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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21F1BE it is the complementary color #DE0E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21F1BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21F1BE shade: #26F1B9, #37FFCC, #48FFDF, #59FFF2 and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21F1BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21F1BE shade: #21F1BE, #10DFAB, #00CD98, #00BB85 and #00A972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21F1BE shade: #22F0BE, #22F086, #22F04E, #2DF022 and #65F022

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21F1BE shade: #22F0BE, #22EBF0, #22B4F0, #227CF0 and #2244F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21F1BE shade matches the following richer shades: #22F0BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21F1BE shade: #22F0BE, #35DDB4, #48CAAA, #5BB7A1 and #6EA597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21F1BE shade: #22F04F, #22F086, #22F0BD, #22EDF0 and #22B6F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21F1BE shade: #0BB58B, #0EDCA9, #22F0BE, #49F3C9 and #70F5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21F1BE shade: #21F1BE, #222CF0 and #F06A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21F1BE shade: #21F1BE, #BD22F0 and #F0BD22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21F1BE shade: #21F1BE, #222CF0, #F02256 and #F0E622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21F1BE shade: #21F1BE, #5622F0, #F02256 and #BDF022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

Complementary color

CMYK 0 / 94 / 71 / 13

HEX #DE0E41

RGB 222 14 65

HSL 345.29, 0.88%, 0.46%

LAB 47.27, 72.33, 30.97

 

CMYK 84 / 0 / 23 / 5

HEX #26F1B9

RGB 38 241 185

HSL 163.45, 0.88%, 0.55%

LAB 85.42, -59.31, 14.01

 

CMYK 78 / 0 / 20 / 0

HEX #37FFCC

RGB 55 255 204

HSL 164.7, 1%, 0.61%

LAB 90.18, -58.85, 10.96

 

CMYK 72 / 0 / 13 / 0

HEX #48FFDF

RGB 72 255 223

HSL 169.51, 1%, 0.64%

LAB 90.88, -52.41, 2.18

 

CMYK 65 / 0 / 5 / 0

HEX #59FFF2

RGB 89 255 242

HSL 175.3, 1%, 0.67%

LAB 91.71, -45.33, -6.41

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

CMYK 93 / 0 / 23 / 13

HEX #10DFAB

RGB 16 223 171

HSL 164.93, 0.87%, 0.47%

LAB 79.51, -56.93, 12.98

 

CMYK 100 / 0 / 26 / 20

HEX #00CD98

RGB 0 205 152

HSL 164.49, 1%, 0.4%

LAB 73.5, -55.08, 14.59

 

CMYK 100 / 0 / 29 / 27

HEX #00BB85

RGB 0 187 133

HSL 162.67, 1%, 0.37%

LAB 67.45, -52.69, 16.37

 

CMYK 100 / 0 / 33 / 34

HEX #00A972

RGB 0 169 114

HSL 160.47, 1%, 0.33%

LAB 61.3, -50.24, 18.23

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BE

RGB 34 240 190

HSL 165.44, 0.87%, 0.54%

LAB 85.19, -58.02, 11.08

 

CMYK 86 / 0 / 44 / 6

HEX #22F086

RGB 34 240 134

HSL 149.13, 0.87%, 0.54%

LAB 84.16, -69.57, 38.25

 

CMYK 86 / 0 / 68 / 6

HEX #22F04E

RGB 34 240 78

HSL 132.82, 0.87%, 0.54%

LAB 83.55, -77, 62.57

 

CMYK 81 / 0 / 86 / 6

HEX #2DF022

RGB 45 240 34

HSL 116.8, 0.87%, 0.54%

LAB 83.44, -78.87, 75.67

 

CMYK 58 / 0 / 86 / 6

HEX #65F022

RGB 101 240 34

HSL 100.49, 0.87%, 0.54%

LAB 84.59, -69.09, 77.12

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BE

RGB 34 240 190

HSL 165.44, 0.87%, 0.54%

LAB 85.19, -58.02, 11.08

 

CMYK 86 / 2 / 0 / 6

HEX #22EBF0

RGB 34 235 240

HSL 181.46, 0.87%, 0.54%

LAB 85.02, -42.6, -15.42

 

CMYK 86 / 25 / 0 / 6

HEX #22B4F0

RGB 34 180 240

HSL 197.48, 0.87%, 0.54%

LAB 68.95, -15.77, -40.04

 

CMYK 86 / 48 / 0 / 6

HEX #227CF0

RGB 34 124 240

HSL 213.79, 0.87%, 0.54%

LAB 53, 16.83, -65.37

 

CMYK 86 / 72 / 0 / 6

HEX #2244F0

RGB 34 68 240

HSL 230.1, 0.87%, 0.54%

LAB 39.18, 51.67, -87.95

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BE

RGB 34 240 190

HSL 165.44, 0.87%, 0.54%

LAB 85.19, -58.02, 11.08

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BE

RGB 34 240 190

HSL 165.44, 0.87%, 0.54%

LAB 85.19, -58.02, 11.08

 

