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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21FBC0 it is the complementary color #DE043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21FBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21FBC0 shade: #26FBBB, #37FFCE, #48FFE1, #59FFF4 and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21FBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21FBC0 shade: #21FBC0, #10E9AD, #00D79A, #00C587 and #00B374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21FBC0 shade: #23FAC0, #23FA86, #23FA4C, #34FA23 and #6EFA23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21FBC0 shade: #23FAC0, #23FAFA, #23C0FA, #2386FA and #234CFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21FBC0 shade matches the following richer shades: #23FAC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21FBC0 shade: #23FAC0, #35E8B7, #47D6AF, #59C4A7 and #6BB19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21FBC0 shade: #23FA4A, #23FA84, #23FABD, #23FAF6 and #23C4FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21FBC0 shade: #04C792, #04EFAF, #23FAC0, #4BFBCB and #73FCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21FBC0 shade: #21FBC0, #2335FA and #FA6723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21FBC0 shade: #21FBC0, #BD23FA and #FABD23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21FBC0 shade: #21FBC0, #2335FA, #FA2360 and #FAE823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21FBC0 shade: #21FBC0, #5123FA, #FA2360 and #CBFA23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

Complementary color

CMYK 0 / 98 / 72 / 13

HEX #DE043F

RGB 222 4 63

HSL 343.76, 0.96%, 0.44%

LAB 46.94, 73.11, 31.79

 

CMYK 85 / 0 / 25 / 2

HEX #26FBBB

RGB 38 251 187

HSL 161.97, 0.96%, 0.57%

LAB 88.44, -62.63, 17.24

 

CMYK 78 / 0 / 19 / 0

HEX #37FFCE

RGB 55 255 206

HSL 165.3, 1%, 0.61%

LAB 90.22, -58.38, 9.99

 

CMYK 72 / 0 / 12 / 0

HEX #48FFE1

RGB 72 255 225

HSL 170.16, 1%, 0.64%

LAB 90.93, -51.91, 1.22

 

CMYK 65 / 0 / 4 / 0

HEX #59FFF4

RGB 89 255 244

HSL 176.02, 1%, 0.67%

LAB 91.76, -44.81, -7.37

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

CMYK 93 / 0 / 26 / 9

HEX #10E9AD

RGB 16 233 173

HSL 163.41, 0.87%, 0.49%

LAB 82.6, -60.24, 16.27

 

CMYK 100 / 0 / 28 / 16

HEX #00D79A

RGB 0 215 154

HSL 162.98, 1%, 0.42%

LAB 76.64, -58.37, 17.91

 

CMYK 100 / 0 / 31 / 23

HEX #00C587

RGB 0 197 135

HSL 161.12, 1%, 0.39%

LAB 70.65, -55.98, 19.71

 

CMYK 100 / 0 / 35 / 30

HEX #00B374

RGB 0 179 116

HSL 158.88, 1%, 0.35%

LAB 64.56, -53.52, 21.59

 

CMYK 86 / 0 / 23 / 2

HEX #23FAC0

RGB 35 250 192

HSL 163.81, 0.96%, 0.56%

LAB 88.23, -61.31, 14.35

 

CMYK 86 / 0 / 46 / 2

HEX #23FA86

RGB 35 250 134

HSL 147.63, 0.96%, 0.56%

LAB 87.22, -72.78, 42.16

 

CMYK 86 / 0 / 70 / 2

HEX #23FA4C

RGB 35 250 76

HSL 131.44, 0.96%, 0.56%

LAB 86.63, -79.99, 66.58

 

CMYK 79 / 0 / 86 / 2

HEX #34FA23

RGB 52 250 35

HSL 115.26, 0.96%, 0.56%

LAB 86.61, -80.86, 78.29

 

CMYK 56 / 0 / 86 / 2

HEX #6EFA23

RGB 110 250 35

HSL 99.07, 0.96%, 0.56%

LAB 87.88, -70.2, 79.88

 

CMYK 86 / 0 / 23 / 2

HEX #23FAC0

RGB 35 250 192

HSL 163.81, 0.96%, 0.56%

LAB 88.23, -61.31, 14.35

 

CMYK 86 / 0 / 0 / 2

HEX #23FAFA

RGB 35 250 250

HSL 180, 0.96%, 0.56%

LAB 89.69, -46.26, -13.66

 

CMYK 86 / 23 / 0 / 2

HEX #23C0FA

RGB 35 192 250

HSL 196.19, 0.96%, 0.56%

LAB 72.86, -18.62, -39.35

 

CMYK 86 / 46 / 0 / 2

HEX #2386FA

RGB 35 134 250

HSL 212.37, 0.96%, 0.56%

LAB 56.4, 14.48, -65.44

 

CMYK 86 / 70 / 0 / 2

HEX #234CFA

RGB 35 76 250

HSL 228.56, 0.96%, 0.56%

LAB 41.89, 50.49, -89.1

 

CMYK 86 / 0 / 23 / 2

HEX #23FAC0

RGB 35 250 192

HSL 163.81, 0.96%, 0.56%

LAB 88.23, -61.31, 14.35

 

