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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21F76E it is the complementary color #DE0891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21F76E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21F76E shade: #26F769, #37FF7C, #48FF8F, #59FFA2 and #6AFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21F76E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21F76E shade: #21F76E, #10E55B, #00D348, #00C135 and #00AF22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21F76E shade: #21F66E, #21F634, #47F621, #81F621 and #BAF621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21F76E shade: #21F66E, #21F6A7, #21F6E1, #21D2F6 and #2199F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21F76E shade matches the following richer shades: #21F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21F76E shade: #21F66E, #34E473, #46D178, #59BF7D and #6BAC83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21F76E shade: #48F621, #21F633, #21F66C, #21F6A5 and #21F6DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21F76E shade: #06BF49, #08E658, #21F66E, #49F888 and #71F9A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21F76E shade: #21F76E, #2181F6 and #F6212C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21F76E shade: #21F76E, #6C21F6 and #F66C21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21F76E shade: #21F76E, #2181F6, #F621AC and #F69621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21F76E shade: #21F76E, #2141F6, #F621AC and #F6D621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

Complementary color

CMYK 0 / 96 / 35 / 13

HEX #DE0891

RGB 222 8 145

HSL 321.59, 0.93%, 0.45%

LAB 49.19, 78.49, -15.32

 

CMYK 85 / 0 / 57 / 3

HEX #26F769

RGB 38 247 105

HSL 139.23, 0.93%, 0.56%

LAB 85.98, -75.79, 54.1

 

CMYK 78 / 0 / 51 / 0

HEX #37FF7C

RGB 55 255 124

HSL 140.7, 1%, 0.61%

LAB 88.82, -74.11, 48.94

 

CMYK 72 / 0 / 44 / 0

HEX #48FF8F

RGB 72 255 143

HSL 143.28, 1%, 0.64%

LAB 89.34, -69.04, 40.62

 

CMYK 65 / 0 / 36 / 0

HEX #59FFA2

RGB 89 255 162

HSL 146.39, 1%, 0.67%

LAB 89.98, -63.09, 32.15

 

CMYK 58 / 0 / 29 / 0

HEX #6AFFB5

RGB 106 255 181

HSL 150.2, 1%, 0.71%

LAB 90.74, -56.35, 23.69

 

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

CMYK 93 / 0 / 60 / 10

HEX #10E55B

RGB 16 229 91

HSL 141.13, 0.87%, 0.48%

LAB 80.13, -73.44, 53.4

 

CMYK 100 / 0 / 66 / 17

HEX #00D348

RGB 0 211 72

HSL 140.47, 1%, 0.41%

LAB 74.23, -70.85, 54.8

 

CMYK 100 / 0 / 73 / 24

HEX #00C135

RGB 0 193 53

HSL 136.48, 1%, 0.38%

LAB 68.31, -67.45, 55.92

 

CMYK 100 / 0 / 81 / 31

HEX #00AF22

RGB 0 175 34

HSL 131.66, 1%, 0.34%

LAB 62.32, -63.71, 56.35

 

CMYK 87 / 0 / 55 / 4

HEX #21F66E

RGB 33 246 110

HSL 141.69, 0.92%, 0.55%

LAB 85.69, -75.21, 51.5

 

CMYK 87 / 0 / 79 / 4

HEX #21F634

RGB 33 246 52

HSL 125.35, 0.92%, 0.55%

LAB 85.24, -80.75, 72.94

 

CMYK 71 / 0 / 87 / 4

HEX #47F621

RGB 71 246 33

HSL 109.3, 0.92%, 0.55%

LAB 85.69, -77.11, 77.98

 

CMYK 48 / 0 / 87 / 4

HEX #81F621

RGB 129 246 33

HSL 92.96, 0.92%, 0.55%

LAB 87.33, -63.71, 80.05

 

CMYK 24 / 0 / 87 / 4

HEX #BAF621

RGB 186 246 33

HSL 76.9, 0.92%, 0.55%

LAB 90.07, -44.43, 83.46

 

CMYK 87 / 0 / 55 / 4

HEX #21F66E

RGB 33 246 110

HSL 141.69, 0.92%, 0.55%

LAB 85.69, -75.21, 51.5

 

CMYK 87 / 0 / 32 / 4

HEX #21F6A7

RGB 33 246 167

HSL 157.75, 0.92%, 0.55%

LAB 86.52, -65.45, 24.81

 

CMYK 87 / 0 / 9 / 4

HEX #21F6E1

RGB 33 246 225

HSL 174.08, 0.92%, 0.55%

LAB 87.81, -51.58, -3.41

 

CMYK 87 / 15 / 0 / 4

HEX #21D2F6

RGB 33 210 246

HSL 190.14, 0.92%, 0.55%

LAB 77.92, -29.16, -29.39

 

CMYK 87 / 38 / 0 / 4

HEX #2199F6

RGB 33 153 246

HSL 206.2, 0.92%, 0.55%

LAB 61.45, 1.44, -55.15

 

CMYK 87 / 0 / 55 / 4

HEX #21F66E

RGB 33 246 110

HSL 141.69, 0.92%, 0.55%

LAB 85.69, -75.21, 51.5

 