CMYK 76 / 0 / 19 / 13

HEX #35DDB4

RGB 53 221 180

HSL 165.36, 0.71%, 0.54%

LAB 79.48, -51.26, 8.22

 

CMYK 64 / 0 / 16 / 21

HEX #48CAAA

RGB 72 202 170

HSL 165.23, 0.55%, 0.54%

LAB 73.88, -43.07, 5.58

 

CMYK 50 / 0 / 12 / 28

HEX #5BB7A1

RGB 91 183 161

HSL 165.65, 0.39%, 0.54%

LAB 68.51, -32.83, 2.8

 

CMYK 33 / 0 / 8 / 35

HEX #6EA597

RGB 110 165 151

HSL 164.73, 0.23%, 0.54%

LAB 63.72, -21.26, 1.5

 

CMYK 86 / 0 / 67 / 6

HEX #22F04F

RGB 34 240 79

HSL 133.11, 0.87%, 0.54%

LAB 83.56, -76.9, 62.2

 

CMYK 86 / 0 / 44 / 6

HEX #22F086

RGB 34 240 134

HSL 149.13, 0.87%, 0.54%

LAB 84.16, -69.57, 38.25

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BD

RGB 34 240 189

HSL 165.15, 0.87%, 0.54%

LAB 85.17, -58.26, 11.57

 

CMYK 86 / 1 / 0 / 6

HEX #22EDF0

RGB 34 237 240

HSL 180.87, 0.87%, 0.54%

LAB 85.6, -43.49, -14.54

 

CMYK 86 / 24 / 0 / 6

HEX #22B6F0

RGB 34 182 240

HSL 196.89, 0.87%, 0.54%

LAB 69.53, -16.84, -39.13

 

CMYK 94 / 0 / 23 / 29

HEX #0BB58B

RGB 11 181 139

HSL 165.18, 0.89%, 0.38%

LAB 65.74, -48.5, 10.7

 

CMYK 94 / 0 / 23 / 14

HEX #0EDCA9

RGB 14 220 169

HSL 165.15, 0.88%, 0.46%

LAB 78.55, -56.33, 12.67

 

CMYK 86 / 0 / 21 / 6

HEX #22F0BE

RGB 34 240 190

HSL 165.44, 0.87%, 0.54%

LAB 85.19, -58.02, 11.08

 

CMYK 70 / 0 / 17 / 5

HEX #49F3C9

RGB 73 243 201

HSL 165.18, 0.88%, 0.62%

LAB 86.87, -52.71, 7.81

 

CMYK 54 / 0 / 13 / 4

HEX #70F5D5

RGB 112 245 213

HSL 165.56, 0.87%, 0.7%

LAB 88.71, -44.13, 4.35

 

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

CMYK 86 / 82 / 0 / 6

HEX #222CF0

RGB 34 44 240

HSL 237.09, 0.87%, 0.54%

LAB 34.87, 64.04, -95.11

 

CMYK 0 / 56 / 86 / 6

HEX #F06A22

RGB 240 106 34

HSL 20.97, 0.87%, 0.54%

LAB 60.74, 48.19, 61.07

 

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

CMYK 21 / 86 / 0 / 6

HEX #BD22F0

RGB 189 34 240

HSL 285.15, 0.87%, 0.54%

LAB 49.8, 82.39, -69.97

 

CMYK 0 / 21 / 86 / 6

HEX #F0BD22

RGB 240 189 34

HSL 45.15, 0.87%, 0.54%

LAB 79.06, 5.44, 75.92

 

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

CMYK 86 / 82 / 0 / 6

HEX #222CF0

RGB 34 44 240

HSL 237.09, 0.87%, 0.54%

LAB 34.87, 64.04, -95.11

 

CMYK 0 / 86 / 64 / 6

HEX #F02256

RGB 240 34 86

HSL 344.85, 0.87%, 0.54%

LAB 52.22, 74.89, 25.28

 

CMYK 0 / 4 / 86 / 6

HEX #F0E622

RGB 240 230 34

HSL 57.09, 0.87%, 0.54%

LAB 89.5, -15.32, 84.35

 

CMYK 86 / 0 / 21 / 5

HEX #21F1BE

RGB 33 241 190

HSL 165.29, 0.88%, 0.54%

LAB 85.48, -58.47, 11.49

 

CMYK 64 / 86 / 0 / 6

HEX #5622F0

RGB 86 34 240

HSL 255.15, 0.87%, 0.54%

LAB 36.77, 70.62, -91.86

 

CMYK 0 / 86 / 64 / 6

HEX #F02256

RGB 240 34 86

HSL 344.85, 0.87%, 0.54%

LAB 52.22, 74.89, 25.28

 

CMYK 21 / 0 / 86 / 6

HEX #BDF022

RGB 189 240 34

HSL 74.85, 0.87%, 0.54%

LAB 88.57, -40.65, 82.09

 

Description

Color code: HEX #21F1BE | qconv.com Color code: HEX #21F1BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 241 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 241 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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