CMYK 86 / 0 / 23 / 2

HEX #23FAC0

RGB 35 250 192

HSL 163.81, 0.96%, 0.56%

LAB 88.23, -61.31, 14.35

 

CMYK 77 / 0 / 21 / 9

HEX #35E8B7

RGB 53 232 183

HSL 163.58, 0.8%, 0.56%

LAB 82.85, -54.96, 11.45

 

CMYK 67 / 0 / 18 / 16

HEX #47D6AF

RGB 71 214 175

HSL 163.64, 0.64%, 0.56%

LAB 77.6, -47.16, 8.23

 

CMYK 55 / 0 / 15 / 23

HEX #59C4A7

RGB 89 196 167

HSL 163.74, 0.48%, 0.56%

LAB 72.49, -37.86, 5.27

 

CMYK 40 / 0 / 11 / 31

HEX #6BB19E

RGB 107 177 158

HSL 163.71, 0.31%, 0.56%

LAB 67.31, -26.56, 2.79

 

CMYK 86 / 0 / 70 / 2

HEX #23FA4A

RGB 35 250 74

HSL 130.88, 0.96%, 0.56%

LAB 86.61, -80.16, 67.28

 

CMYK 86 / 0 / 47 / 2

HEX #23FA84

RGB 35 250 132

HSL 147.07, 0.96%, 0.56%

LAB 87.19, -73.1, 43.08

 

CMYK 86 / 0 / 24 / 2

HEX #23FABD

RGB 35 250 189

HSL 162.98, 0.96%, 0.56%

LAB 88.16, -62, 15.81

 

CMYK 86 / 0 / 2 / 2

HEX #23FAF6

RGB 35 250 246

HSL 178.88, 0.96%, 0.56%

LAB 89.57, -47.39, -11.75

 

CMYK 86 / 22 / 0 / 2

HEX #23C4FA

RGB 35 196 250

HSL 195.07, 0.96%, 0.56%

LAB 74.02, -20.7, -37.55

 

CMYK 98 / 0 / 27 / 22

HEX #04C792

RGB 4 199 146

HSL 163.69, 0.96%, 0.4%

LAB 71.52, -54.08, 15.03

 

CMYK 98 / 0 / 27 / 6

HEX #04EFAF

RGB 4 239 175

HSL 163.66, 0.97%, 0.48%

LAB 84.41, -62.35, 17.76

 

CMYK 86 / 0 / 23 / 2

HEX #23FAC0

RGB 35 250 192

HSL 163.81, 0.96%, 0.56%

LAB 88.23, -61.31, 14.35

 

CMYK 70 / 0 / 19 / 2

HEX #4BFBCB

RGB 75 251 203

HSL 163.64, 0.96%, 0.64%

LAB 89.3, -55.22, 10.26

 

CMYK 54 / 0 / 15 / 1

HEX #73FCD7

RGB 115 252 215

HSL 163.8, 0.96%, 0.72%

LAB 90.86, -46.11, 6.42

 

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

CMYK 86 / 79 / 0 / 2

HEX #2335FA

RGB 35 53 250

HSL 234.98, 0.96%, 0.56%

LAB 37.49, 62.92, -96.39

 

CMYK 0 / 59 / 86 / 2

HEX #FA6723

RGB 250 103 35

HSL 18.98, 0.96%, 0.56%

LAB 61.78, 53.22, 62.2

 

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

CMYK 24 / 86 / 0 / 2

HEX #BD23FA

RGB 189 35 250

HSL 282.98, 0.96%, 0.56%

LAB 50.6, 83.99, -74.29

 

CMYK 0 / 24 / 86 / 2

HEX #FABD23

RGB 250 189 35

HSL 42.98, 0.96%, 0.56%

LAB 80.09, 9.74, 76.94

 

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

CMYK 86 / 79 / 0 / 2

HEX #2335FA

RGB 35 53 250

HSL 234.98, 0.96%, 0.56%

LAB 37.49, 62.92, -96.39

 

CMYK 0 / 86 / 62 / 2

HEX #FA2360

RGB 250 35 96

HSL 342.98, 0.96%, 0.56%

LAB 54.42, 77.72, 22.52

 

CMYK 0 / 7 / 86 / 2

HEX #FAE823

RGB 250 232 35

HSL 54.98, 0.96%, 0.56%

LAB 90.85, -12.1, 85.59

 

CMYK 87 / 0 / 24 / 2

HEX #21FBC0

RGB 33 251 192

HSL 163.76, 0.96%, 0.56%

LAB 88.51, -61.81, 14.74

 

CMYK 68 / 86 / 0 / 2

HEX #5123FA

RGB 81 35 250

HSL 252.84, 0.96%, 0.56%

LAB 37.58, 72.52, -96.17

 

CMYK 0 / 86 / 62 / 2

HEX #FA2360

RGB 250 35 96

HSL 342.98, 0.96%, 0.56%

LAB 54.42, 77.72, 22.52

 

CMYK 19 / 0 / 86 / 2

HEX #CBFA23

RGB 203 250 35

HSL 73.12, 0.96%, 0.56%

LAB 92.22, -39.64, 85.29

 

Description

Color code: HEX #21FBC0 | qconv.com Color code: HEX #21FBC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 251 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 251 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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