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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224B4D it is the complementary color #DDB4B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224B4D shade: #274B48, #385D5B, #496F6E, #5A8181 and #6B9394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224B4D shade: #224B4D, #11393A, #002727, #001514 and #000301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224B4D shade: #224B4D, #22404D, #22344D, #22284D and #27224D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224B4D shade: #224B4D, #22404D, #22344D, #22284D and #22224D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224B4D shade matches the following richer shades: #224B4D, #195457, #105C60 and #066469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224B4D shade: #224B4D, #2B4344, #343B3B, #3D3332 and #462B29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224B4D shade: #224D38, #224D43, #224C4D, #22404D and #22354D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224B4D shade: #091414, #153031, #224B4D, #2E676A and #3B8387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224B4D shade: #224B4D, #2C224D and #4D3D22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224B4D shade: #224B4D, #4D224C and #4C4D22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224B4D shade: #224B4D, #2C224D, #4D2322 and #434D22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224B4D shade: #224B4D, #39224D, #4D2322 and #364D22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

Complementary color

CMYK 0 / 19 / 19 / 13

HEX #DDB4B2

RGB 221 180 178

HSL 2.79, 0.39%, 0.78%

LAB 76.82, 14.49, 6.61

 

CMYK 48 / 0 / 4 / 71

HEX #274B48

RGB 39 75 72

HSL 175, 0.32%, 0.22%

LAB 29.24, -13.81, -2.27

 

CMYK 40 / 0 / 2 / 64

HEX #385D5B

RGB 56 93 91

HSL 176.76, 0.25%, 0.29%

LAB 36.79, -13.72, -3.04

 

CMYK 34 / 0 / 1 / 56

HEX #496F6E

RGB 73 111 110

HSL 178.42, 0.21%, 0.36%

LAB 44.11, -13.6, -3.73

 

CMYK 30 / 0 / 0 / 49

HEX #5A8181

RGB 90 129 129

HSL 180, 0.18%, 0.43%

LAB 51.22, -13.5, -4.38

 

CMYK 28 / 1 / 0 / 42

HEX #6B9394

RGB 107 147 148

HSL 181.46, 0.16%, 0.5%

LAB 58.16, -13.4, -4.98

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 71 / 2 / 0 / 77

HEX #11393A

RGB 17 57 58

HSL 181.46, 0.55%, 0.15%

LAB 21.4, -13.34, -4.77

 

CMYK 100 / 0 / 0 / 85

HEX #002727

RGB 0 39 39

HSL 180, 1%, 0.08%

LAB 13.22, -13.11, -3.86

 

CMYK 100 / 0 / 5 / 92

HEX #001514

RGB 0 21 20

HSL 177.14, 1%, 0.04%

LAB 5.3, -6.69, -1.65

 

CMYK 100 / 0 / 67 / 99

HEX #000301

RGB 0 3 1

HSL 140, 1%, 0.01%

LAB 0.61, -1.06, 0.48

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 56 / 17 / 0 / 70

HEX #22404D

RGB 34 64 77

HSL 198.14, 0.39%, 0.22%

LAB 25.39, -6.95, -11.33

 

CMYK 56 / 32 / 0 / 70

HEX #22344D

RGB 34 52 77

HSL 214.88, 0.39%, 0.22%

LAB 21.33, 1.02, -17.61

 

CMYK 56 / 48 / 0 / 70

HEX #22284D

RGB 34 40 77

HSL 231.63, 0.39%, 0.22%

LAB 17.43, 9.55, -23.75

 

CMYK 49 / 56 / 0 / 70

HEX #27224D

RGB 39 34 77

HSL 246.98, 0.39%, 0.22%

LAB 16.06, 15.27, -25.91

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 56 / 17 / 0 / 70

HEX #22404D

RGB 34 64 77

HSL 198.14, 0.39%, 0.22%

LAB 25.39, -6.95, -11.33

 

CMYK 56 / 32 / 0 / 70

HEX #22344D

RGB 34 52 77

HSL 214.88, 0.39%, 0.22%

LAB 21.33, 1.02, -17.61

 

CMYK 56 / 48 / 0 / 70

HEX #22284D

RGB 34 40 77

HSL 231.63, 0.39%, 0.22%

LAB 17.43, 9.55, -23.75

 

CMYK 56 / 56 / 0 / 70

HEX #22224D

RGB 34 34 77

HSL 240, 0.39%, 0.22%

LAB 15.59, 13.93, -26.69

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 71 / 3 / 0 / 66

HEX #195457

RGB 25 84 87

HSL 182.9, 0.55%, 0.22%

LAB 32.34, -17.43, -7.3

 

CMYK 83 / 4 / 0 / 62

HEX #105C60

RGB 16 92 96

HSL 183, 0.71%, 0.22%

LAB 35.22, -20.02, -8.64

 

