB 45.96, 20.35, -62.67

 

CMYK 76 / 48 / 0 / 8

HEX #387AEA

RGB 56 122 234

HSL 217.75, 0.81%, 0.57%

LAB 52.62, 17.78, -62.61

 

CMYK 71 / 45 / 0 / 1

HEX #498CFD

RGB 73 140 253

HSL 217.67, 0.98%, 0.64%

LAB 59.22, 15.67, -62.5

 

CMYK 65 / 38 / 0 / 0

HEX #5A9EFF

RGB 90 158 255

HSL 215.27, 1%, 0.68%

LAB 64.84, 8.19, -54.58

 

CMYK 58 / 31 / 0 / 0

HEX #6BB0FF

RGB 107 176 255

HSL 212.03, 1%, 0.71%

LAB 70.45, 0.92, -45.68

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 92 / 57 / 0 / 21

HEX #1156C9

RGB 17 86 201

HSL 217.5, 0.84%, 0.43%

LAB 39.57, 25.18, -65.04

 

CMYK 100 / 63 / 0 / 29

HEX #0044B6

RGB 0 68 182

HSL 217.58, 1%, 0.36%

LAB 32.94, 29.03, -64.76

 

CMYK 100 / 69 / 0 / 36

HEX #0032A3

RGB 0 50 163

HSL 221.6, 1%, 0.32%

LAB 26.52, 33.55, -63.94

 

CMYK 100 / 78 / 0 / 44

HEX #002090

RGB 0 32 144

HSL 226.67, 1%, 0.28%

LAB 20.23, 37.82, -62.69

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 85 / 75 / 0 / 14

HEX #2236DC

RGB 34 54 220

HSL 233.55, 0.73%, 0.5%

LAB 34.28, 52.84, -84.67

 

CMYK 71 / 85 / 0 / 14

HEX #4022DC

RGB 64 34 220

HSL 249.68, 0.73%, 0.5%

LAB 32.7, 63.85, -87.25

 

CMYK 48 / 85 / 0 / 14

HEX #7222DC

RGB 114 34 220

HSL 265.81, 0.73%, 0.5%

LAB 37.64, 68.29, -78.92

 

CMYK 25 / 85 / 0 / 14

HEX #A522DC

RGB 165 34 220

HSL 282.26, 0.73%, 0.5%

LAB 44.68, 75.1, -67.13

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 85 / 75 / 0 / 14

HEX #2236DC

RGB 34 54 220

HSL 233.55, 0.73%, 0.5%

LAB 34.28, 52.84, -84.67

 

CMYK 85 / 85 / 0 / 14

HEX #2222DC

RGB 34 34 220

HSL 240, 0.73%, 0.5%

LAB 31, 62.41, -90.13

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 95 / 59 / 0 / 5

HEX #0D63F1

RGB 13 99 241

HSL 217.37, 0.9%, 0.5%

LAB 46.12, 32.1, -77.12

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 72 / 45 / 0 / 22

HEX #376DC7

RGB 55 109 199

HSL 217.5, 0.57%, 0.5%

LAB 46.81, 12.93, -52.13

 

CMYK 58 / 36 / 0 / 30

HEX #4B72B3

RGB 75 114 179

HSL 217.5, 0.41%, 0.5%

LAB 47.99, 6.21, -38.64

 

CMYK 39 / 25 / 0 / 38

HEX #60779E

RGB 96 119 158

HSL 217.74, 0.24%, 0.5%

LAB 49.68, 1.86, -23.67

 

CMYK 16 / 10 / 0 / 46

HEX #747C8A

RGB 116 124 138

HSL 218.18, 0.09%, 0.5%

LAB 51.8, 0.12, -8.6

 

CMYK 85 / 7 / 0 / 14

HEX #22CDDC

RGB 34 205 220

HSL 184.84, 0.73%, 0.5%

LAB 75.56, -34.87, -19.04

 

CMYK 85 / 30 / 0 / 14

HEX #229BDC

RGB 34 155 220

HSL 200.97, 0.73%, 0.5%

LAB 60.74, -9.13, -41.91

 

CMYK 85 / 52 / 0 / 14

HEX #2269DC

RGB 34 105 220

HSL 217.1, 0.73%, 0.5%

LAB 46.46, 21.22, -64.71

 

CMYK 85 / 75 / 0 / 14

HEX #2238DC

RGB 34 56 220

HSL 232.9, 0.73%, 0.5%

LAB 34.67, 51.74, -84.03

 

CMYK 72 / 85 / 0 / 14

HEX #3E22DC

RGB 62 34 220

HSL 249.03, 0.73%, 0.5%

LAB 32.56, 63.73, -87.49

 

CMYK 85 / 53 / 0 / 42

HEX #174695

RGB 23 70 149

HSL 217.62, 0.73%, 0.34%

LAB 31.19, 15.43, -47.78

 

CMYK 85 / 53 / 0 / 28

HEX #1C57B8

RGB 28 87 184

HSL 217.31, 0.74%, 0.42%

LAB 38.77, 18.47, -56.42

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 69 / 43 / 0 / 11

HEX #4680E2

RGB 70 128 226

HSL 217.69, 0.73%, 0.58%

LAB 54.27, 13.01, -55.46

 

CMYK 55 / 34 / 0 / 9

HEX #6999E7

RGB 105 153 231

HSL 217.14, 0.72%, 0.66%

LAB 62.97, 6.13, -44.33

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 15 / 85 / 0 / 14

HEX #BA22DC

RGB 186 34 220

HSL 289.03, 0.73%, 0.5%

LAB 47.94, 78.41, -61.68

 

CMYK 18 / 0 / 85 / 14

HEX #B4DC22

RGB 180 220 34

HSL 72.9, 0.73%, 0.5%

LAB 82.38, -35.22, 76.67

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 0 / 85 / 52 / 14

HEX #DC2269

RGB 220 34 105

HSL 337.1, 0.73%, 0.5%

LAB 48.73, 71.1, 8.32

 

CMYK 52 / 0 / 85 / 14

HEX #69DC22

RGB 105 220 34

HSL 97.1, 0.73%, 0.5%

LAB 78.64, -61.16, 71.97

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 15 / 85 / 0 / 14

HEX #BA22DC

RGB 186 34 220

HSL 289.03, 0.73%, 0.5%

LAB 47.94, 78.41, -61.68

 

CMYK 0 / 32 / 85 / 14

HEX #DC9522

RGB 220 149 34

HSL 37.1, 0.73%, 0.5%

LAB 67.15, 18.02, 65.25

 

CMYK 69 / 0 / 85 / 14

HEX #44DC22

RGB 68 220 34

HSL 109.03, 0.73%, 0.5%

LAB 77.6, -69.69, 70.65

 

CMYK 85 / 53 / 0 / 14

HEX #2268DC

RGB 34 104 220

HSL 217.42, 0.73%, 0.5%

LAB 46.19, 21.86, -65.15

 

CMYK 0 / 85 / 10 / 14

HEX #DC22C6

RGB 220 34 198

HSL 307.1, 0.73%, 0.5%

LAB 52.33, 81.05, -41.71

 

CMYK 0 / 32 / 85 / 14

HEX #DC9522

RGB 220 149 34

HSL 37.1, 0.73%, 0.5%

LAB 67.15, 18.02, 65.25

 

CMYK 85 / 0 / 75 / 14

HEX #22DC38

RGB 34 220 56

HSL 127.1, 0.73%, 0.5%

LAB 77.17, -73.04, 63.9

 

Description

Color code: HEX #2268DC | qconv.com Color code: HEX #2268DC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 104 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 104 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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