CMYK 87 / 0 / 55 / 4

HEX #21F66E

RGB 33 246 110

HSL 141.69, 0.92%, 0.55%

LAB 85.69, -75.21, 51.5

 

CMYK 77 / 0 / 50 / 11

HEX #34E473

RGB 52 228 115

HSL 141.48, 0.77%, 0.55%

LAB 80.43, -66.91, 42.81

 

CMYK 67 / 0 / 43 / 18

HEX #46D178

RGB 70 209 120

HSL 141.58, 0.6%, 0.55%

LAB 74.99, -56.68, 33.48

 

CMYK 53 / 0 / 35 / 25

HEX #59BF7D

RGB 89 191 125

HSL 141.18, 0.44%, 0.55%

LAB 70.08, -44.6, 24.5

 

CMYK 38 / 0 / 24 / 33

HEX #6BAC83

RGB 107 172 131

HSL 142.15, 0.28%, 0.55%

LAB 65.18, -29.91, 14.66

 

CMYK 71 / 0 / 87 / 4

HEX #48F621

RGB 72 246 33

HSL 109.01, 0.92%, 0.55%

LAB 85.71, -76.95, 78.01

 

CMYK 87 / 0 / 79 / 4

HEX #21F633

RGB 33 246 51

HSL 125.07, 0.92%, 0.55%

LAB 85.24, -80.81, 73.22

 

CMYK 87 / 0 / 56 / 4

HEX #21F66C

RGB 33 246 108

HSL 141.13, 0.92%, 0.55%

LAB 85.66, -75.48, 52.38

 

CMYK 87 / 0 / 33 / 4

HEX #21F6A5

RGB 33 246 165

HSL 157.18, 0.92%, 0.55%

LAB 86.48, -65.86, 25.78

 

CMYK 87 / 0 / 10 / 4

HEX #21F6DE

RGB 33 246 222

HSL 173.24, 0.92%, 0.55%

LAB 87.73, -52.38, -1.96

 

CMYK 97 / 0 / 62 / 25

HEX #06BF49

RGB 6 191 73

HSL 141.73, 0.94%, 0.39%

LAB 67.86, -64.52, 47.26

 

CMYK 97 / 0 / 62 / 10

HEX #08E658

RGB 8 230 88

HSL 141.62, 0.93%, 0.47%

LAB 80.38, -74.38, 54.97

 

CMYK 87 / 0 / 55 / 4

HEX #21F66E

RGB 33 246 110

HSL 141.69, 0.92%, 0.55%

LAB 85.69, -75.21, 51.5

 

CMYK 71 / 0 / 45 / 3

HEX #49F888

RGB 73 248 136

HSL 141.6, 0.93%, 0.63%

LAB 87.16, -67.6, 41.22

 

CMYK 55 / 0 / 35 / 2

HEX #71F9A2

RGB 113 249 162

HSL 141.62, 0.92%, 0.71%

LAB 88.86, -56.02, 30.78

 

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

CMYK 87 / 48 / 0 / 4

HEX #2181F6

RGB 33 129 246

HSL 212.96, 0.92%, 0.55%

LAB 54.74, 15.93, -65.9

 

CMYK 0 / 87 / 82 / 4

HEX #F6212C

RGB 246 33 44

HSL 356.9, 0.92%, 0.55%

LAB 52.8, 75.01, 50.23

 

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

CMYK 56 / 87 / 0 / 4

HEX #6C21F6

RGB 108 33 246

HSL 261.13, 0.92%, 0.55%

LAB 39.46, 74.15, -90.72

 

CMYK 0 / 56 / 87 / 4

HEX #F66C21

RGB 246 108 33

HSL 21.13, 0.92%, 0.55%

LAB 62.02, 49.44, 62.84

 

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

CMYK 87 / 48 / 0 / 4

HEX #2181F6

RGB 33 129 246

HSL 212.96, 0.92%, 0.55%

LAB 54.74, 15.93, -65.9

 

CMYK 0 / 87 / 30 / 4

HEX #F621AC

RGB 246 33 172

HSL 320.85, 0.92%, 0.55%

LAB 55.74, 83.31, -20.93

 

CMYK 0 / 39 / 87 / 4

HEX #F69621

RGB 246 150 33

HSL 32.96, 0.92%, 0.55%

LAB 70.54, 28.43, 69.62

 

CMYK 87 / 0 / 55 / 3

HEX #21F76E

RGB 33 247 110

HSL 141.59, 0.93%, 0.55%

LAB 85.99, -75.52, 51.87

 

CMYK 87 / 74 / 0 / 4

HEX #2141F6

RGB 33 65 246

HSL 230.99, 0.92%, 0.55%

LAB 39.17, 55.33, -91.36

 

CMYK 0 / 87 / 30 / 4

HEX #F621AC

RGB 246 33 172

HSL 320.85, 0.92%, 0.55%

LAB 55.74, 83.31, -20.93

 

CMYK 0 / 13 / 87 / 4

HEX #F6D621

RGB 246 214 33

HSL 50.99, 0.92%, 0.55%

LAB 85.9, -4.85, 81.88

 

Description

Color code: HEX #21F76E | qconv.com Color code: HEX #21F76E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 247 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 247 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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