CMYK 94 / 5 / 0 / 59

HEX #066469

RGB 6 100 105

HSL 183.03, 0.89%, 0.22%

LAB 38.15, -22.03, -9.81

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 37 / 1 / 0 / 73

HEX #2B4344

RGB 43 67 68

HSL 182.4, 0.23%, 0.22%

LAB 26.58, -8.93, -3.57

 

CMYK 12 / 0 / 0 / 77

HEX #343B3B

RGB 52 59 59

HSL 180, 0.06%, 0.22%

LAB 24.24, -2.93, -1

 

CMYK 0 / 16 / 18 / 76

HEX #3D3332

RGB 61 51 50

HSL 5.45, 0.1%, 0.22%

LAB 22.27, 4.27, 2.29

 

CMYK 0 / 39 / 41 / 73

HEX #462B29

RGB 70 43 41

HSL 4.14, 0.26%, 0.22%

LAB 20.79, 12.24, 6.48

 

CMYK 56 / 0 / 27 / 70

HEX #224D38

RGB 34 77 56

HSL 150.7, 0.39%, 0.22%

LAB 29.24, -20.7, 7.98

 

CMYK 56 / 0 / 13 / 70

HEX #224D43

RGB 34 77 67

HSL 166.05, 0.39%, 0.22%

LAB 29.55, -17.79, 1.38

 

CMYK 56 / 1 / 0 / 70

HEX #224C4D

RGB 34 76 77

HSL 181.4, 0.39%, 0.22%

LAB 29.53, -14.23, -5.09

 

CMYK 56 / 17 / 0 / 70

HEX #22404D

RGB 34 64 77

HSL 198.14, 0.39%, 0.22%

LAB 25.39, -6.95, -11.33

 

CMYK 56 / 31 / 0 / 70

HEX #22354D

RGB 34 53 77

HSL 213.49, 0.39%, 0.22%

LAB 21.66, 0.33, -17.09

 

CMYK 55 / 0 / 0 / 92

HEX #091414

RGB 9 20 20

HSL 180, 0.38%, 0.06%

LAB 5.5, -3.67, -1.3

 

CMYK 57 / 2 / 0 / 81

HEX #153031

RGB 21 48 49

HSL 182.14, 0.4%, 0.14%

LAB 17.9, -9.92, -3.83

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 57 / 3 / 0 / 58

HEX #2E676A

RGB 46 103 106

HSL 183, 0.39%, 0.3%

LAB 40.12, -17.6, -7.38

 

CMYK 56 / 3 / 0 / 47

HEX #3B8387

RGB 59 131 135

HSL 183.16, 0.39%, 0.38%

LAB 50.58, -21.11, -8.99

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 43 / 56 / 0 / 70

HEX #2C224D

RGB 44 34 77

HSL 253.95, 0.39%, 0.22%

LAB 16.58, 16.71, -25.05

 

CMYK 0 / 21 / 56 / 70

HEX #4D3D22

RGB 77 61 34

HSL 37.67, 0.39%, 0.22%

LAB 26.82, 2.99, 19.19

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 0 / 56 / 1 / 70

HEX #4D224C

RGB 77 34 76

HSL 301.4, 0.39%, 0.22%

LAB 20.99, 27.1, -17.11

 

CMYK 1 / 0 / 56 / 70

HEX #4C4D22

RGB 76 77 34

HSL 61.4, 0.39%, 0.22%

LAB 31.72, -7.44, 25.09

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 43 / 56 / 0 / 70

HEX #2C224D

RGB 44 34 77

HSL 253.95, 0.39%, 0.22%

LAB 16.58, 16.71, -25.05

 

CMYK 0 / 55 / 56 / 70

HEX #4D2322

RGB 77 35 34

HSL 1.4, 0.39%, 0.22%

LAB 19.62, 19.66, 9.87

 

CMYK 13 / 0 / 56 / 70

HEX #434D22

RGB 67 77 34

HSL 73.95, 0.39%, 0.22%

LAB 30.92, -11.72, 23.95

 

CMYK 56 / 3 / 0 / 70

HEX #224B4D

RGB 34 75 77

HSL 182.79, 0.39%, 0.22%

LAB 29.18, -13.65, -5.6

 

CMYK 26 / 56 / 0 / 70

HEX #39224D

RGB 57 34 77

HSL 272.09, 0.39%, 0.22%

LAB 18.14, 20.73, -22.47

 

CMYK 0 / 55 / 56 / 70

HEX #4D2322

RGB 77 35 34

HSL 1.4, 0.39%, 0.22%

LAB 19.62, 19.66, 9.87

 

CMYK 30 / 0 / 56 / 70

HEX #364D22

RGB 54 77 34

HSL 92.09, 0.39%, 0.22%

LAB 29.93, -17.58, 22.53

 

Description

Color code: HEX #224B4D | qconv.com Color code: HEX #224B4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 75 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 75 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 3 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 3% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Justitsministeriet
Link: http://www.justitsministeriet.dk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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